Trespass

When I heard about the new movie "Trespass" the actors were what reeled me in at first. Between Nicole Kidman, Nicolas Cage and Cam Gigandet, I had my hopes set pretty high for a well acted movie; and I was not disappointed in the least. The movie starts off with your typical wealthy family with an angst filled teenage daughter. The marriage of the characters Kyle and Sarah, Nicolas Cage and Nicole Kidman respectively, seems strained at first, with Sarah's needs not being met because of Kyle's being preoccupied with work. When 2 "police officers" come to the house however, terror ensues. A violent hostage situation grips the family and shows how far a father will go for his wife and his daughter. Not only does Nicolas Cage shine as a man with a tortured secret, he embodies how strong a person should be in such a situation. The shocking realism of this movie is bloody, but not too gory, and really thrills you to the last scene. All in all Trespass delivers tenfold and leaves the audience with a final thought: get out, or die trying.

An actual good Cage performance, that we have forgotten about after over a decade of utter dreck. I will say at the time, this film was that very dreck. He has been doing these kind of performances, one after another since 2011, but when I go back and see Trespass, I wonder why? He did it all perfectly here, to where the others seem like imitation and are coming up shorter. That is because creating a character rings differently than just running through a 'mad man' shtick he repeats. I think it is because of Joel Schumacher. He was a real actors director, a master director who worked in the confines of mainstream film. Rediscovering his work from ground up from the 1980s, I see his mainstream films in a new light, from Phone Booth, to this, he never lost that artistry, even if it came in more outrageous packages.

This straight to DVD, "paint by numbers" thriller staring Nicolas Cage and Nicole Kidman was one hell of a disappointment. The home invasion sub-genre while popular continually devours itself by its own lack of originality. There were a few moments in Trespass where the story could have taken a much more substantial route but rather then strive for something original the story falls back into the safe "paint by numbers" genre style. So in short - once you've seen one you've seen them all.

I have no idea where it went wrong but there was once a time when Nicolas Cage was hailed as being a great talent of cinema. During the past 10 years I can only count two films that feature the quality of acting he was once known for - 2009's doomsday epic Knowing & 2011's fantastic Drive Angry. There were scenes in Trespass that were obviously meant to be tense & on the edge but they were stripped of that feeling by the sub-par performance of Nicolas Cage as Kyle Miller. I found myself laughing several times when I should have been rooting for his character. He was just that bad. Played by someone else the character of Kyle Miller could have helped anchor this movie a little more and allow it to regain the intensity that it lacked.

The supporting cast (Nicole Kidman included) worked with what they had but I just wasn't able to invest in caring whether they lived or died. Nicole Kidman who is still such a great talent was reduced to spending the majority of this film sobbing and crawling along the ground. There was no need for the character of Sarah Miller (Nicole Kidman) to be played by someone of Kidmans stature. This character could have been played by anyone. The character Avery Miller (Liana Liberato) has a couple of great scenes towards the end of this film.

Trespass had the chance to go down a different route but sadly it went the safe, predictable path that we've all seen before.

I've never written a review before but felt compelled in this case due to the overwhelming number of positive reviews for a film that I felt was somewhat surprising in it's mediocrity considering its cast. Nic Cage does a fine job of subduing his performance and avoiding the tics that make him so Nicholas Cagey, but at some points it seems like a detriment. Coupled with the home invaders failure to produce much of a 'menacing' feel, Nic's performance doesn't do much to stem the movie from it's ultimate failure: a lack of intensity. In fairness, it seemed like more of a script issue; his character didn't seem very realistic.

Kidman's hyperventilating hysteria and sobbing pleas almost seem out of place in such a setting and I couldn't help but wish someone would just slap the bajeesus out of her already to quiet her down. She came close to seeming like a cliché but then it dawns on you that her acting would be right on target were the scenes and script properly conveying the direness of the situation she was responding to.

The bad guys were somewhat typical bad guys and although Ben Mendelsohn stood out with some great acting, in some scenes it could do little to conceal the sense that he was just doing his best to negotiate through some awkward dialogue.

The movie wasn't bad, it was just a bit predictable and boring, and watching it plod along, I kept waiting for it to be over so I could do something else. It's not transfixing, so would make for a great background movie while you do crosswords or something.

One of the worst movies of always good Nicol Kidman and Nicolas Cage. Very mediocre movie, pretty slow developing and no tense pace. About all action goes in one place without any changes regarding drama development. Pleas of the tortured and tyranny of the robbers is about what is going on in most of the movie. But dull plot development is not the most surprising thing in this look like five days shot movie. It is an acting of a great actress Nicol Kidman. I have never seen her acting that bad. As a matter a fact, she is bringing the finest charm to every movie but in this one she looks like an actress just taught how to look hysterical most of the time and that goes for most of the scenes with her. So no, I do not hate this movie, I just felt like falling a sleep from time to time which I find very strange considering the synopsis.