The day in the life of a psychotic hillbilly and his captives, innocent people he has taken prisoner to indulge his violent fantasies.The day in the life of a psychotic hillbilly and his captives, innocent people he has taken prisoner to indulge his violent fantasies.The day in the life of a psychotic hillbilly and his captives, innocent people he has taken prisoner to indulge his violent fantasies.
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A hypnotic headmashing experiment in single camera nastiness, PIG certainly lived up to and also confounded my expectations. I was expecting a standard redneck slasher film, which in essence it is, but the totally unhinged performances and the atmosphere of inescapable dread really hooked me in, and made me feel I needed a shower after it was over. Extremely technically impressive, almost completely improvised, and bringing to mind other experimental fare like the August Underground series, PIG is practically a video diary of murder, degradation, and crack-smoking madness. As unsettlingly brilliant as Andrew Howard's performance is, a few moments of pitch-black humour dot the proceedings, adding an interesting edge to an otherwise fairly archetypal character. The music can get slightly tiresome, I'd have liked to see it with no score at all except the radio excerpts. It's certainly a slog, but an admirable and affecting one.
So...usually, before I get into what I liked and didn't like about a movie when I review it, I usually give a plot summary to show others what it's about. But, in this case, I cant give one because, frankly, there IS no plot
Now, I have good news and bad news about this film. The good news is that this film goes above and beyond the normal setting for films going "too far". The bad news? There's not much else to this film.
A thing that I have to praise this film for is it's one on-going shot that's used for almost the entire film. If you want to become a director, cinematographer, or pretty much anything else to do with film, you should see this film purely on that.
But, the major down-side to this film is that it's just plain boring at times. I'm not one of these conservative people who will hate this film because "It's too terrible" or "It will corrupt the kids" or anything like that. I mainly don't like it that much because it's just plain boring at times. Your waiting for the film to move on at points, but it never really does.
Maybe that was the director's intentions or the actors intentions (because you can tell that this film is mainly improv), but whatever it is, it's not something that you should really see OTHER than the technical stand-point.
Now, I have good news and bad news about this film. The good news is that this film goes above and beyond the normal setting for films going "too far". The bad news? There's not much else to this film.
A thing that I have to praise this film for is it's one on-going shot that's used for almost the entire film. If you want to become a director, cinematographer, or pretty much anything else to do with film, you should see this film purely on that.
But, the major down-side to this film is that it's just plain boring at times. I'm not one of these conservative people who will hate this film because "It's too terrible" or "It will corrupt the kids" or anything like that. I mainly don't like it that much because it's just plain boring at times. Your waiting for the film to move on at points, but it never really does.
Maybe that was the director's intentions or the actors intentions (because you can tell that this film is mainly improv), but whatever it is, it's not something that you should really see OTHER than the technical stand-point.
I really, really did try to like this movie. I really wanted to enjoy this as sheer brutality, something that simply tried to be as vulgar as rating systems would allow. There's just. No. Plot. It's just a bad movie, plain and simple. Sure, it's got all the earmarks of a pretty, technically well-made film, but if you don't have that kind of film school background, it's nothing but torture porn, and within the first 5 minutes, you realize that it's not even torture porn: just sexist, reprehensible and filth. I'm fine with a good bit of Saw or Devil's Rejects fun, but when you're just beating the sh*t out of women for a good hour and a half, it's not fun anymore.
What a damn shame.
What a damn shame.
Adam Mason's "Pig" premiered free to all tonight, on bloody-disgusting, dreadcentral, and Twitchfilm. Mason was responsible for the mind-f*ck of a film "The Devil's Chair." as well as "Blood River." To call this a film would be liberal usage of the word. It's more of an experiment in the technical side of film making. There is no narrative, no character development, and honestly no purpose to the film. The bulk of the movie(70 minutes) was filmed in one take. If you explain this to the average movie goer, not only will they not care, but they most likely won't even know what you're talking about.
Now that I've explained that this isn't really a movie, but more of a talent showcase, let's delve into what worked for me. Knowing I was viewing one continuous take blew my mind for most of the film. The cinematography is nothing short of amazing after consuming that fact. Even more impressive is how they allow for F/X gags to be set up while the camera is running. A quick re-frame of the shot, allows for the off-screen crew to quickly set up the special effects. Some of the tricks used here were absolutely brilliant. Setting the kill in the bed of a pick-up truck, allows for them to make a quick cut to a wide-shot, while someone crawls on their belly, setting up the effects for the kill.
This isn't a movie to be enjoyed. In fact, I wouldn't recommend viewing this film to anyone unless they are not only an aspiring film maker, but interested in film making as an art form. It's hard to watch, and not because of the subject matter. While our main character prepares his "meal" the camera lingers on him, with his captive struggling in the background. This goes on for what seems like forever. A lot of the time, it made me feel like I was stoned. I knew something should be going on on the screen, but I felt so disoriented that I couldn't tell if I was missing something, or if that was just the way the movie made me feel. The acting is decent, considering there's not much coherent dialog, and that this is mostly happening in real time. The setting is believable, all-be-it a little bland. The music gets a tad annoying, with the same song being played in the back ground over and over.
If you're interested in becoming a film maker, and marvel at the technical aspects of a film, you may want to endure this experiment. You'll definitely be in for something original. But please, don't go into the flick expecting an enjoyable movie, because aside from marveling at the talent behind the camera, there's nothing to like here. Watch if you dare, and remember you've been warned.
http://liberaldead.blogspot.com
Now that I've explained that this isn't really a movie, but more of a talent showcase, let's delve into what worked for me. Knowing I was viewing one continuous take blew my mind for most of the film. The cinematography is nothing short of amazing after consuming that fact. Even more impressive is how they allow for F/X gags to be set up while the camera is running. A quick re-frame of the shot, allows for the off-screen crew to quickly set up the special effects. Some of the tricks used here were absolutely brilliant. Setting the kill in the bed of a pick-up truck, allows for them to make a quick cut to a wide-shot, while someone crawls on their belly, setting up the effects for the kill.
This isn't a movie to be enjoyed. In fact, I wouldn't recommend viewing this film to anyone unless they are not only an aspiring film maker, but interested in film making as an art form. It's hard to watch, and not because of the subject matter. While our main character prepares his "meal" the camera lingers on him, with his captive struggling in the background. This goes on for what seems like forever. A lot of the time, it made me feel like I was stoned. I knew something should be going on on the screen, but I felt so disoriented that I couldn't tell if I was missing something, or if that was just the way the movie made me feel. The acting is decent, considering there's not much coherent dialog, and that this is mostly happening in real time. The setting is believable, all-be-it a little bland. The music gets a tad annoying, with the same song being played in the back ground over and over.
If you're interested in becoming a film maker, and marvel at the technical aspects of a film, you may want to endure this experiment. You'll definitely be in for something original. But please, don't go into the flick expecting an enjoyable movie, because aside from marveling at the talent behind the camera, there's nothing to like here. Watch if you dare, and remember you've been warned.
http://liberaldead.blogspot.com
As you will read in many other reviews here, the fact that the film is filmed in one continuous shot is very impressive, and Adam Mason should be applauded for this fact alone. The fact that he was able to get the film to run smoothly and all the special effects still worked is a marvel. However, that's where my appreciation ends. You see, Pig is an incredibly dull and boring film. It was marketed as being this incredibly disturbing and filthy movie with sadistic violence and deplorable scenes throughout. What we get is a whole lot of sub par acting, particularly that of the female antagonist in the movie. The film's portrayal of her being mentally disabled is extremely over the top, annoying, and frankly an offensive portrayal. The hur-dur dialogue and sounds that come out of her mouth are absolutely insufferable. The male antagonist is better, but it's like comparing excrement to expired food. One is clearly better but both are pretty awful. His performance is over the top, and not in a fun way. More of an embarrassingly amateurish way. The film is also an absolute bore, with there not being much of a plot at all outside of the 2 antagonists torturing a few people mentally in physically. Don't get me wrong either, I am a fan of movies such as the Guinea Pig franchise and other extreme cinema but here it is just dull. Nothing you see on screen isn't something you haven't seen before in countless other extreme horror films, or even many mainstream horror films. By nature, the fact that the film is shot in one take means that there are going to be some scenes where the actors do things that allow the special effects or set pieces to be set up while they talk or do something in the forefront. However, as I said before the acting is atrocious so really the only draw for the movie is the torturous acts commuted. And those aren't interesting either. So what we're left with is a movie that was shot in a cool way, but what is happening on screen is mediocre at best and unbearably annoying at its worst. A real shame.
Did you know
- TriviaWas only screened once at SXSW, and then was streamed online one more time before being essentially vaulted. No physical release was ever made, and there's no official place to stream it either.
- Crazy creditsThe closing credits run in the opposite way, starting with the copyright notice and the "filmed in" notice.
- SoundtracksFrozen Angels
Performed by Zoë Keating
- How long is Pig?Powered by Alexa
Details
- Runtime
- 1h 10m(70 min)
- Color
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