Carnage

it is not a surprise. the cast is great and the script/play gives many opportunities for demonstrate this fact. image of a crisis, simple and powerful, impressive for the precision of scenes,a play who has chance to has extraordinary actors, it is a splendid exploration of characters and society human types. a special film who seems be almost extravagant.because all is different by common recipes. the transformation of masks in aggressive tools, the fragility of existences and marriages, the force of accusations, the frustrations as axis of a form of survive. a bitter comedy, a deep drama. and one of guide movies who reminds the purpose of real cinema - art as subtle reflection of life.

Despite it's name, which should imply a very violent movie, this one is a wonderful little movie about social structures and the way its built within us to the point of forcing us to behave in certain ways.

The concept for this movie is simplistic to the maximum level. Just 2 couples discussing terms for their kid's fight. What seems to be a nice meeting to solve the problem soon became a carnage fight (of words only, gladly).

The movie allow us to explore the aspects of each of the 4 personalities, that's it, that's the movie, and it's great, superb, no music, no special effects, no induced drama, no additional details to color the movie. Simple, powerful, nicely done.

From all the movies coming from Hollywood these days, this one is a nice gift, top notch actors, great comedy, nicely put together, what more could you ask.

So, go on, see the movie, what are you waiting for!

By Maurice Jones

Roman Polanski's 'Carnage' starring Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz main seem like an unbalanced superficial casting to some for a low-key movie such as this, but what at first is expectedly unfit and useless is later realized and understood.

From the opening of the film Roman Polanski uses the same intensity of 50's-60's suspense film openings such as 'Compulsion' to distract you from what is happening behind the credits to then lead you to the purpose of the film to the then the plot. The back drop of the credits is filmed and placed in a way that looks especially 70's, which entirely gives a delightfully and brilliantly vintage opening of a treat, as something like this is unfortunately rarely seen in a dramedy as this. A starting such as this lets you know that you're in for the creative dramatically playful telling of Mr. Roman Polanski.

The first few lines of the movie give way to the two head strong characters of the movie who battle it out later on, but before then the movie centers on the societal dealing with a schoolyard attack on the son of a seemingly liberal couple; Penelope and Michael (played by Jodie Foster and John C. Reilly) by the son of a seemingly conservative couple; Nancy and Allen (played by Kate Winslet and Christoph Waltz). Penelope is an opinionated, passionate writer who leads the reasoning of the incident. Michael is a friendly yet choosy salesman who tries to make light of the whole situation. Nancy is a pseudo-conservative who like Michael tries to keep the whole situation without argument and Allen is a sly yet focused attorney who would rather be working then deal with the incident as long as the whole thing is dealt with fairly. The first half of the movie displays the tight-rope courtesy of the two couples dealing with this unfortunate situation in Penelope and Michael's New York apartment, as little by little the faults of each parent comes out but is especially looked over for the sake of good re pore, which makes for a realistic look out on the stubborn idiosyncrasies of parents in general. As what one would consider to be poorly written, boring, typical or an off-putting part of the film is really a clever set up of what's to come as the first half realistically exports the pointlessness and exhaustiveness of how this situation is handled. As things seep towards the second half of the film the characters become less and less censored and open to be their real selves in the confinement of Penelope and Michael's apartment which leads to the rewarding and interesting part of the film. Nancy and Michael are the soft, mending parts of their relationships but turn out to be more disturbed and Penelope and Allen are the leaders and rightfully duke it out. As the conservative couple Nancy and Allen are nothing without their accessories and as the liberal couple Penelope and Michael just want to be heard and taken seriously.

What's great technically about 'Carnage' is Roman Polanski's eye and directing as he is aware of the subtleties and exaggerations of film and why they can go hand in hand. With that Kate Winslet is great at acting guarded and then letting her guard down and Jodie Foster pushes herself to points that seem brilliantly worrying (she should probably get an Oscar nom). John C. Reilly naturally does great playing the friendly, caring Michael who as much as he is that, he's as well careless and Christoph Waltz plays his usual cocky self who has an answer to everything, which is accurate as the fierce attorney he portrays.

Also written by Roman Polanski 'Carnage' has a lot of insight biased or not about men and women and society which makes it importantly realistic and in part shows view of the accurate thoughts of Roman Polanski. If you're into or not into films about four people dealing with each other in one location, check out 'Carnage' and if not for Roman Polanski, see it for the rare useful form of the actors involved. I started out not sure whether I was going to like 'Carnage' or not but towards the end I saw the big picture and in that my only regret is, that when it ended I wanted more time with these four people.

A one-act play, centring on two sets of parents in a Brooklyn apartment discussing a violent episode between their children, sandwiched between a very short, speech-free prologue and epilogue as credits roll. The ostensibly liberal but clearly uptight mother and apparently more conciliatory but hen-pecked father of the victim invite the aggressor's parents (she overtly more community-spirited, he more put out as he manages a work crisis on his mobile) over to talk about the incident, as responsible adults, but the ensuing clash of attitudes prompts a descent into the sort of puerile behaviour that was precisely the intended subject of the conversation.

Well cast, the four players interpret the sharp, witty lines with aplomb, one's sympathies leaping around from character to character as they gradually unravel, but without ever settling anywhere for long as each in turn cedes any moral high ground as quickly as they gained it. There is scorn aplenty (subtle and blatant) as rivalries and alliances are repeatedly struck and dashed. One can forgive the improbability of the meeting surviving several junctures when it would more naturally end because the dialogue continues to give.

I guess you can't go far wrong with such a script in the hands of this director and group of actors and it makes for a very watchable film, although I'm guessing the stage is its real home and I'll look out for it there.

CARNAGE – CATCH IT ( A ) Carnage is one of a kind movie about the meeting held between two set of parents regarding their sons fight in the Brooklyn Park. What starts as a meeting between the parents to determine what led to the fight, turns into the most chaotic day of their lives. Carnage is truly splendid, its four characters in one costume in one apartment. The whole movie is like a theater play where it seems that all is said and done in one shot. Roman Polanski got his hands on some of the most talented actors like Jodie Foster, Kate Winslet, Christoph Walts and John C.Reilly. All the actors have done a tremendous job in showcasing Sensible, Polite, Patient, Direct, Tense, Irritated, Defensive, Outraged, Drunk, Insanity, Chaos, Mayhem, Devastation, Violent, Persuasive, Shocking, Appalling, Juvenile, Massacre and Grotesque emotions. I must say that the ending and the whole hamster story in the movie was hilariously excellent. Overall, Carnage is an excellent dark comedy which requires multiple viewing to understand the characteristics and greatness in the performances of the actors.