ParaNorman

I came into ParaNorman with a sense of cautious optimism. I absolutely adore stop motion animation, and I genuinely fell in love with Coraline, LAIKA's previous effort, but the trailers for the film didn't capture my interest in the story in the way I hoped they would and this film also didn't have the benefit of being helmed by the brilliant Henry Selick (Nightmare Before Christmas, James and the Giant Peach, Coraline). That being said, I am extremely happy to report that ParaNorman absolutely delivers on every level you could hope for.

ParaNorman tells a story about a young boy named Norman who has the unusual ability to see and talk to the dead, an ability which has led him to be ostracized by the other members of his community, including his own family. The New England town in which he lives is famous for a historic witch execution, along with the legend of a curse that the witch put upon those who sentenced her to death. It turns out that the legend of the curse is true, and that Norman, with his ability to talk to the dead, is the only one who can prevent the curse from raising the dead. Unfortunately, Norman is unable to act fast enough and the Witch's curse begins to wreak havoc on the town.

ParaNorman is a film with many strengths. Stop motion animation is always a beautiful and fascinating process, and with new technological advances the filmmakers have been able to bring it to a level of detail and expression that are simply astounding. While the scope of the story may be smaller than something like Coraline or Nightmare Before Christmas, the scale of the stop motion sets for this town are truly incredible. The film absolutely immerses you in this world that feels like a living, breathing, place. As beautiful as the animation in Brave was, ParaNorman is easily the most visually impressive film I have seen this year.

As beautiful as the film is, it never falls into the trap of so many other animated films by simply being visual spectacle with no narrative soul. The story of the film is fun, intelligent, and heartfelt, and is supported by a great cast of characters. The odd kid who is misunderstood is a common trope in kids' movies, but what makes Norman stand out is that he's never mopey about it. He is ostracized, bullied, and rejected, but he's come to a kind of acceptance about the whole thing. He's certainly not happy about it, but at this point he's not trying to fit in, he's really just trying to keep his head down and get through the daily grind. This is part of what makes his relationship with the other characters in the film work so well. For instance Neil genuinely accepts Norman for who he is and it's obvious that this throws Norman for a loop and he doesn't really know how to interact with someone who "gets him." This is never spoken, but it plays out naturally through the performances of the characters.

As the narrative progresses it takes some really interesting turns, and at times is genuinely surprising and emotional. Without spoiling anything, I'll just say that a large part of the narrative revolves around assumptions and misunderstanding, and it brilliantly uses the audience's assumptions and expectations about the genre and its conventions against them.

It's also worth mentioning that this is one of the rare films which decidedly benefits from the addition of 3D. There's some fun play with perspective, and being able to see the dimension that exists in these sets adds a lot to the experience.

I genuinely loved ParaNorman and it's easily one of my favorite films this year. It's not a movie for everyone, but if any of the trailers gave you even a glimmer of interest I would definitely recommend checking this one out. LAIKA is certainly beginning to make a name for themselves in the animation scene and I'm really looking forward to whatever their next project will be. I think I still prefer Coraline which definitely benefited from the combination of Neil Gaiman's fantastic story and Henry Selick's experienced hand, but ParaNorman is a truly fantastic film and it's definitely worth a look.

A-

ParaNorman looks like a throwback to the good old campy stop-motion animated films. The concept may not sound so original, but the designs and the themes of the story are the main appeal here. The movie is fun and wonderful to look at. While it goes through a crazy adventure comedy, there is a surprising twist that made this so endearing. It is something that we don't usually see in an animated film, but because of that we intend to love it. ParaNorman is funny, creepy, smart, and affecting.

ParaNorman is oddly different as an animated family film. Unlike the others, this one has a dark and mature context, but by sentimental means. Although the story is about spirits and zombies, the true core of this film is the emotion and the message that it is trying to show us. There's a couple of moments that are quite affecting. Usually is when Norman is being alone in his gloomy life. In other parts, the film is ought to be funny. The comedy sometimes feel way apart from the drama, but they still work anyway.

The stop-motion animation indeed looks marvelous. These little figures really brought themselves to life as their voice actors provide their personalities. The campiest part, the zombies, are quite impressive to look at. It's undeniably solid. The music score sure knows which part is suppose to be gloomy, campy, or just ordinary. It's a great effect to the scenes and you'll love it. The rest of the movie is all ridiculous and fun little set pieces that are entertaining enough to enjoy.

ParaNorman is surprisingly strong. The depth of the story made this movie so special. It's still filled with comedy and lightheartedness. In the end, it turns out to be endearing. It's a rare kind of family film that is brave to show what it wanted to show. It might be hard for some to understand its sentiment, but if there's anything else why anyone would like this film then it's because of its majestic animation. ParaNorman is simply great and it's easy enough to recommend.

I recently watched again, and reviewed here, MONSTER HOUSE, which is, like PARANORMAN, an animated horror movie for kids (actually, both feature as main character a boy who has a fat-and-funny friend). I'm not sure if MONSTER HOUSE appeared in the great Fangoria magazine, but PARANORMAN did. I was already interested in watching it on the big screen when I found out the Fangoria coverage, which was just the plus. I was interested for the obvious reason: stop-motion material from the people responsible of CORALINE (not Henry Selick tough). This is clearly the sort-of little stop-motion film of year (and I said sort-of little since it had a pretty big publicity campaign here in Mexico City) while Tim Burton's upcoming FRANKENWEENIE is like the big and long-awaited one.

There is some good news. While we wait to found out if Burton finally does something great after almost 10 years, here we have a film that will give movie geeks really cool stuff. Needless to say, kids won't enjoy some of the elements that most likely you will, fellow reader. Well, you will if you're into very cool horror tributes, in the way Quentin Tarantino would be proud, and nice takes on witch-hunt… and into zombies, of course. Talking about the zombies here, well, I recalled what Guillermo Del Toro's said about CRONOS; he said basically that the vampire from his film is like the saddest vampire ever. I won't say much, only that here we can think in the zombies as sad and confused human beings. The main character Norman is not the classic happy kid as well; you'll love him by just seeing his liking for horror – actually, not every day we have an animated movie that opens like something out of a Grindhouse. And there's good humor (and McLovin as a bully with stretched piercing – I watched the 2D Spanish dubbed version tough), so yes, it's worth watching!

*Watched it on 08 August, 2012

Without spending too much time discussing the plot, this movie is essentially a film about a misfit kid who ultimately must save the town that has misunderstood and mistreated him for most of his life. Yes, Norman sees dead people. However, everyone is aware of Norman's claim of this power and they either ridicule him (other kids) or are ashamed of his seemingly wild claim and erratic behaviour. Of course Norman's extra-sensory powers will soon be required to rid the town of a curse. The resulting events make for a great story and film.

There are several themes in this film that were well developed and ultimately resolved to my satisfaction. The animation is incredible, and I loved the creative camera shots that the director(s) chose in many scenes: much more advanced than the usual animated film.

I took 2 children to see this movie, a 6-year old girl and a (near) 4 boy. The kids loved the comedic zombie scenes in particular and were laughing out loud for much of it. They were frightened in other parts but in a functional thematic way, not to the point of nightmares. However I did note that some of the deeper themes went right over the kids' heads, and while they weren't too bothered by this fact, I advise that children over 8 might enjoy the film more fully.

The climax of the film is beautifully animated, and very poignant. On the whole a great film. I would state only that the humour surrounding the zombies was hilarious for adults and children alike, and I would have included more of it. Certainly this film is worth the admission. I saw it in 3D, it wasn't mind-blowing 3D but it certainly gave the film more texture.

Stop motion movies always have a certain endearing quality and ParaNorman is no different. Norman is a unique, instantly likeable protagonist who earns a lot of sympathy for his struggles. This is the basic layout for the story, which isn't super deep, but is cute enough to compensate. I loved the horror aspect of the film and the comedy is pretty on point. There are some good twists on classic tropes that subvert expectations too. Laika has a strong track record and ParaNorman is another hit for the little studio that could.