The Grey

Surprised by all the poor ratings given apparently by a bunch of wildlife/wolf/survival experts! Guys, this is a Hollywood movie! Let me emphasize - a movie. All this analysis on how much a wolf weighs and how their behavior is incorrectly depicted... please stick to NatGeo or Discovery channel programs and stay away from fiction! Going by the logic and reviews, Spielberg's 1975 classic 'Jaws' should be given just a star or two as it has a highly inaccurate portrayal of sharks. But surprise surprise, it's 8+ on IMDb! Wow how did that happen?! I enjoy a movie for the entertainment value it provides. And if the film can hold my interest for about 90 minutes, I'd say it worked. The Grey definitely worked!

If you're like me you saw the trailers with Liam Neeson strapping glass bottles to his hands and fighting wolves and thought, "Holy cow! They made Wolf Taken. Violence and wolves!" Well, they didn't. There's really not that much action in the film. The trailers really, really did a dis-service to the film. They were selling an action movie when they really made an intensely somber film about a group of desperate men as they try to survive a plane crash. The film is quietly beautiful.

I saw it in theaters and was hopping mad at how the trailer misled me. People all over the theater fell asleep (my girlfriend included). However, I think if you're looking for a non-action flick, you'll really dig this.

This is a gripping survival thriller that transcends the typical genre conventions. Anchored by Liam Neeson's powerful performance, the film unfolds in the unforgiving Alaskan wilderness, where a group of oil workers must confront both nature's brutality and their own inner demons after a plane crash.

The cinematography is stunning, capturing the harsh beauty of the snow-covered landscapes and creating a palpable sense of isolation. The film skillfully explores themes of survival, loss, and the primal instinct to live against all odds. Neeson's character, Ottway, provides a compelling focal point as he grapples not only with the external threats but also with his own existential struggles.

The tension is relentless, enhanced by a haunting score that complements the visceral intensity of the narrative. The wolves, both literal and metaphorical, become a symbol of the characters' internal struggles and the inevitability of death. The character dynamics are well-developed, adding emotional depth to the suspenseful plot.

The movie stands out in the survival genre, offering more than just adrenaline-pumping action. It delves into the human psyche, making it a thought-provoking and emotionally resonant cinematic experience. With its evocative storytelling and Neeson's compelling performance, Moreover, it is a gripping exploration of the thin line between life and death.

Without pontificating about hidden meanings and artsy interpretations, I'd simply say that this is a film about a man who doesn't care if he lives or dies after the loss of his partner. It is not an action movie or a survival movie in the strictest sense: it is more about the manner in which we die and the way we face death, and it is beautifully filmed. It could be seen that, as well as representing the visceral, raw savagry of death, the Wolves represent the metaphorical relentlessness of death, its hopelessness and inevitability. This is certainly felt strongly in this film and it is very well done. The weakest are taken early on and the strongest live longer, but it comes for us all eventually.

I would place this film alongside The Edge with Anthony Hopkins as it has a similar feel in its vast isolated beauty and a similar metaphor for life and its meaning: how we're all relatively vulnerable and tiny in the face of mother nature in her purest form.

It is a very tense and exciting movie; the plot is good, the action scenes are excellent, and Liam Neeson's acting is sublime; it is highly recommended.