Morality and Class Conflict
This is the film that Yavuz Turgul's works in the police style this time, always having problems such as social transformation, development, decay. In the film, Şener Şen plays a well-intentioned, brave-hearted, sensible, disturbing character as it was in his previous films.
The most serious conflict of the av season is between the idealist police officer ferman (şener şen), the business man who came from Adana and later became wealthy, Battal bey (tough tekindor). This is a conflict we are accustomed to seeing in the cinema of yavuz turgul. Eşkiya Movie (baran and berfo) and Muhsin Bey Movie (Muhsin Bey and Laz Nurettin).
Yavuz turgul used the detective style only as a backdrop. Main theme, social events, rich - poor - middle class morality (if any). Is a middle-class man who is often oppressed in his films. Because what we call 'morality' is a value of the middle class. The moral definitions of upper and lower classes are very variable.
The film ends with a sad optimism as if it were in other turgul movies; Justice has been partially found but many lives and values have been lost.
The most serious conflict of the av season is between the idealist police officer ferman (şener şen), the business man who came from Adana and later became wealthy, Battal bey (tough tekindor). This is a conflict we are accustomed to seeing in the cinema of yavuz turgul. Eşkiya Movie (baran and berfo) and Muhsin Bey Movie (Muhsin Bey and Laz Nurettin).
Yavuz turgul used the detective style only as a backdrop. Main theme, social events, rich - poor - middle class morality (if any). Is a middle-class man who is often oppressed in his films. Because what we call 'morality' is a value of the middle class. The moral definitions of upper and lower classes are very variable.
The film ends with a sad optimism as if it were in other turgul movies; Justice has been partially found but many lives and values have been lost.
- emre-islek
- Jun 7, 2017