Weekend at Bobby's

Bobby summons Crowley and finds that the demon has no intention of returning his soul and has given ten additional years of life for him. Meanwhile, Dean and Sam ask Bobby to advise which demon is killing people in Wisconsin, and after a long research, Bobby informs that is a Lamia. Then Rufus knocks on Bobby's door with the corpse of a demon Okami to bury it. However the demon is still alive and Bobby has to seek it out and vanquish the demon. Dean and Sam travel to Scotland and help Bobby to get his soul back. When Bobby is ready to eat a slice of the peach cobbler his next door neighbor Marcy Ward gave to welcome him in the neighborhood, he receives another urgent phone call.

"Weekend at Bobby's" is a delightful and witty episode of "Supernatural" and the best so far this weak Sixth Season has offered to the fans. The comedy works perfectly well associated to lots of action. My vote is eight.

Title (Brazil): "Fim de Semana na Casa do Bobby" ("Weekend at Bobby's")

Bobby getting his due with an episode focused on his life outside the Winchesters is something the show needed at one point. This episode has everything you could want from Supernatural episode. It has wonderful banter between Bobby and Rufus. It has some great throw away gags-Garth, How are you still alive?-that turned out to be more in later seasons. It handles an ongoing plot issue-Bobby's deal-in a satisfactory way. It furthers the show mythos in a way that works without being predictable. I.e. the burning of Demon bones.

The soundtrack rocks and Ackles' direction has the raw energy of first time effort. This is just great.

"Weekend at Bobby's," the fourth episode of Supernatural's sixth season, directed by Jensen Ackles and written by Andrew Dabb and Daniel Loflin, is a standout installment that shifts the focus away from the Winchester brothers to their surrogate father figure, Bobby Singer (Jim Beaver). This episode marks Ackles' directorial debut and offers an intimate look at Bobby's life, showcasing his tireless efforts to support Sam (Jared Padalecki) and Dean (Jensen Ackles) while dealing with his own challenges. With a mix of humor, suspense, and emotional depth, "Weekend at Bobby's" provides a refreshing perspective on the series' supporting characters.

The narrative begins with Bobby's ongoing struggle to reclaim his soul from Crowley (Mark Sheppard), who reneged on their deal after the apocalypse was averted. As Bobby interrogates a demon in his basement for information about Crowley's origins, he is interrupted by various demands-Sam and Dean calling for help on their hunt, Rufus Turner (Steven Williams) arriving with a dead monster to bury, and even his neighbor Marcy inviting him over for dinner. These interruptions highlight Bobby's relentless dedication to others while emphasizing the isolation he faces as a hunter. The plot culminates in Bobby summoning Crowley's deceased son to gain leverage over the demon king, forcing Crowley to return Bobby's soul.

Jensen Ackles' direction is particularly noteworthy for its creative camerawork and pacing. By centering the episode entirely on Bobby, Ackles crafts a narrative that feels both intimate and expansive. Scenes of Bobby answering phone calls or opening his front door are repeated to convey the monotony and frustration of his daily life, creating a rhythm that mirrors his exhaustion. The cinematography captures the claustrophobic atmosphere of Bobby's home while contrasting it with moments of levity, such as Rufus' banter or Marcy's awkward dinner invitation. The editing ensures smooth transitions between humor and suspense, though some critics have noted that certain subplots-such as Rufus' FBI troubles-feel underdeveloped.

Jim Beaver delivers an exceptional performance as Bobby, portraying him as resourceful, grumpy, yet deeply compassionate. His interactions with Crowley are particularly compelling, blending wit with simmering anger as he confronts the demon who holds his soul hostage. Mark Sheppard shines as Crowley, delivering sharp dialogue with charisma that makes him both menacing and entertaining. Steven Williams adds humor and camaraderie as Rufus, while Cindy Sampson brings warmth to Marcy's brief but memorable appearances. Jared Padalecki and Jensen Ackles take a backseat in this episode but provide strong support during their few scenes.

Thematically, "Weekend at Bobby's" explores sacrifice, loyalty, and the often-overlooked contributions of supporting characters in Supernatural. By focusing on Bobby's efforts behind the scenes, the episode highlights how much he sacrifices for Sam and Dean without receiving recognition or thanks. The subplot involving Crowley's son raises questions about family dynamics and moral compromise, adding layers to Crowley's character while deepening the central conflict. These themes resonate within Supernatural's broader narrative about resilience and interconnectedness in times of crisis.

One of the most striking moments occurs when Bobby finally confronts Crowley with evidence of his son's existence. The scene is tense yet cathartic, showcasing Bobby's intelligence and determination as he outmaneuvers one of Hell's most powerful figures. Another standout sequence involves Bobby saving Marcy from an Okami-a moment that blends horror with humor as Bobby struggles to explain why he buried a monster in her backyard. These scenes exemplify the episode's ability to balance supernatural stakes with relatable human moments.

"Weekend at Bobby's" is a masterfully crafted episode that provides a refreshing departure from Supernatural's usual format. By shifting the focus to Bobby Singer, it offers insight into the sacrifices made by supporting characters while advancing key plotlines involving Crowley and Heaven's stolen weapons. Jensen Ackles' directorial debut is impressive in its creativity and attention to detail, making this installment both entertaining and emotionally resonant. While some subplots could have been fleshed out further, "Weekend at Bobby's" succeeds in showcasing Jim Beaver's talents and enriching the series' narrative tapestry.

What viewers of SPN forget is how much writing goes into the background, and all the secondary characters. Jodie, Rufus, and Bobby get fleshed out here, along with building Crowley's character, to show the world beyond angels and demons and boys who kill bumps in the night. The lore and the research we usually just get bits and bobs of is laid out a bit more, along with the issue of bodies and evidence - remember why the vampires always went poof on Buffy? So there wasn't all the clean up? Seeing the background stories makes a lot of what we see weekly even more enjoyable. Plus, this episode is a real start of building the extended universe down the road (say hi, Garth! We'll see you next year!) This is an excellent episode set around the world we don't see, giving us reasons to care about the people we usually only get a few moments with here and there, and it gives the writers a whole new mine of jewels to dig into.

This show has been... Difficult. I want to like this show but I just don't. My friends rave about it and I needed a new binge. I've almost stopped watching a couple times now, but it pains me to leave a binge unfinished.

I am so glad that I stuck with it. Even if I let it go after this, I will still remember this episode. It's hilarious! Bobby is much more interesting to me than the two lead characters, and I quite enjoyed this one off episode with Bobby as the central focus.

Now can someone tell me if there's one like it for Castiel? That would be worth continuing to watch...