Thorne: Sleepyhead

This could have been excellent or at least better than it was in the end. Too many flashbacks, confusing characters and dialogue. And the messy conclusion did nothing to advance the cause of any sort of resolution or closure. And to begin to suggest the end result of the "victim" was ludicrous. I am not familiar with the author's work but he cannot possibly be pleased with this presentation.

After seeing the author speak at a literary festival I purchased a few of his novels from Audible then decided to listen to 'Thorne: Sleepyhead' and 'Thorne: Scaredycat' prior to purchasing the Blu-rays of the Sky1 dramatisation. David Morrissey was a great choice for the central role and the cast were very talented.

The plot, however was all over the shop.

Gritty, realistic and excellent. The plots solid and acting excellent all round.

"I have little doubt that author Billingham would be mortified at what has been done to his brilliant book and beloved characters..."

Before you go all self important with the 'book was so much better' garbage, you may want to get your facts straight. Mark Billingham is listed as an executive producer, which, as I understand it, has an awful lot to do with how a film's made. No, I haven't seen the film, read the book, or even heard of any of it before looking at the review, but it just bugs the crap out of me when people think they own a movie just because they read the book. And to assume that the author might be disappointed without even looking into whether the author had a role in the movie adaptation? I'm pretty sure your review is useless.

Here we have a three-ring circus PLUS the kitchen sink. This show is so chock-a-block with clichés, red herrings, obvious plot contrivances, and all the current motifs of crime TV that it's hard to imagine what they left out. (We have the renegade cop always in trouble but with infallible instincts, the cold female boss, the seemingly genius serial killer that no one can catch no matter how many clues are strewn about in plain sight, the 'orrible, 'orrible crime, the cop himself and/or loved ones drawn into danger, dubious psychology made up on the fly, etc., ad nauseum.) The show is all so blatantly contrived that it seems to veer into self-parody on numerous occasions, totally undercutting whatever dread or deep engagement we're supposed to be experiencing. Sadly, with so much fine British TV to chose from, never seen on these shores, this is a show that Encore chose to bring over to the US. No thanks.