Band Baaja Baaraat

I started this movie with a feeling just like I'm going to watch another regular comedy film. But as the movie progresses, I got stuck to my place and I forget that its just a movie. It feel like its a journey of two ambitious friends who learn every aspect of life with experience and with each other. Undoubtedly its a story of its kind and I'm very pleased to see it. Ranveer's acting is amazing. There are few actors whom you believe that they are not acting but playing real. He is one of that guy. I'm waiting for another movie of his. And Anushka is charming and energetic as always. Overall, its a surprisingly amazing movie!

There are times when you like predictability in a film and you actually look forward to it. You know exactly how the story will unfold and that there will be no dramatic twists and turns and distressing suspense. You still manage to enjoy whatever is going on. JAB WE MET (JWM) was a similar movie. The moment hero heroine meet, you know that they will end up falling in love even if they are not romantically interested in each other.

BAND BAAJA BARAT (B3) is also a similar tale of two youngster and it's not surprising to see that it's doing wonderfully well with its target audience. The box office collections only dropped 10% in the second week against the industry average of 65% this year. JWM actually had higher collections in the second week of its release and in some centers B3 has higher collections than first week. Things might change with the release of TEES MAAR KHAN though. Coming back to the movie, the first surprise was a house full theater on the second weekend of release. The only seat I could manage to get was in the first row and I had to watch the entire movie with my neck looking up at 80 degrees angle. Precisely why I won't be able to write much about cinematography because every shot from that seat was a low-angle shot.

B3 is a romantic comedy, which is not a genre which I usually enjoy especially after going through the agonizing experience of watching I HATE LUV STORYS. When I watched the promos of B3, I had a feeling that it will be on the same lines especially when I do not have much respect for Anushka Sharma. I still decided to watch it based on some positive reviews I read.

It was a good experience. It's a refreshing and highly entertaining outing. It's not the award winning effort but it delivers on the promise of keeping you interested till the end. Mainly, it's the directorial treatment of Manesh Sharma which has made a simple story worth watching. Slightly inspired by THE WEDDING PLANNER as far as central idea goes, it's original and genuine. A lot of attention has been paid to detail, from art direction to dialog. Check out the underwear on ropes in the men's hostel. It's funny.

The cause is also backed up by entertaining music by Salim-Sulaiman who are on a better run for the last two years. The background music by is one of the best I have heard this year barring Dabangg. Choreography has Vaibhavi Merchant written all over it and it adds a big plus in the entertainment factor of the film.

The film has a two film old female lead and a new comer. While the slightly senior Anushka has done the best work of her short career, the film belongs to the new-comer, Ranveer Singh. Where Anushka has worked really hard on mastering the tapori style and Delhi lingo, her role is quite similar to the one she had in BADMASH COMPANY earlier this year where she again used similar body language and lingo. Nothing to take away from the decent effort she has put in though.

Ranveer is fantastic. He is a trained actor who has waited for the right film to make debut and will win directors as well as audience with this performance. He is not traditionally good looking but the way he fit in his role was commendable. Neil Nitim Mukesh needs to see him to know what tapori is and not what he was in LAFANGAY PARINDAY. Watch out for Ranveer in coming films. Effortless acting and effortless dancing. If he doesn't make decisions like Vivek Oberoi, he can be a real threat to at least Imran Khan and other less talented actors like Neil Nitin Mukesh. Ranbir Kapoor I believe is safe when it comes to talent. Ranveer will already be challenging Ali Zafar for the best new comer of the year for sure.

The supporting cast is bloody good. Neeraj Sood as Maqsood is effective but my personal favorites were Revant Shergill as Santy and the guy who was Ranveer's room mate in the hostel.

On the whole, I had a lot of fun watching B3. Its one of the better films to come out this year unlike the bigger names like KHATTA MEETHA. I'm glad it also left NO PROBLEM behind. Way to go, Youth!

Maneesh Sharma's directorial debut Band Baaja Baaraat is one of the year's most refreshing and entertaining films. It is a charming romance filled with colour, energy and pep. The movie can be easily set apart from all the recent films made by Yash Raj Films, in that it is very simple and it actually shows the beauty of India through its two main characters of young wedding planners, who unexpectedly (for them), fall in love. Sharma's direction is absolutely marvelous, and the film is totally benefited from the fantastic sets, props and costumes, which give the film an authentic feel, along with the characters which look more like real people rather than cinematic heroes. This very portrayal and the script had actually more weight for me in making the movie work. The narrative style makes for a fun watch, and that's thanks to the dialogues and the catchy songs. The film's first half is more of an ornamental wedding spree. And it is towards the second half when the story takes the audience by surprise and turns into a romantic drama that is quite moving and interesting.

While watching the movie, it is quite inspiring to see how young people from relatively traditional middle-class families strive to make a career on their own. Rarely do we see in Indian films such young people starting to run their own independent business, particularly when all they have is willpower and faith in their abilities. The growing prosperity of the main characters' business is interesting to watch, mainly because it's not made to look forcedly larger than life, but rather real and gradual. Thinking about wedding planning, one would certainly expect to see some lavish, over-the-top ceremonies, but here everything is lifelike and genuine, and yet colourful and impressively creative. As for the love story, it is incorporated into the story efficiently. The musical duo Salim-Sulaiman significantly contribute to the film's mood with a great list of tracks, among which the energetic "Ainvayi Ainvayi" is rightly the most popular. "Dumm Dumm" is also very good and is wonderfully performed on-screen. My favourite numbers are the romantic "Aadha Ishq" and the melancholic "Mitra".

The movie stars two young actors. The role of the male lead is played by newcomer Ranveer Singh, and he makes a confident debut, playing his character's different shades exceedingly well, at times so well that throughout the movie it is hard to believe it is his debut performance. But without a doubt, it is Anushka Sharma who dominates the proceedings with her wonderfully natural performance. Just like her male costar, she commendably masters the dialect of a street smart Delhi Punjabi girl, but more than anything, it is her sensitive portrayal of Shruti's feisty nature, pain and strength that stands out. Moreover, Ranveer and Anushka's chemistry is fantastic. Just watch the scene in which the two of them are standing drunk in front of each other in the dark room. Director Sharma handles the scene very well, creating the right amount of romantic tension, using some really soothing music in the background, and of course the two young leads play the shy nature of the moment with conviction. It is one of the beautiful scenes in the film (and I'm actually not one of those romantic fools).

Towards the last portions of the second half, the movie gets more emotional, at times too much but thankfully unlike many bland attempts made in recent films in which everything turns into ancient melodrama, here it works. The scene in which Shruti fearlessly and honestly reveals her true feelings without blinking an eye is terrific - again, superbly acted by Sharma. Singh's reaction is also very real and believable. This scene captures much of their potential. With this film Anushka establishes herself as a capable actress, and I believe she will now be flooded with offers for demanding parts. As for Ranveer, this movie may well put him on the map as one of the most competent young actors today, and I personally find him more promising than most of the guys who have debuted in recent years. The film's ending is nice albeit a tad too sentimental. The situation itself is relatable, but it could have been better done. Still, Band Baaja Baaraat works more for its youthful, lighthearted and effervescent mood, and is overall a worthy feature which makes for a pleasant watch.

writing the first review of this movie... i must say that those who haven't seen this movie have severely under rated this movie... the movie takes you through a nice journey comprising of fun and emotions... Being a typical yashraj film, it never bores you even for a single second and the movie goes around very smoothly... With very less expectation i entered the movie hall but the movie turned out to be a good surprise of good package.. a very light hearted movie which will bring smile on your face and you will forget your tensions and all. Ranveer singh who is making his debut through this film deserves an award for the best newcomer in the industry as not for a single moment he has looked like a newcomer. With oozing confidence and good acting, he deserves accolades. anushka on the other hand is as elegant as ever.. with her acting skills improving every passing film.. from my side this movie is a thumbs up... watch and enjoy!!!!!

With Band Baaja Baarat, Anushka Sharma has completed her three picture deal with Yash Raj Films and in some way had gone full circle. In her debut film Rab Ne Bana Di Jodi we first see her burst onto the screens in a pre-wedding scene - her character's, before tragedy doomed her to a hastily agreed upon marriage to Shah Rukh Khan's Surinder Singh as arranged by her father on his deathbed. Here, she plays the wedding planner, and a number of major scenes see her both fussing around and enjoying herself in the weddings of her relatives and clients, and playing a role whose profession symbolizes some major shifts in conservative mindsets where weddings are outsourced to professionals behind the scenes rather than leaving it under the hands of relatives.

And one wonders how bold the studio is in entrusting a major film to a new first time director Maneesh Sharma whose experience has come from working as an AD in other major films, and pairing the still relative newcomer Anushka opposite the complete rookie Ranveer Singh as her co-star. This risk had paid off, as the end product is something relatively refreshing and spunky, going well with the themes, look and feel for Band Baaja Baaraat which is to break mindsets, and as teenage characters, epitomized the can-do, fearless spirit of entrepreneurship, wanting to try rather than to regret later in life.

Anushka plays Shruti Kakkar, who is dead set in her ways in wanting to start her own firm Shaadi Mubarak in the wedding planning arena, and deflecting the usual route where a girl has to seek marriage after graduation and live a life that's more or less set, rote and formulaic. Fate has her chance upon the laid back Bittoo Sharma (Ranveer Singh) who is looking to stay in Delhi a little longer after graduation, otherwise at his father's insistence he has to pack up and go back to his village to continue his family's roots in running a sugarcane plantation. Like all romantic films, it's opposites attract to a certain extent with Mr Relax vs Ms Focused as she reluctantly makes him a partner in her start up, as they draft an informal pact to stay focused on their career path and keep their friendship platonic.

At least up until the Intermission where things start to spiral a little out of control as emotions run high, and you'd come to expect the entire second half of the film to run aground with the usual fights and arguments, which in some way parallels the mood of the film where a split becomes problematic, and only when they work together as a team does the magic of the film happen. Basically it's the rules that the duo set out to break in their chosen industry, and with a pact made on their friendship never treading into the romantic space, you know it's a set up since breaking and bending the rules is something they do on a daily basis with a growing business.

And this mirror is more pronounced as we start to see how materialism and the building of a career can get in the way of romance, with the tussle on demands for time taking its toil. The only spark in the second half as it plods itself to an inevitable end for a romantic film, is how sometimes we get a little callous especially in taking someone else for granted, and here we see how the female of the species is actually quite complicated when her heart is set aflutter, painting Bittoo inadvertently as the cad without feelings, and a silly boy at that when love comes knocking at his doorstep.

On the characters' professional front I would have preferred it a little more if there's some poetic justice dished out in being more direct in being competitors to their brief mentor in the business, who perceived as the best turns out nothing more than a fraud when it comes to delivering quality service. I suppose in the outsourcing business one wonders if one gets the best, or are shortchanged left right and center in the way unscrupulous business is done. This of course gives rise to a myriad of supporting characters such as Maqsood the florist (Neeraj Sood), Rajinder Singh the caterer (Manmeet Singh) and Bittoo's friend Santy the musician (Revant Shergill) to join in as small suppliers hell bent on delivering quality as a business ethic.

I've always loved Indian weddings put on screen, because that promises colour and spectacle, with lovely songs and energetic dances putting up quite a performance for an outsider like myself to witness and enjoy. Band Baaja Baaraat offers just that in large doses with the different projects the fledging Shaadi Mubarak organizes, and needless to say I was having a field day. It's bands, horns and revelry out in full force, and both leads were a delight as they breathed life into their roles as business partners turned lovers. Anushka Sharma has grown from strength to strength with each film release, and Ranveer Singh is quite the discovery, with new male Bollywood heroes being quite the rare species in recent years, and his well oiled performance here doesn't betray the fact that he's into his debut. Let's see what other films will appear over the horizon for this rookie.

Band Baaja Baaraat is that spectacle that comes highly recommended, so catch it if you can as it nears the end of its run here.