A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.A journalist covering police assigned to a juvenile division enters into an affair with one of her subjects.
- Awards
- 7 wins & 22 nominations total
Frédéric Pierrot
- Baloo
- (as Frederic Pierrot)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The average time that someone can work in child protection is two years. Some last longer, or there would not be supervisors, but it is a rough business, as this film depicts.
What should grab you is that they move from case to case without any continuity. This is the real world of child protection. You deal with a druggie mother today, a pederast grandfather tomorrow, and neglected or abused children the next day.
Some may find the language off-putting, but that is the way it is. You are under such stress during work, that you have to relieve it somehow after you get off. It may be crude, but it is effective.
I can also relate to those who lose it occasionally. You can put your heart and soul into this job, and get frustrated easily by parents and the bureaucracy.
The film may have been actors, but it has a documentary feel as they portray the action as it really happens.
What should grab you is that they move from case to case without any continuity. This is the real world of child protection. You deal with a druggie mother today, a pederast grandfather tomorrow, and neglected or abused children the next day.
Some may find the language off-putting, but that is the way it is. You are under such stress during work, that you have to relieve it somehow after you get off. It may be crude, but it is effective.
I can also relate to those who lose it occasionally. You can put your heart and soul into this job, and get frustrated easily by parents and the bureaucracy.
The film may have been actors, but it has a documentary feel as they portray the action as it really happens.
I had no idea that this film had many nominations at last year's César awards (the french Oscars). I started to see it on cable and immediately got interested in the subject and the way they handle it. It's straight forward but subtle at the same time. It has a good moving pace, there's always something going on. The array of characters is very rich and even though there's no time to get more deeply into their private worlds, you get to understand that they are mere human beings doing their best at their job, which is trying to protect all "minors" from abusive situations. I specially liked the realism of the characters, you end up caring for most of them and wishing them well in their actions.
Polisse was my favourite film at the recent Sydney Film Festival. A french film from writer, director, star Maiween, it tells the story of the Child Protection Unit in Paris. It was absolutely riveting from start to finish.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
An authentic gem. A real one. Not a thriller nor a crime movie. Actually, this amazing feature reminds me Xavier Beauvois' LE PETIT LIEUTENANT, released in 2005. The real picture, poignant, terrific life of the daily procedural life of cops. Here, it is the child protection squad; a bunch of men and women who fight against child molesters, people who sometimes rape their own children !!! Policemen and women who have to face the ugliness, the most disgusting side of the real life. In this film, you cry, laugh, feel your heart under pressure when watching this wonderful performance given by the actors, so close to reality. Yes, the characters, and not only the cops, look real ones. A powerful, vivid movie that may give you the feeling to be hit by an express train.
The ending is really awful, but I won't tell you more. Go and see this masterpiece. Now!!!
The ending is really awful, but I won't tell you more. Go and see this masterpiece. Now!!!
now that is a good film..too much talk in the dialog, which is famous in the french cinema and drama in general ,but this time it was well used i was not bothered by it,it's stayed real,and dealing with a true realistic problem without exaggeration, presenting it as is- i felt like as if its a reality drama ,that a hidden camera was shooting a real life events not drama,that is success,the film is deep and subtle and its emotional too,acting is very well carried out... even by the minors who were interviewed and the children,i must emphasis on" Maïwenn's" acting ,it was very calm yet deep and superb."Joey starr" was good too in some moments though he was exaggerating in anger in others but over all good acting i say if you have a chance to go watch this film, please do it s worth it really.
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Did you know
- TriviaDirector Maïwenn's first idea for the title was "Police", but another film already had this name: none other than famous French director Maurice Pialat's film in 1985. Her next idea was, "Vous êtes de la police?", but it too was already a film title. One day, as her young child was learning to write, he misspelled "Police", and she saw in front of her eyes the perfect title considering the subject of her movie, with a child's writing: "Polisse".
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #1.18 (2011)
- SoundtracksL'Île aux Enfants
Music by Roger Pouly
Lyrics by Christophe Izard
Performed by Anne Germain
(p) & (c) 1974 Editions de Alouettes (catalogue Technisonor)
Avec l'aimable autorisation de Sony ATV
- How long is Polisse?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Cánh Sát Pháp
- Filming locations
- Boulevard du Palais, Paris 1, Paris, France(scene at the café)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $211,440
- Opening weekend US & Canada
- $16,568
- May 20, 2012
- Gross worldwide
- $20,601,245
- Runtime
- 2h 7m(127 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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