IMDb RATING
7.2/10
4.3K
YOUR RATING
A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favors if their men refuse to fetch water from a remote well.A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favors if their men refuse to fetch water from a remote well.A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favors if their men refuse to fetch water from a remote well.
- Awards
- 2 wins & 4 nominations total
Featured reviews
The Source is an excellent Arabic movie about the social modernization of the Maghreb back country, that westerners can easily associate with.
The good. Powerful subjects. Extremely compelling story, touching and full of emotions. Tightly built scenario. Nice B and C stories. Very realistic characters. Actual setting, nothing fake.
The bad. Nothing.
The ugly. Nothing.
The result. Many can enjoy this flick, but highly recommended to anyone who like social justice, grass root non-violent movements, or tales set in a simple village. Not recommended to those who like slick movies.
The good. Powerful subjects. Extremely compelling story, touching and full of emotions. Tightly built scenario. Nice B and C stories. Very realistic characters. Actual setting, nothing fake.
The bad. Nothing.
The ugly. Nothing.
The result. Many can enjoy this flick, but highly recommended to anyone who like social justice, grass root non-violent movements, or tales set in a simple village. Not recommended to those who like slick movies.
Finally, a movie dares to speak about the unspoken, about the reality behind the so-called "freedom of worship"; finally, someone has the guts to denounce the unbearable situation of women in those regions, or even in our regions because of the laxity of our democracies, ready to flout human rights in the name of a would-be tolerance! This cannot stand any more: voices have to raise, the tables have to be thumped, the headscarfs have to fall. Women aren't objects, and this movie reminds us of it well. It is time for them to get back their dignity, to take control of their lives, to become the equal of men. The movie succeeds to combine the seriousness of this situation with some touches of humor, bringing us back to the absurdity of men behaviour whose anxiety, frustration and lack of confidence in themselves led to the destruction of many women who just wanted to live.
As a Moroccan viewer, I found La Source des femmes very moving and, in many ways, accurate. My own mother grew up in a village where women were responsible for carrying water long distances every day, so the film's story felt very familiar. The way it shows the physical and emotional toll this work takes on women-especially during pregnancy or after childbirth-is something many families from rural Morocco can relate to.
The performances are strong, and the film captures the solidarity, humor, and resilience of village women beautifully. It reminded me of the way women in my mother's generation leaned on each other, not just to survive the hard labor but also to push back against unfair traditions.
That said, while the film succeeds in showing the reality and the spirit of resistance, it sometimes feels a bit too polished and simplified-almost like it was made more for international audiences than for the communities it portrays. Real village life is often harsher, with less of the romanticized touches we see onscreen.
Still, it's rare to see a mainstream film center women's voices in a North African village, and for that reason, it resonated deeply with me. It may not capture every nuance, but it does highlight an important truth: women have always carried the weight of their families and communities, sometimes literally, on their backs up the mountain.
The performances are strong, and the film captures the solidarity, humor, and resilience of village women beautifully. It reminded me of the way women in my mother's generation leaned on each other, not just to survive the hard labor but also to push back against unfair traditions.
That said, while the film succeeds in showing the reality and the spirit of resistance, it sometimes feels a bit too polished and simplified-almost like it was made more for international audiences than for the communities it portrays. Real village life is often harsher, with less of the romanticized touches we see onscreen.
Still, it's rare to see a mainstream film center women's voices in a North African village, and for that reason, it resonated deeply with me. It may not capture every nuance, but it does highlight an important truth: women have always carried the weight of their families and communities, sometimes literally, on their backs up the mountain.
Beautiful film screening, the actors' performances were genuine, real and beautiful.
the movie conveys a message that is going in the whole middle east and north africa, the reality that blends traditional ideas and connection, with the demand of democracy, equal rights and a rebellion on parts of this same tradition,
love, rebellion, attachment to the homeland, and the detachment at the same time, all was beautifully expressed in this story, in a funny, interacting way.
Recommended :)
A brilliant, delicate, delicious & poetic movie. The music (composed by Armand Amar) is superb. Radu Mihaileanu knows to picture the tragedy with a big touch of love and hope. The movie denounces the injustices that live the majority of women in the Arab countries, with a touch of beauty and comedy. Radu Mihaileanu shows us that to change the reality without violence is still possible in this violence world. Another jewel from this amazing director who surprised us in the past with incredibly beautiful and powerful movies such as "Train the vie" (1998), "Va, vis et deviens" (2005) and "Le concert" (2009). Antonia Tejeda Barros (Madrid, Spain).
Did you know
- TriviaThe basic premise of the plot, the withholding of sexual relations by women to force their menfolk to do something, is first noted in the play, 'Lysistrata' by Aristophanes. Several versions of "Lysistrata" have been filmed for cinemas and television, with the most recent being Chi-Raq (2015) by Spike Lee.
- Quotes
Vieux Fusil: If you hate just one man, you hate everyone in the community.
- SoundtracksDaqqa
Traditional
Performed by La Daqqa de Marrakech
- How long is The Source?Powered by Alexa
Details
Box office
- Gross worldwide
- $5,605,676
- Runtime
- 2h 15m(135 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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