A soldier returning from the war in Afghanistan uncovers a conspiracy involving the intelligence services and a gang of drug dealers.A soldier returning from the war in Afghanistan uncovers a conspiracy involving the intelligence services and a gang of drug dealers.A soldier returning from the war in Afghanistan uncovers a conspiracy involving the intelligence services and a gang of drug dealers.
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I think it's useful to actually bring up Ritchie here, due to its links with Kebbell- and for that matter Statham's 'Blitz' which is a form of dark Ritchie film actually. What they all have in common is the grim underbelly of London and the disturbed inwards of British society. Unlike Ritchie's MTV approach, The Veteran has a hugh scope- a true comment on modern society, civilisation, morality... I could go on... REALLY heavy subjects which are explored with the vigour of a novel. In fact, this film would have probably been better as a novel- some of the labyrinthine plot does not take on first viewing, but I saw that as indicative of the confused state of morals, politics, loyalty and judgements that the film centres on. In this respect Kebbell's hard but traumatised soldier is a great piece of acting and a fantastic vehicle for a mixture of action/thriller entertainment and social commentary.
The conflicting opinions about the movie Blitz are typical of the state British cinema finds itself in right now. On one hand you have the type of Lock, Stock Brad Pitt 'ultraviolence' and crime-glorification popcorn for the Hollywood market. The Transporter, Crank and so on are also in the same vein you could argue- pretty soulless Statham nonsense. Blitz as a film is halfway between that and this. And what is this?
Well, it is the other hand. Something British cinema can actually be proud of, it has depth. It does not wallow in 'cool' Tarantino style violence and gore- instead it uses ultra-realistic action scenes (helped by the military/espionage storyline) to get into the heart of the British (read 'western') battlefield of crime, corruption, terrorism... and well, watch it and find out. In many ways, you might almost class this as a post-apocalyptic film, it echoes 1984 and generic Orwellian dystopia. Man up and watch it, give it just minutes and you'll be hooked.
Whether this type of film or the Ritchie style will gain control over Britain's cinematic soul remains to be seen.
Miller (Toby Kebbell) returns home from war to the council estate he lives in, but finds it in the grip of a crime wave, perpetrated by young boys under the influence of local villain Tyrone (Ashley 'Bashy' Thomas.) Struggling to re-adjust to civilian life, he is offered a job by an old army pal to execute a government operation, headed by Gerry (Brian Cox) to take out a terrorist cell. But as he delves deeper into his mission, he finds trust may be a virtue that could cost his life.
One of the excerpts of favourable reviews printed on the back cover of The Veteran (I'm sure it was from Empire Magazine) hails it as 'Harry Brown has some competition.' While it does deal with a man standing up to crime on a troubled estate, this manages to be as much of a sub plot as the part where he takes on the government operation, and while both parts have promise, together they throw the film off course a bit, making things a bit jumbled and incoherent. A shame, since as an action film, it is quite well made, slick and stylish enough and with a tighter, more effective script than you might expect from such an obviously low budget work. Best remembered as the eccentric musical genius from RocknRolla, in the lead role Kebbell melds well into the action hero role, while as the most high profile member of the cast Cox has as much presence as ever, delivering his all even to a more minor role.
This is an ambitious, fairly effective but sadly sort of misguided effort, that does more than you expect but can't quite cover over the cracks. ***
Sure it had some slow parts in it, but the story line was solid, acting was good, and the pile of bodies made up for the slow parts.
The British do these kind of films well, most of their cop shows are well done, and they are very good at making crime films.
Like I said no Oscar on its way, but a hell of lot better then the crap that has been coming out of Hollywood this year.
Solid 8 out of 10
Did you know
- TriviaThe social housing complex that Miller is living in is the Heygate estate at Elephant and Castle. You can see the Strata in one of the scene where Miller broke through some barricade to have the night view. The Heygate has since been demolished to make way for Elephant Park by Lend Lease.
- Quotes
[last lines]
Gerry Langdon: The organizing principle of any society is for war. The basic authority of the modern state over its people resides in its war powers. Today it's oil, tomorrow, water. It's what we like to call the GOD business: Guns, Oil, and Drugs. But there is a problem. Our way of life, its over. It's unsustainable and in rapid decline. That's why we implement demand destruction. We continue to make money as the world burns. But for this to work the people have to remain ignorant of the problem until it's too late. That's why we have triggers in place: 9/11, 7/7, WMDs. A population in a permanent state of fear does not ask questions. Our desire for war becomes *its* desire for war. A willing sacrifice. You see, fear is justification, fear is control, fear is money. You're a brilliant soldier and I could still use someone like you.
Robert Miller: I'll ask you one more time. Where is she?
Gerry Langdon: Do you know the term "train tracking?" And "batterying?"
[They are slang for "gang rape"]
Gerry Langdon: Perhaps you should look closer to home. The young men of your estate. So vicious. Poor Alayna wouldn't stand...
[takes a bullet to the heart]
- SoundtracksPatri
Written and Performed by Ben Medcalf
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Details
Box office
- Budget
- £2,100,000 (estimated)
- Gross worldwide
- $33,229
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.85 : 1