Independence Day: Resurgence

Independence Day: Resurgence makes a bold attempt to follow up on the legacy of its iconic predecessor, but it falls short in many areas. Liam Hemsworth delivers a solid performance, but the script doesn't give him much to work with, leaving his character feeling shallow and unmemorable. The story itself is straightforward and predictable, offering little in terms of surprises or emotional engagement. Attempts at humor and drama sometimes feel forced, detracting from the overall experience.

While Roland Emmerich's direction keeps the film moving at a brisk pace, it often prioritizes spectacle over substance. The visuals work well enough to support the story, but they don't push any boundaries, especially for a film released in 2016. Given the advancements in CGI and visual effects by that time, the production feels like a missed opportunity to deliver something truly jaw-dropping. Instead, it's serviceable, doing just enough to convey the futuristic and alien elements but lacking the wow factor that could have elevated the experience.

In the end, Independence Day: Resurgence is a decent popcorn flick for fans of sci-fi action, but it doesn't live up to the standards set by the original. It's fun in parts but ultimately forgettable, leaving viewers with the sense that it could have been so much more.

Twenty years ago, director Roland Emmerich put on screen an alien-invasion disaster feature with moments so iconic & jaw-dropping that viewers n critics alike were left dazzled by the sheer scale & size of its ambition. Independence Day was a watershed event for its genre and its influence on both disaster films & blockbuster filmmaking cannot be downplayed.

Independence Day was in every way a self-contained film. It never needed a sequel and its legacy was well-preserved for years to come. That was until Emmerich decided to put a dent on it, which is exactly what he does with Independence Day: Resurgence. A strong contender for the absolute worst film of 2016, this sequel is as needless & cringeworthy as movies can get.

Set 20 years after the events of the first film, Independence Day: Resurgence presents Earth to be a much more peaceful & united place than ever before. There's higher transparency in international cooperation and the defence system has benefited greatly by reverse-engineering the technology of the ruined alien spacecrafts. But when the aliens return with an even deadlier threat, mankind is put to test again.

Co-written & directed by Roland Emmerich, Independence Day: Resurgence is a facepalm-inducing garbage from start to finish. Everything that made its predecessor an instant classic is discarded in this sequel. What the writers have done with returning characters is downright embarrassing, while the new additions are even worse. There is neither any sense of logic in what transpires on screen nor any uniformity in its plot progression.

All of Roland Emmerich's trademarks make its way into the final print, be it the utter disregard for science or logic, suffocating levels of visual effects, corny characters, nonsensical set of events, and unprecedented demonstration of global catastrophe. The CGI excess is really overpowering in every sense of the word, and with all the stupidity that takes place over the course of its runtime, there is nothing redeemable about this sequel.

Coming to the performances, Jeff Goldblum, Bill Pullman, Judd Hirsch, Brent Spiner & Vivica A. Fox reprise their respective characters while the new additions include Liam Hemsworth, Jessie Usher, Maika Monroe, Charlotte Gainsbourg & a few more unknowns, and the terrible work they put up on screen is only an extension of their awfully-written characters. In fact, the only one to really admire here is Will Smith, who decided to not return this time.

On an overall scale, Independence Day: Resurgence proves that Roland Emmerich is never so bad at filmmaking that he can't get any worse. Undeniably amongst the worst blockbusters to surface on silver screen, it is a horribly directed, shoddily scripted & poorly performed picture made even worse by its wooden characters, terrible dialogues & lame attempts at humour and sort of makes you wish that the aliens had won the last time. In a sentence, Independence Day: Resurgence is an insult to human intelligence.

I think I know why so many didn't like the latest Independence Day-movie. As most of us know, our feelings and opinions about a movie weighs mostly on how it ends. If it's a great movie with a bad ending, you'll leave the cinema or sit in your sofa feeling disappointed and then you'll attribute that feeling to the entire movie.

I enjoyed the movie, it captured the tone of the first one very well - very cheesy, action packed and humorous. The two biggest problems however was the duration and ending. Without giving anything away, it ends too abruptly. I get the idea, but ending a movie like that almost never works, especially not when the original movie ended the way it did: with a spectacular burning debris rain. This just... ends.

The other problem I had with it was that they tried to cram in too much in just two hours. The first one had a perfect pacing, almost just as much sh*t happening as it was in this one. But the fact that it was a whole 30-minutes shorter made half the movie seem rushed, especially the second half. Which is too bad because it had potential to be just as good as the original. Other than that, it was pretty spot on. I especially enjoy the fact that it doesn't hold off any cheese, like the trend we've seen in most of our latest sci-fi epics. Everything's so dark and gritty nowadays and it's nice to see this movie take a step backwards towards what made the original movie so special.

I give it a 6/10. Good, enjoyable popcorn flick. Could be better, but could've been a hell of a lot worse.

They made the first film again, with a few more and bigger bangs, unoriginal boring aliens you've seen the like of so many times before and an even more cheesy script than the first movie. Most of the cast just went through the motions, many of the younger ones ought to be seeking other forms of employment. The CGI was epic in scale but not in originality,the story hackneyed and clichéd. OK it's not a film to be taken with any sort of seriousness, but this was just poor.

On the opening afternoon there were just 5 of us in a 200 seat theatre - but it was a dull day and I guess most people were out voting in the EU referendum (or working!), but maybe the mediocre press reviews had an effect.

They shouldn't bother to resurrect the aliens unless they can bring something a bit more original to the screen. I wish I'd have joined the rest of the family in the screen next door for The Jungle Book rehash, which they said was very good.

I recently re-watched the first film and was surprised at how robust its shelf life is. Again, it is undeniably cheesy and jingoistic, but done suitably well, I can have a ball with any material. In "Independence Day: Resurgence", set and finally released 20 years after the events of the first film, the aliens get medieval on us with an even bigger mothership.

There's a lot of heroics here by many a character who do their equal part to stop this new alien menace, having already made a stuffed calzone of the Earth's crust comprising from London all the way to Singapore. There's also a refreshingly silly undertone which sets it apart from the grim and serious blockbusters of today, and with added Jeff Goldblum and Judd Hirsch who return as the Levinsons, and "Star Trek" alumnus Brent Spiner as the eccentric Dr. Okun, Emmerich and his co-writers, including returning scribe Dean Devlin, certainly did not skimp out on the comic silliness.

Unfortunately, that is where the similarities end. The sins of sequelitis has been bestowed upon this sequel to his 1996 smash hit, and Emmerich is to blame, either for his laziness to phone it in out of frustration to fulfill the fans; or bucking in to studio demand to condense the film into a mere 2 hours. Sure, lots of things happen in the film, including stuff and cities going kablooey in high style, and high-tech aerial dogfights to give "Star Wars" a run for its money. Even Liam Hemsworth as the new hero Jake Morrison did not annoy me as much as I expected, though Hemsworth is still a far cry from Will Smith's "Elvis has left the building!" persona.

However, as slick as the modern CGI is, giving a sleeker look to the tech shown in the original film, it never quite gels together as a cohesive film - no momentum, no suspense, no catharsis when it does end. Bill Pullman's returning ex-President Thomas Whitmore is utterly wasted, as per his daughter Patricia (Maika Monroe, not doing her rep from "It Follows" any favours). It is not their fault; I feel that there is a lot of footage Emmerich was forced to excise by the Fox bigwigs to get more butts into cinema seats. Perhaps an extra half- hour of more cataclysmic destruction and character motives, but I may be asking for a bit too much at this point.

Things are very rushed indeed, with no payoff even when there's lots of characters doing their fair share to save the day. Goldblum and Hirsch, however, are still naturals, and they steal every scene they're in, and lift the movie up from near tediousness. Nevertheless, the special effects are fantastic, and are most certainly worth the price of admission alone.

It's kind of sad. This new one promotes global equality, with a female U.S. President (Sela Ward) celebrating world peace, and with everyone from across the globe giving it their all to kick E.T.'s ass. The action is fine and dandy without any of those annoying shaky-cam and quick-cut edits. And yet, the film suffers from awkward pacing, rushed dynamics, and especially a lack of cities exploding into fireballs. It even has sequel-teasing in the laziest manner possible in its final moments.

To quote Marvin the Martian, "Where's the kaboom? There's supposed to be an Earth-Shattering Kaboom!"