The Lost Thing

The lost thing rises as a breath of fresh air against an ever rising tide of wise cracking or sickly cute fur balls and violent comic animation fueled by the American market. At around 15 minutes in length "The lost thing" had a production time line sprawled over nearly ten years with the bulk of work done over three years. The required creative control in adapting and complementing a very popular book have clearly been kept in check buy the directorial hand of the original illustrator and author Shaun Tan and very small production team principally Leo Baker, the main animator and computer graphics artist Tom Bryant.

It is a simple story which reflects on human natures diminishing observation and appreciation of a world out side the day to day pathway we are all forced to travel by both greater authority and selfish ambition. Childlike observations laced with surrealistic circumstance create the distinctly dream like world of "The Lost Thing"

"The lost thing" is short but so visually rich with Shaun Tans remarkable eye for detail it feels complete and invites repeated viewing. If your a little over street wise dudes with stand up comic sarcasm, over blown CGI action coupled with misfiring plots take a medicinal shot of "The Lost Thing". You can not go wrong.

'THE LOST THING': Four Stars (Out of Five)

One of the best animated short films nominated for an Oscar last year (2010), this one tells the story of a boy (voiced by Tim Minchin) who finds an odd and mysterious creature on a beach, which no one else seemed to notice. He takes it home with him and attempts to find it a place of it's own to live but finds little help as he discovers no one else seems to care. The film focuses on our modern civilization and how busy and self centered we are to notice amazing thing right in front of us. It of course delivers the message that as a child we still have awe and wonder for such things but eventually grow out of it. It's directed by Shaun Tan and Andrew Ruhemann and written by Tan. The film is quirky, nostalgic and cleverly animated. It's got that classic monster befriends child charm to it. One definitely worth the recognition it's received.

Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=CBqNUf10kuk

Shaun Tan, is quite well known among Australian children and teacher/librarians for his contributions to the field of children's books and art work.

The Lost Thing was originally published as a children's book in 1999. The story revolves around a young man who finds a... well... Thing. Nobody else seems to notice the Thing, and the young man decides to find out where it is meant to be.

The film is set in a drab, dystopian world that is akin to Dali's impressionistic artistry.

For people that enjoy not only animation, but also art, this is a fantastic choice. The visuals and Thing are quite astounding to watch and the story is very well executed.

For people wishing to buy this film. It is purchasable from here http://www.madman.com.au/catalogue/view/13969/the-lost-thing

This is about someone facing insurmountable odds as he attempts to bring a strange creature back home. One day, the thing just shows up and is so unique that there seems to be nothing to connect it to. He is cut off at every turn, but he perseveres. The interesting thing is that this creature, while being somewhat monstrous in appearance, is kind and gentle, and he continues to deliver those traits. The theme of this film, which is from a children's book, has to do with misfits and their trials and the need for someone to believe in them. Nice work.

A lad is combing the beach for additions to his bottle top collection when he encounters a great big red metallic object - with tentacles. It looks something akin to an octopus stuck in a diving bell! He says hello and suddenly it comes alive. Armed with two great pincers up front, it just wants to play ball and build sandcastles with it's new human friend. As the day comes to a close, the boy realises that his pal has nowhere to go. No home, no friends, no nothing! He goes to his boffin mate to try and identify his tin friend, but in the end they have to conclude it's lost and so he will just have to take it home to his sceptical parents - dirty feet or not! Then he sees an advert on the telly for the "Federal Dept. For Odds and Ends". That became his plan - surely they'd know? Well they might have done had he not been weighed down by a ton of form-filling and red tape and then been warned off by the cleaner! Maybe the best chance is that it will actually remember where it's supposed to go by itself? Well, let's give that strategy a go... Tim Minchin's understated narration works wonders with this engaging mystery and as the pair spend the day exploring potential homes for "thing" the producers have a free rein to create a range of colourful and vivid scenarios using various styles of animation to create a myriad of creatures - human and otherwise, to enhance this simple story. I did enjoy this, even if it's a bit sad at the end.