Miss Lovely

Films like these provide an eye opening reality to college students, especially those pursuing Media related courses in colleges. I would love it if the makers offered us an opportunity to perform a case study on every aspect of this film. Being a film student myself, I always knew of Ashim Ahluwalia. However this film has given me a chance to understand why he is an idol to many aspirants like me. The film is brave, crazy and goes against the tide. This sends out a strong message to all those who are clueless about the importance of emotions and humanity in an era where money has an edge over anything and everything. I for one am really happy that a film like Miss Lovely can be made and released. It offers hope to a lot of film students and younger filmmakers that something else other than the usual masala fare is possible.

Watched this at Cannes and early reviews were initially confused, almost dissuading me from checking it out and sometimes positioning it as a Boogie Nights style American film, other times describing it as Wong Kar Wai-like. IT IS NOT ANY OF THE ABOVE! It's expressionistic, strange, captivating, surreal, eccentric and one of the more beautifully designed movies in recent memory, specially if 1980s Asian pulp & auteur cinema appeals to you as it does me. Its fragmentary plot is uncompromising, yet deeply rewarding as a complex genre movie makes way for a much more poetic take on what it means to be trapped in a claustrophobic economic/ social world with no way out. Feels like a marriage between von sternberg and andrei zulawski (kind of)..def art house, though. The narrative is just straight enough to follow whilst being daring enough to baffle - many feel that the character of Pinky, the dream-girl that drives much of the film is too opaque, but for me she felt just right - a kind of mona lisa of the bombay underground. highly worth checking out.

I saw this film at the Toronto Film Festival 2012 and was left speechless - this is a really hard-hitting, pulpy, gritty and rather radical take on the underground sleaze film industry in India in the 1980s. Like Sam Fuller & Dario Argento got together to remake an underground Bollywood film - and that doesn't even close to describing it. It vacillates between unscripted documentary and pulp thriller, creating a new hybrid style that is unlike anything I've seen before. If you're a fan of hard-boiled cinema with an experimental twist, I would strongly recommend this film. Beautifully photographed in classic cinema-scope with a mix of vintage film stocks. exceptional.

Miss Lovely will generally upset many people - for the simple reason that it sets up lots of genres/ premises - and unsuspectingly dumps them to move onto something entirely unexpected. As others have written, this is NOT the Indian boogie nights or whatever was imagined of it - it is, in essence, an experimental pulp film (if such a thing exists). This film is a deconstruction of genre (as i saw it anyway), and this becomes apparent when you see how it switches from noir/ thriller to romance film (part of the theme of the film itself) and takes documentary, porn, horror and musical in it's wide cinematic stride exploding/merging all of the above.

Clearly more than tell a straight story, director Ashim Ahluwalia is devoted to questioning, analyzing, critiquing and (at times) upsetting social & filmic conventions here.

Working outside of the 'Bollywood' industry, Ahluwalia explores a number of ideas rarely seen in Indian cinema: social outcasts as (tragically heroic) protagonists, uninhibited sexuality, changing roles of women in society and the critique of (or deconstruction of) social structures and assumptions. Sonu & Vicky Duggal clearly represent a new form of rebellion (they are clearly anti-state, anti-film industry, "criminal filmmakers" if you will), and therefore give domestic and international audiences a glimpse into lives that would otherwise likely escape cinematic exploration.

Having seen a fair amount of contemporary Indian cinema, Ahluwalia appears like one of the few true innovators within this nascent movement, and is - for this reason - one of its primary players, explaining interest from Cannes & Toronto.

Bollywood very proudly flaunts badges like mindless entertainment, leave your brains behind comedy, potboiler, masala entertainer etc. The award winning success of these films proves that there exists a larger population of people who step into the theater to consume these films and most of them find it real too.

This is a master piece. I call this new age cinema. Those who are getting bored of Yashraj and KJ movies, will definitely like Miss Lovely.

It would suffice to say that Miss Lovely is a film which is in a class of its own by such a far distance from its peers from the same house, that, by the sheer fact of its existence, it manages to add a chapter to the history of that very house.

The character building is magnificent, which lets one flow with the story without any jarring effects.The distinct flavour of each new element and the twists introduced thereby make it worth the trouble of tracking the complex plot.