Rick is reunited with Lori and Carl but soon decides - along with some of the other survivors - to return to the rooftop and rescue Merle. Meanwhile, tensions run high between the other surv... Read allRick is reunited with Lori and Carl but soon decides - along with some of the other survivors - to return to the rooftop and rescue Merle. Meanwhile, tensions run high between the other survivors at the camp.Rick is reunited with Lori and Carl but soon decides - along with some of the other survivors - to return to the rooftop and rescue Merle. Meanwhile, tensions run high between the other survivors at the camp.
- Morales
- (as Juan Pareja)
- Jacqui
- (as Jeryl Prescott Sales)
Featured reviews
"Tell It to the Frogs", a return to the slower pace of "Days Gone Bye" but with even more character building and a full establishment of tone, in no way disappoints, quite the opposite. And a strong reminder of how Seasons 1-5 of 'The Walking Dead' to me were absolutely brilliant and seeing the show in its full glory days (Season 6 was uneven, Season 7 was a huge disappointment and am still debating whether to watch Season 8). It is as emotional, complex and as tense as the brilliant first/pilot episode "Days Gone Bye", at the same time it has "Guts" adrenaline and guts.
It still shocks me at how an intelligent, well-made (so much so that it is easy to mistake it for a film) show about zombies could be made when so many films have tried and failed abysmally to do so.
Like all the episodes of the show, "Tell It to the Frogs" is incredibly well made in the production values, with gritty and audacious production design, photography of almost cinematic quality, effects that look good, have soul and are not overused or abused and pretty frightening make-up which helps make the already freaky zombies even freakier. The music is haunting and affecting, having presence but never being too intrusive.
The writing is intelligent and thought-provoking, with lots of tension and emotional resonance and already showing signs of character complexity and multiple layer storytelling. The more eventful scenes are thrilling and terrifying as well as uncompromising.
Particularly found Daryl's anguish very touching. Do think though, and it is my only real minor niggle with "Tell It to the Frogs", that Sarah Wayne Callies didn't show enough personality or sense of ease here.
It's all thrilling and tautly paced without rushing through the more important parts. The world building is already stunningly immersive and effective. Direction is smart and atmospheric while the show throughout has been strongly acted especially by Andrew Lincoln.
Overall, really excellent and a big turning point for 'The Walking Dead' in terms of characterisation and tone. 9/10 Bethany Cox
This is a strong character focussed episode that establishes some interesting dynamics.
The story moves fairly slowly but the focus is on a number of good interactions between characters such as the Grimes family, Shane, Daryl and others. It establishes solid drama with the relationships established since Rick has been presumed dead and the nagging guilt associated with leaving Merle handcuffed to a rooftop.
I particularly enjoyed the social themes shown in a number of scenes depicting humanity reverting to its primal state. The visuals of female characters doing the washing and foraging work as the males either hunter-gather, protect or general laze about is good. The exchange of dialogue between the ladies discussing the various technologies they miss is great. With all the social constructions in ruins it will be interesting to see what kind of society grows throughout the show.
It ends with a taster of what is to come in the next episode which works well to make you want to carry on watching.
The visuals are strong, with some good images of people living in the survivors camp. I like the shots where some characters are centre strange but you also see others busy in the background either watching or doing other things.
The horror effects are brutal as ever, but there is more focus on the living in this episode with less action and zombie bashing.
Andrew Lincoln leads the show well again with good support from the other cast members, such as Norman Reedus, Michael Rooker, Jon Bernthal and Sarah Wayne Callies.
We get a better look at the people in the camp, we get new characters such as The timid Carol, her abusive husband Ed and their daughter Sophia. We also get introduced to Merle's brother Daryl Dixon (who seems to be as hot headed as his brother) and we see Morales has a family too. Characters like Dale and Carol clearly are good people, and we see Ed is the rotten apple of the group, whilst Daryl is understandably furious about what has happened to his brother.
Lincoln is still the top performer, Jon Bernthall is given more to do as Shane here and Jeffrey DeMunn shines as Dale, while Daryl's anguish at the end of the episode was great, well done Norman Redus.
One of my problems with the cast is Sarah Wayne Callies. I didn't like her in performance in "Prison Break" and again, I find her unlikeable again here too.
What made this series so compelling in the early days was a rich assortment of engaging characters and performances. Some of the regular cast members from this era, like Dale, get a little more to do. 'Tell It to the Frogs' is noteworthy for introducing the character of Carol, who is a background player here, albeit one with some dramatic weight (she's involved with a do-nothing, cigarette-smoking chauvinist who is obviously an abuser as well). You can't help but feel some satisfaction when Shane (still smarting from being told to hit the highway by Lori) administers a beating to the guy.
Some horror fans may find episodes like this rather lightweight, since there is precious little zombie carnage. This one is more about character development and situations rather than action. However, when the acting is this good, it's hard to complain too much. Michael Rooker delivers a real tour de force performance in the opening minutes as Merle; he really does look like a guy going mad from desperation, isolation, and fear.
The title stems from a conversation between Lori and Shane, after the latter has tried to reach Carl how to catch some amphibians.
Eight out of 10.
Did you know
- TriviaConsulting producer/Special effects artist Greg Nicotero plays the walker eating the deer.
- GoofsOnce Merle gets the hacksaw he could cut the bolt to which the handcuff is locked. This would take only a couple of minutes, or he could cut the chain holding the cuffs together. This would not be as easy but still possible. Instead he chooses to cut his hand off. This would take quite a bit longer than the chain, would be incredibly painful, risk death from blood loss or infection and would permanently disable him in a world where having both hand could be the difference between surviving or not. Merle is stupid, but he isn't THAT stupid.
- Quotes
[Rick sees Daryl for the first time as Daryl sees the Deer-Walker that fed on his deer]
Daryl Dixon: Son of a bitch. That's my deer! Look at it. All gnawed on by this... Filthy, disease-bearing, motherless poxy bastard!
- ConnectionsFeatured in The Walking Dead: The Journey So Far (2016)
Details
- Release date
- Country of origin
- Official site
- Languages
- Filming locations
- Spring St SW, Atlanta, Georgia, USA(rooftop where Merle was handcuffed)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD