Colin Clark, an employee of Sir Laurence Olivier, documents the tense interactions between Olivier and Marilyn Monroe during the production of The Prince and the Showgirl (1957).Colin Clark, an employee of Sir Laurence Olivier, documents the tense interactions between Olivier and Marilyn Monroe during the production of The Prince and the Showgirl (1957).Colin Clark, an employee of Sir Laurence Olivier, documents the tense interactions between Olivier and Marilyn Monroe during the production of The Prince and the Showgirl (1957).
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- Nominated for 2 Oscars
- 18 wins & 64 nominations total
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Featured reviews
Eye-popping cinematic dreams turned into stale movie cliché
Here's the thing: knowing this is going to be about Marilyn, we expect certain things. Dazzling beauty exuding sex, insecure film star in search of the real person; perhaps some eye-popping excess about the business responsible for fabricating our dreams. And we expect these because Marilyn's story is Hollywood lore at its most pure: a pretty picture masking darkness of all sorts.
So because we already know that Marily was not just a sparkling movie star and because this is all so widely familiar and with its own widely referenced myth and iconography, the only reason to make this into a film is that you have come up with some unique angle that sheds new unexpected light into the thing. A structure that can hold together so many cinematic dreams implicit by having at the center this woman who gave flesh to them.
At least the premise is sound, if not remarkable. A young man has written a book about his short time together with her, and on a movie set. We trust that a lot of that is fictional and doctored, itself not far from a movie script. Ideally, our film has the option of conflating personal recollection, diary, rehearsal, film being made, into our film about the fabrication of myths and an actress looking to understand the real person behind the role she's given to play.
The first half holds. A breezy, sparkling, leisurely stroll around a movie set, as we like to imagine must have been everyday life around movie stars. We bask in the radiance of making movies and play-acting. What better life?
In the second half however we expect to know the other side of the idealized image. Sex as no longer delicious eye-candy but baring the soul naked.
What do we get instead? That same stereotyped image attached to a score of movie clichés: tabloid proclamations, banality, hackneyed emotion diffused into TV soap. We know that Marilyn and this world was more complex than this. Gentlemen preferred the blonde for a reason and the film does not even begin to understand why.
So because we already know that Marily was not just a sparkling movie star and because this is all so widely familiar and with its own widely referenced myth and iconography, the only reason to make this into a film is that you have come up with some unique angle that sheds new unexpected light into the thing. A structure that can hold together so many cinematic dreams implicit by having at the center this woman who gave flesh to them.
At least the premise is sound, if not remarkable. A young man has written a book about his short time together with her, and on a movie set. We trust that a lot of that is fictional and doctored, itself not far from a movie script. Ideally, our film has the option of conflating personal recollection, diary, rehearsal, film being made, into our film about the fabrication of myths and an actress looking to understand the real person behind the role she's given to play.
The first half holds. A breezy, sparkling, leisurely stroll around a movie set, as we like to imagine must have been everyday life around movie stars. We bask in the radiance of making movies and play-acting. What better life?
In the second half however we expect to know the other side of the idealized image. Sex as no longer delicious eye-candy but baring the soul naked.
What do we get instead? That same stereotyped image attached to a score of movie clichés: tabloid proclamations, banality, hackneyed emotion diffused into TV soap. We know that Marilyn and this world was more complex than this. Gentlemen preferred the blonde for a reason and the film does not even begin to understand why.
Michelle Williams Brings Marilyn Monore to the Life.
MY WEEK WITH MARILYN – CATCH IT ( B+ ) A young Colin Clark remembers the time he has spend with Marilyn Monroe during the filming of "The Prince and the Showgirl". The movie is told through the eyes of Colin Clark and how he sees Marilyn and her estrange relationship with the director/actor Laurence Olivier. As the movie is only about some of days Colin Clark spends with Marilyn, we don't get to see the whole drama inside her life but I must commend Michelle Williams for her stellar portrayal of Marilyn because it's her performance that takes you deep into the mind of Marilyn rather than the script itself. Michelle Williams's hardcore study on her character shows in the movie and she deserved her Oscar nod. Eddie Redmayne is impressive as always but over the years I've noticed that Eddie is always good but never really leaves a strong impact. I've seen him several movies so far but he wasn't that memorable in them. Kenneth Branagh is simply superb. Julia Ormond and Dominic Cooper are alright in their parts. Emma Watson did a decent job out of Hermione, even it was a small role but it was defiantly good to see her spreading outside Harry Potter franchise. Overall, My Week with Marilyn is a good movie and Michelle Williams's performance is worth watching. Highly Recommended! P.S I would love to see Michelle Williams reprise her role as Marilyn Monroe in Marilyn's autobiography if Hollywood decides to make one.
Carefully Crafted Historically
"My Week with Marilyn" is entertaining and sufficiently well done to interest anyone who remembers her story. But those who have some exposure to the literature she has generated should be impressed by the way the film manages to represent so many of the very different views there are about her. Was she a smart, predatory woman in control of her persona and milking it for all she could get? The sad addicted victim of her handlers? An ordinary woman looking for love and happiness derailed by her own star quality? The movie represents all of these views and refuses to settle the question. The writer and director are to be congratulated for resisting the temptation to come down on a particular view.
The insecurities of Marilyn
"My Week with Marilyn" wasn't just a movie; it was a captivating journey back in time. I was absolutely mesmerized by Michelle Williams' portrayal of Marilyn Monroe. She captured the essence of the iconic star with such grace and vulnerability that I almost forgot I was watching a film.
The movie beautifully depicted the complexities of Marilyn Monroe, beyond the glamorous facade. It showed the fragility behind the stardom, the loneliness, and the desperate search for love and validation.
I particularly enjoyed the dynamic between Marilyn and Colin Clark (played by Eddie Redmayne). Their interactions were both charming and poignant, offering a glimpse into the human side of a legend.
While the film is a fictionalized account, it felt incredibly authentic. The attention to detail, from the costumes and sets to the recreation of the 1950s Hollywood atmosphere, was impeccable.
"My Week with Marilyn" is a must-watch for anyone who admires Marilyn Monroe or appreciates films that delve into the human condition. It's a poignant and beautifully crafted tribute to a timeless icon.
However: * Some viewers might find the pacing a bit slow at times.
* The film focuses more on Marilyn's personal struggles than her professional life.
Despite these minor drawbacks, "My Week with Marilyn" is a truly captivating and unforgettable cinematic experience.
The movie beautifully depicted the complexities of Marilyn Monroe, beyond the glamorous facade. It showed the fragility behind the stardom, the loneliness, and the desperate search for love and validation.
I particularly enjoyed the dynamic between Marilyn and Colin Clark (played by Eddie Redmayne). Their interactions were both charming and poignant, offering a glimpse into the human side of a legend.
While the film is a fictionalized account, it felt incredibly authentic. The attention to detail, from the costumes and sets to the recreation of the 1950s Hollywood atmosphere, was impeccable.
"My Week with Marilyn" is a must-watch for anyone who admires Marilyn Monroe or appreciates films that delve into the human condition. It's a poignant and beautifully crafted tribute to a timeless icon.
However: * Some viewers might find the pacing a bit slow at times.
* The film focuses more on Marilyn's personal struggles than her professional life.
Despite these minor drawbacks, "My Week with Marilyn" is a truly captivating and unforgettable cinematic experience.
Good Movie- Nice Period Piece
I liked this movie, it was a non-judgemental re-telling of a slice of history. I thought the performances were all very good by the leading characters. I have no idea what the real Marilyn was like and I don't think many people do, but Michelle Williams character is a more than plausible interpretation, vulnerable at times, manipulative at others, who really knows where the reality lies, but there was something for everyone's interpretation. The movie did a good job of depicting that moment in time and transporting the audience there for a couple of hours. I guess it is every man's fantasy to have this opportunity, so the story is a satisfying one for any man who has ever wondered what the real Marilyn may have been like.
Did you know
- TriviaAccording to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time.
- GoofsA frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced.
- Quotes
Marilyn Monroe: Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them.
- ConnectionsFeatured in Maltin on Movies: The Muppets (2011)
- SoundtracksWhen Love Goes Wrong (Nothin' Goes Right)
Written by Harold Adamson and Hoagy Carmichael
Performed by Michelle Williams
Published by EMI First Catalog Inc., Peer Music (UK) Ltd (c/o Songs of Peer Ltd)
Courtesy of The Weinstein Company
Arranged and Produced by David Krane
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Mi semana con Marilyn
- Filming locations
- Hatfield House, Melon Ground, Hatfield Park, Hatfield, Hertfordshire, England, UK(Windsor Castle - interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £6,400,000 (estimated)
- Gross US & Canada
- $14,600,347
- Opening weekend US & Canada
- $1,750,507
- Nov 27, 2011
- Gross worldwide
- $35,057,696
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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