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House of Tolerance

Original title: L'Apollonide (Souvenirs de la maison close)
  • 2011
  • Not Rated
  • 2h 2m
IMDb RATING
6.7/10
8.4K
YOUR RATING
House of Tolerance (2011)
Costume DramaPeriod DramaPsychological DramaDrama

At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.

  • Director
    • Bertrand Bonello
  • Writer
    • Bertrand Bonello
  • Stars
    • Noémie Lvovsky
    • Hafsia Herzi
    • Céline Sallette
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    8.4K
    YOUR RATING
    • Director
      • Bertrand Bonello
    • Writer
      • Bertrand Bonello
    • Stars
      • Noémie Lvovsky
      • Hafsia Herzi
      • Céline Sallette
    • 35User reviews
    • 107Critic reviews
    • 75Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 6 wins & 15 nominations total

    Photos184

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    Top cast50

    Edit
    Noémie Lvovsky
    Noémie Lvovsky
    • Marie-France
    • (as Noemie Lvovsky)
    Hafsia Herzi
    Hafsia Herzi
    • Samira
    Céline Sallette
    Céline Sallette
    • Clotilde
    • (as Celine Sallette)
    Jasmine Trinca
    Jasmine Trinca
    • Julie
    Adèle Haenel
    Adèle Haenel
    • Léa
    • (as Adele Haenel)
    Alice Barnole
    Alice Barnole
    • Madeleine
    Iliana Zabeth
    Iliana Zabeth
    • Pauline
    Judith Lou Lévy
    Judith Lou Lévy
    • Une prostituée
    • (as Judith Lou Levy)
    Pauline Jacquard
    Pauline Jacquard
    • Une prostituée
    Anaïs Thomas
    Anaïs Thomas
    • Une prostituée
    Maia Sandoz
    Maia Sandoz
    • Une prostituée
    • (as Maïa Sandoz)
    Joanna Grudzinska
    Joanna Grudzinska
    • Une prostituée
    Esther Garrel
    Esther Garrel
    • Une prostituée
    Xavier Beauvois
    Xavier Beauvois
    • Jacques - un client
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • Michaux - un client
    Jacques Nolot
    Jacques Nolot
    • Maurice - un client
    Laurent Lacotte
    Laurent Lacotte
    • Le client sadique
    Pierre Léon
    Pierre Léon
    • Un client
    • (as Pierre Leon)
    • Director
      • Bertrand Bonello
    • Writer
      • Bertrand Bonello
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews35

    6.78.4K
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    Featured reviews

    9amorathe

    Dark and disturbing

    A lot of viewers criticize the film as dark, dull, disturbing, etc. In my opinion after watching this, though, I have not yet to watch or read any interviews about this film, I feel like it is the director's intent. It intended you to feel disturbed in the first place. It has the potential to make us feel that something's not right or what was happening to their lives were wrong.

    This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
    8srjphorton-76755

    Brothel in Paris in the early 1900s

    If you don't speak French it's somewhat difficult to follow the subtitles, but once you get the hang of it, of course it becomes easier as It usually does with foreign films.

    I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.

    Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.

    Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
    8cherryredpinup

    Beautiful and real

    I loved this film, I am surprised to see more than one review damning the film for a lack of plot. There is most definitely a plot it's subtle and thoughtful but the characters all have an arc and, for some, very definite resolutions.

    The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.

    Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.

    This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
    FrenchEddieFelson

    Darkness and sadness within Paris

    A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.

    Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
    8derek-duerden

    Plus ca Change...

    Nicely acted and photographed, this could however easily be very depressing - not only in the unvarnished depiction of life in a Paris brothel 100 years ago but in the clear message that things aren't too different today.

    Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.

    Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.

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    Related interests

    Mia Goth and Anya Taylor-Joy in Emma. (2020)
    Costume Drama
    Emma Watson, Saoirse Ronan, Florence Pugh, and Eliza Scanlen in Little Women (2019)
    Period Drama
    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Psychological Drama
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    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      There's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
    • Goofs
      A character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
    • Crazy credits
      Dedication before end credits:  "For Charlotte"
    • Connections
      Featured in Ebert Presents: At the Movies: Episode #2.23 (2011)
    • Soundtracks
      Plaisir d'Amour
      Music by Jean-Paul-Égide Martini

      Lyrics by Jean-Pierre Claris de Florian

      Performed by Eloïse Decazes

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    FAQ16

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    Details

    Edit
    • Release date
      • November 25, 2011 (United States)
    • Country of origin
      • France
    • Language
      • French
    • Also known as
      • House of Pleasures
    • Filming locations
      • Paris, France
    • Production companies
      • Les Films du Lendemain
      • My New Picture
      • Arte France Cinéma
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €4,000,000 (estimated)
    • Gross US & Canada
      • $19,327
    • Opening weekend US & Canada
      • $4,766
      • Nov 27, 2011
    • Gross worldwide
      • $1,389,920
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 2m(122 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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