Udaan

Udaan is simply a heart-warming tale..very good storytelling,particularly immensely engaging in the 2nd half,gr8 acting(the child actors has been a revelation)...and above all superb music..Vikramadiya motwane in his debut film has produced a stunner. Motwane and anurag kashyap's storytelling technique,as always has been impressive. The film has its own moments,particularly the evolution of the relationship between the brothers. The songs are also well placed. The Director carefully brings out the intricacies of teen age mind..Rohit and Aayan,both the actors has been above the mark...The story too ends on a high note..and to be mentioned...Ronit roy was a treat to watch...

Above all this was is a must watch...very few films of this genre are made in Bollywood.this is certainly one of the best of them..I am giving it 10 on 10..

P.S.-Was shocked as well as pained to see the cold response of viewers in the theatre..Perhaps for this only such films are scarce in bollywood.

Ohh Yeah ! It is that good. It is one of the couples of Hindi movies that has managed to move me. Very simple yet heavy on its contents.

After seeing it on many Best of 2010 list, I had to see it. And after watching it has to review it. This very ordinary story stays with you even after hours of watching it. "Udaan" is a story of a boy, who like everyone else dreams and like almost everyone else he had to decided and step up to the hurdle before him. It is also a story of a father who like many tries his best to brought up two kids but fails. Its characters are not heroes or villains.

The performances are pitch perfect. Ronit Roy does it so amazingly that you wonder if his talents were wasted on television. Both kids are so refreshing. The biggest achievement of the film was that you just don't pity the father but kind of understand his actions.

it is a journey that will make you run for your dreams and love ones. Do not miss this fantastic piece of arts.

Vikramaditya Motwane's 'Udaan' is a film, that lingers your memory, and gives you the hope to live your dreams. The film has everything going for it, it has a touching story, proficient performances, hummable music & striking direction. It's A Winner All The Way!

Rajat Barmecha stars as Rohan, who, after being abandoned for eight straight years in boarding school, returns to the industrial city of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn't even know existed.

'Udaan' is an inspiring story. Screenplay by Motwane & Anurag Kashyap is brilliant. Their protagonist, is not a passive one, he has a goal, that of becoming a writer, which has been stabbed by his authoritarian father. The Screenplay allows it's Hero to get courage in himself. It starts superbly, and continues it's momentum to the end.

Motwane's direction is great as well. The Cinematography is able. Amit Trivedi's Music is hummable. The Editing is killer.

Performance-Wise: Rajat Barmecha is wonderful. The youngster lives his character each moment. Ronit Roy as the authoritarian father, is electrifying. The actor performs like never before! Aayan Boradia is a wonder child. A dependable actor! Ram Kapoor as the polite & understanding uncle, is lovable. Manjot Singh appears fictitious.

On the whole, as my summary says, One Of The Finest Films Of 2010! Strongly Reccmended!

Udaan (2010)

On the main level this is a gripping, realistic, deeply moving story of a sensitive boy with an abusive father growing up in a culturally complex India. This is the main point here, and the reason to see it. The leading part played by this boy, Rohan, is a magnificent acting debut for Rajat Barmecha. He was twenty playing a seventeen year old schoolboy, but he's convincing, and nuanced, with both great emotional vulnerability and flashes of rebellion and fire.

The other level to consider from this movie is as a cultural lens. I write from the U.S. and know only what I see from here, but it seems like a coming of age movie with the tinges of generation gap and young rebellion seen blossoming (in the movies and in life) here in the 1960s and 70s. Rohan's father is "old school" in that he's tough on his son, thinking the son needs discipline and hard work to grow up and be functional. The boy though is a writer at heart (there are several scenes where he recites poems or tells stories and they are spellbinding, if brief), and the father won't hear of that. Raising Rohan without a mother seems to give him so leniency for his stubbornness, but not for his violence, and Rohan, somehow, must react.

The third character of note is not a girl--a nice change from many young men growing up stories--but a little half-brother who Rohan ends up befriend and ultimately kind of mentoring. The little one is super cute and delicate, and the three males with all their problems and conflicts make for a rich, intense interplay.

The other cultural aspect (besides how young people might be seeing their morality shift from their parents and grandparents) for an outsider is to see contemporary India in a rather true, ordinary way. I mean, "Slumdog Millionaire" was amazing and sensational in its own way, but it pushed buttons and pushed boundaries. This movies stays within boundaries to that being edgy isn't interfering with the reality of the story and all its successive stages.

It's really great stuff overall. The one thing that will seem odd, maybe, to some is the inspirational feel-good music with lyrics written for the film. It's almost saccharine it's so idealistic, but then, it's probably when every struggling 16 year old in Mumbai or New Delhi or wherever needs to hear. That part of the movie is not for an outsider at all, which is okay. I think people see the American classic "The Graduate" and have similar problems with the coming of age problems being mid-1960s in flavor, and the music having a pretty tenor not always up a contemporary alley.

So see Udaan for what it is. Rooted in expert and conventional filmmaking and storytelling, but powerful stuff.

Quite often the cinema of India is unique to its cultures. On this occasion however, we're presented with a universal story. A taut relationship, often violent, aggressive, and abusive, between a father and his son, with two amazing performances taking centre stage. A picture, a perspective, a tale that will sadden and upset, but reflective of so many who have, and continue to find themselves in similar positions within any number of countries and cultures the world over.