The Veteran

Overall it was a good film albeit slightly confusing at times. The main character is very likable. There seems to be one plot which is advertised - the council estate plot, and the terrorist plot. The film would have been better if it stuck to one of the plots. The lady informant character remains unresolved. I believe it could have been quite similar to Harry Brown if done well. The terrorist part of the film was a bit confusing with too many twists to keep anybody truly interested. I believe if this part had been developed it could have been similar to an American blockbuster film which would usually star Matt Damon. The main character's performance is very strong and the reactions are more realistic and believable than in most action scenes. It was a nice touch to see someone actually reload in a movie. It is still watch able but it could have been a lot better.

I actually had this film and another British 'grit' film - a Jason Statham film- 'Blitz' at the same time. I knew a little about The Veteran and and just didn't feel like watching it since I assumed it was going to be dark. It is that. However, when I actually got my finger out and started playing it- it really grabbed me by the manhood within seconds. Literally. Yes this is a heavy film, but is it something you want to watch? Yes. Is it entertaining, very- it has intrigue, drama and action. The human element of the main character is portrayed excellently by Toby Kebbell who I had seen some months earlier in the Guy Ritchie gangsta powerflick 'RocknRolla'.

I think it's useful to actually bring up Ritchie here, due to its links with Kebbell- and for that matter Statham's 'Blitz' which is a form of dark Ritchie film actually. What they all have in common is the grim underbelly of London and the disturbed inwards of British society. Unlike Ritchie's MTV approach, The Veteran has a hugh scope- a true comment on modern society, civilisation, morality... I could go on... REALLY heavy subjects which are explored with the vigour of a novel. In fact, this film would have probably been better as a novel- some of the labyrinthine plot does not take on first viewing, but I saw that as indicative of the confused state of morals, politics, loyalty and judgements that the film centres on. In this respect Kebbell's hard but traumatised soldier is a great piece of acting and a fantastic vehicle for a mixture of action/thriller entertainment and social commentary.

The conflicting opinions about the movie Blitz are typical of the state British cinema finds itself in right now. On one hand you have the type of Lock, Stock Brad Pitt 'ultraviolence' and crime-glorification popcorn for the Hollywood market. The Transporter, Crank and so on are also in the same vein you could argue- pretty soulless Statham nonsense. Blitz as a film is halfway between that and this. And what is this?

Well, it is the other hand. Something British cinema can actually be proud of, it has depth. It does not wallow in 'cool' Tarantino style violence and gore- instead it uses ultra-realistic action scenes (helped by the military/espionage storyline) to get into the heart of the British (read 'western') battlefield of crime, corruption, terrorism... and well, watch it and find out. In many ways, you might almost class this as a post-apocalyptic film, it echoes 1984 and generic Orwellian dystopia. Man up and watch it, give it just minutes and you'll be hooked.

Whether this type of film or the Ritchie style will gain control over Britain's cinematic soul remains to be seen.

I also agree that the British seem do this genre well. The principal actor did a fine job a very good job..earned every dollar. Another character's premises that the war on terrorism is all about GOD (guns,oil and drugs), used to keep people in control and in fear for economic reasons, is most likely, reality. Yet what I found most interesting was how how accurately the movie depicts the real present day London as an extremely somber, soul-sucking urban far-scape.. IMHO, it all sucks; the food, the atmosphere, everything..Woof. Sorry! And this treatment certainly rams that home. The shootout at the climax was a chilling, honestly portrayed rendition of violence, spot on... I found it to be a sad, uncomfortable, yet thought provoking and extremely entertaining movie. Job well done!

Toby Kebbel is excellent as the veteran, returning to his London council estate following retiring from army duty. The decorated soldier struggles to find work and so gets involved in an anti terrorist undercover role, tailing an informant (the team being led by Brian Cox). Whilst this is going on he tries to help his friend against the neighbourhood hoodie gang, who are brainwashing his brother into the local gang culture.

Dark, gritty, slow to build up but gripping and exciting (and threatening) this Brit flick is a great watch. Miller (Kebbel) then realises all is not what it first seemed and has to find a way out and rectify a situation he is struggling to deal with. The thing that made it for me was the arguably non sell out ending, remaining in keeping with the film and rewarding the viewers patience with the story and slower first half. It is far from perfect, but with a forgiving film fan head, this film may surprise a few and entertain, and that is the point.

Definitely a top 20 film of 2011 and it's non blockbuster status will make it an even better watch for admirers of this sort of film and content, a modern underdog fighting back styled film.

This film is similar to Harry Brown, Taxi Driver and Outlaw.

The plot as such seems realistic, but there are several unrealistic scenes - above all, related to shadowing and final shooting. The total conspiracy is also difficult to follow at times. It gloomy and gray background is probably meant to stress the overall mood, but it becomes annoying in the course of time. The very ending is too sudden as well.

And, as we do here with a so-called solo film (the leading character always visible), the selection of Toby Kebbell was probably not the best - he is short of charisma and particular features needed for such a role. Brian Cox and Tom Brooke were more catchy to follow; anyhow, murkiness and low spirits were too prevailing.

As a film in general, it is okay, perhaps even more, but for a British thriller, it is rather mediocre - just remember films by Guy Ritchie, for example.