Cameraman: The Life and Work of Jack Cardiff

Jack Cardiff began his life in show biz, part of a touring troupe with his mom and dad and even appeared in bit roles in silent films. But it wasn't until he got behind a camera and discovered all the lighting techniques he would go on to use for either color or B&W that his fame spread.

I've always felt that if he had filmed no other works than BLACK NARCISSUS, THE LIFE AND DEATH OF COLONEL BLIMP or THE RED SHOES, his immortality was guaranteed.

By an interesting use of film clips, good narration, and comments from stars who worked with him on various films, this documentary is among the best I've ever seen on any celebrity whose work on film has so many highs and lows.

Modest about his fame, he mentions how he's seldom recognized by fans at premieres of epics he photographed. "Who's that?" they will say. "Oh, he's nobody."

Absolutely riveting use of clips from BLACK NARCISSUS and THE RED SHOES, in particular, show just how masterful his use of Technicolor was.

Lauren Bacall, Sophia Loren, Moira Shearer, Kathleen Byron, Charlton Heston and Kirk Douglas are among the stars who speak about the experience of working with him. Bacall tells how Bogart never cared much about his appearance in a film, only the film itself and he had complete confidence in Jack Cardiff on THE African QUEEN.

Excellent documentary, well worth any film fan's attention.

Jack Cardiff was a master cinematographer who became inspired through the Powell & Pressburger partnership with films such as Life and death of Colonel Blimp, A Matter of Life and Death, The Red Shoes and Black Narcissus which bagged him an Oscar for best colour cinematography.

Cardiff in interviews filmed over several years comes off as modest, engaging, enthusiastic and knowledgeable.

We see the influence of paintings from the masters in his work as well as problem solving with the challenges he faced in the still early days of cinema, now it is the special effects people who take care of it all.

As well as numerous clips of films he had worked on, collaborators we have super fans such as Martin Scorsese who has previously expressed his admiration of the films of Powell & Pressburger.

It would had been nice to have heard from Francis Coppola another fan and some more British directors.

Cardiff later moved into directing and was Oscar nominated for Best Director for Sons and Lovers but when the directing work dried up he moved back into cinematography, even lighting Rambo: First Blood Part 2 a film I have in the past complained about not being able to see anything as all the action took place in the dark.

The cinematographer Jack Cardiff might not be that well known. but he worked as director pf photography on some seminal productions, notably for Powell and Pressburger in the late 1940s. The visual style of THE RED SHOES (1948) and BLACK NARCISSUS (1947) is chiefly down to Cardiff's brilliant photography, allied to Powell's imagination. Cardiff began his career in the 1930s working on quota quickies in the British film industry, and was still working in 2007-8, when much of this documentary was filmed. In between he worked on other seminal productions, notably THE African QUEEN (1951), THE BAREFOOT CONTESSA (1954), and THE VIKINGS (1957). Cardiff comes across as a modest person with a highly developed visual intelligence. The documentary also contains reminiscences from stars who are no longer with us, such as Sir John Mills, and Kathleen Byron, as well as such luminaries as Scorsese. Definitely worth a look for anyone interested in photography in the pre-digital era.

Made shortly before his death Cameraman: the life and work of Jack Cardiff is an excellent bio on Cardiff and due to his long career the history of color film as well. Working into his nineties the highly lucid and spry octogenarian covers a lot of ground with emphasis on his collaboration with the the team of Powell and Pressburger at Archer studios which produced two of the finest color works in film history Black Narcissus and The Red Shoes. There of course were decades of others that also shined from Archer and beyond with The African Queen, Pandora and the Flyiong Dutchman, War and Peace and The Vikings and Cameraman shows healthy snippets from each.

Amiable and self effacing Cardiff himself makes for a wonderful guide mixing anecdotes and methods free of ego and judgment. This doc is a must for film historians as well as anyone that has ever been under the spell of celluloid magic.

Jack Cardiff was an amazing man who had a wonderful life. He started in show-business as a child actor in a touring show working with his parents. He was still working right up until the last of his 94 years. In that time he had worked with most of the great names in the business and earned their respect and admiration.

This documentary covers most of his working life with lots of examples from clips or stills and interviews with the great man himself as well as many of those whose lives he touched. The documentary was many years in the making and was fortunate enough to interview a lot of the people that Jack worked with who are no longer with us.

It's not often that a feature length documentary leaves you wanting more, but this one does.

When Jack discovered the world of movies as a child actor in some early silent films he decided that being a cameraman was the best job going because they got to travel to such exotic locations. He was mainly self-educated because the life of a touring theatrical didn't allow much time at any one school. But that self-education included study of the old masters in art galleries wherever he went. So when he started working as a cameraman he was able to bring his knowledge of lighting and composition.