Act of Vengeance

It was worth viewing for me as a Turkish language learner, though I have seen way better Turkish films. It does not lack the positive message, the peace and acceptance toward other religions, some kind of motif related to the return of prodigal son, mother son relationship, vengeance and a surprising unexpected ending. Those familiar with Mustafa Sandal the singer will recognize him in the person of one of the agents, the other one is played by the director himself. The main character is impersonated by Haluk Bilginer who until the mid nineties acted in Britain. Also one can see other familiar faces, like Robert Patrick, Danny Glover. I can't write full quotes, but I can tell some views of Hadji which contain something like every religion is the love of God which brings to Him, killing will make you go to hell, dying brings you to meet God. He shows full acceptance of Christians, his wife is Christian and her daughter marries a Christian.

Started off promising enough, however soon descended into lectures, stereotypes and an unbelievably unsophisticated sequence of events. All leading to a bizarre conclusion.

Without giving anything away: The protagonists make free use of cellphones apparently unaware of the concept of phone-taps. The FBI is unaware of even basic stakeout procedure, all suspects hide in plain sight and have a regular stream of visitors under the (very broken) radar of the law enforcing agencies. Danny Glover's character is himself not very clear what he is up to.

In short, the big budget and the big name cast are squandered for want of a half reasonable screenplay. Shame really.

NEW TORK'TA BES MINARE starts off in familiar fashion, as two Turkish cops travel to New York in pursuit of an alleged terrorist from Turkey who has been living in New York for thirty-seven years. There they encounter a group of FBI agents with innate prejudices against foreigners, and Muslims in particular. The two cops are drawn into a complex world, presided over by Islamic convert Danny Glover, where they seem apparently powerful to act. As the film unfolds, however, so the story becomes more complex. Hadji (Haluk Bilginer), ostensibly the prime suspect in the case - whose capture the Turkish cops are entrusted with - turns out to be completely different from what we, as the audience, expect of him. Director Mahsun Kirmizigul's film turns out to be a meditation on extremism, irrespective of religious difference: some Americans, as well as Turks, seem incapable of adopting either a moderate or a tolerant point of view. The film has a surprise ending, where we discover the true reason why Hadji went to America, and what kind of a person he actually was. Both noble yet self-aware, he remains a figure to admire in a complex world. NEW YORK'TA BES MINARE is an unexpectedly complex work, tautly filmed and grippingly told.

acting; well done. especially fabulous & flawless Haluk Bilginer;the Hadji, raised the limits of acting, theatrical! There were deep emotional scenes that will never forget. story; first half was so so but the second, perfect finish. never bored, it was fluent. was a great story! actions scenes; first half was unexpectedly good with the help of Hollywood assistance, there were no action scenes in the second half. cinematography; some disturbances was present, story covered it well. could be second looked. vs vs...

there were many İslamic message scenes, salving the bad impression over worlds eye. But never disturbing and artificial .

I would heartily recommend this movie to everyone; it is the best Turkish, one of the best movies I've seen in years. You will not be disappointed...

Despite a few clichés, the movie is not, first of all, a predictable one. It starts like any other Hollywood picture, with secret agents and the most fresh subject: Muslim and terrorism. But further more we find that it is about religion, about the fact that there is only one God. We find that the fundamentalist's of Islam are not tolerated by the Islam itself. We can see a dialog between a fundamentalist priest and a true one, despite the fact that they are dressed in ... white and black, suppose a lack of inspiration. We find that the destiny is inevitably. We find that there is love and forgiveness in both - in all of religions.