A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.A ruling class sociopath kills a working class girl in a hit and run and uses a deck of playing cards to determine his fate.
- Awards
- 2 wins & 8 nominations total
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Featured reviews
The only true reaction one can have after watching Charlie Casanova is a neutral reaction. You won't love it or hate it. A couple of moments will stick in your head. One moment in the picture is hilarious. You will however feel duped. You will feel duped because the film is talking to your head and not to your head, heart,gut and lets just say some other places.
Charlie Casanova - The Emotional Experience (Take Two) Charlie Casanova must and I mean must be seen for a second time. Once you watch it again the female and male characters make more emotional sense and their own personal situations are heartbreaking and gut wrenching. Of course your heart won't break but the dams of your eyes will.
Like all great films; "Charlie" is a sensual experience - it uses the senses well. The use of sound and silence is used quite well in the film. The attention to detail of male/female behaviours is well brought out.
People will highlight certain scenes to champion "Charlie" but as always like "Midnight Cowboy" the scene after the famous scene will be the most memorable. Moments of female anquish and male chameleon contorsions will be bypassed as secondary on first viewing "Charlie" but like cream, will rise to the top on the second viewing and will emotionally stun you. This puppy was stunned by the male chameleon contorsions first time round and was emotionally floored by the female anquish scene the second time round. I had to pause the screen.
Charlie is the joker in a joker society and we love the joker. The joker has replaced the royalty but the joker is taking royalty payments.
We desire the joker and want to be the joker and that is cool but we need to infuse the joker with wisdom, charisma and intelligence in that order to free us from the sexual insanity that is trashing our bodies and our minds.
Charlie Casanova - The Emotional Experience (Take Two) Charlie Casanova must and I mean must be seen for a second time. Once you watch it again the female and male characters make more emotional sense and their own personal situations are heartbreaking and gut wrenching. Of course your heart won't break but the dams of your eyes will.
Like all great films; "Charlie" is a sensual experience - it uses the senses well. The use of sound and silence is used quite well in the film. The attention to detail of male/female behaviours is well brought out.
People will highlight certain scenes to champion "Charlie" but as always like "Midnight Cowboy" the scene after the famous scene will be the most memorable. Moments of female anquish and male chameleon contorsions will be bypassed as secondary on first viewing "Charlie" but like cream, will rise to the top on the second viewing and will emotionally stun you. This puppy was stunned by the male chameleon contorsions first time round and was emotionally floored by the female anquish scene the second time round. I had to pause the screen.
Charlie is the joker in a joker society and we love the joker. The joker has replaced the royalty but the joker is taking royalty payments.
We desire the joker and want to be the joker and that is cool but we need to infuse the joker with wisdom, charisma and intelligence in that order to free us from the sexual insanity that is trashing our bodies and our minds.
A dreadful viewing experience, with a terrible script and poorly directed actors. The main character is a screaming, gurning, nonsensical monstrosity. I don't give a s*** what the message or the intention of the film was, it's f***ing poorly made and an utterly meritless viewing experience.
The "cards fall where they may" thing was over-egged, felt stupid, ridiculous, and repetitive. It is a bewildering and alienating film, the characters are not recognizable as human, they're weird cartoon characters. And they talk too fast too, it was incomprehensible.
I respect the fact that they made a film for next to nothing. I don't respect the film on any level.
The "cards fall where they may" thing was over-egged, felt stupid, ridiculous, and repetitive. It is a bewildering and alienating film, the characters are not recognizable as human, they're weird cartoon characters. And they talk too fast too, it was incomprehensible.
I respect the fact that they made a film for next to nothing. I don't respect the film on any level.
If you're the type of movie-goer who demands a rosy-feel-good-Hollywood-faux-glow-flowery feeling, put the popcorn away. This one's not for you.
If you're a ruling-class conservative uptight planet-ruiner, this movie will especially drive you nuts.
The dialog in particular is pure genius.
McMahon (director/scriptwriter/producer of Charlie) is THE word wizard of our time, and those who miss the point of Charlie's intentional machine-gun-mouthed verbosity will be left bewildered and confused by its real purpose (think of the crap you're fed daily by your elected political leaders) - think obfuscation, smoke-screen hypnosis, hyperbolic nonsense.
Emmett Scanlan is nothing short of mesmeric in his portrayal of the utterly reprehensible, but spell-binding Charlie. This is the type of movie you'd never see on telly, except maybe in the old days, at 2 in the morning on Channel 4. If I saw it in that context, I'd be raving about it for a month.
The suits will want to kill Charlie's creator, Terry McMahon, because that seemingly is what Terry McMahon would like to do to them.
Charlie Casanova and his suited lackey 'friends' portray the nihilistic, consequence-less recklessness of the young Irish ruling-classes who were partly responsible for bringing Ireland to its financial knees. Everyone and everything is fair game to Charlie, especially the 'track-suited scum' on the poorer north side of the city he thinks his speculated wealth subsidizes.
One of the great things about this movie is the way the writer succeeds in challenging even the most politically-correct bleeding heart into admitting that for all one's outrage and achy-breaky heart, one ultimately does very little to halt the march of financial despotism.
The movie validates AND dismisses in equal measure, both arguments presented by the 'track-suited scum' and their suited rulers. This is where the real genius of the script lies. Charlie Casanova poses many questions and answers none.
The movie is a moral and philosophical treatise on the ruling haves and the powerless have-nots, in the context of the writer's city - the north and south-side of Dublin. The Dublin McMahon shines the light on, is every city, every man, and Charlie is all of us in various guises. What you get to see is yourself on the big screen.
I'll be buying this on DVD, after I watch it another four times in the cinema.
If you're a ruling-class conservative uptight planet-ruiner, this movie will especially drive you nuts.
The dialog in particular is pure genius.
McMahon (director/scriptwriter/producer of Charlie) is THE word wizard of our time, and those who miss the point of Charlie's intentional machine-gun-mouthed verbosity will be left bewildered and confused by its real purpose (think of the crap you're fed daily by your elected political leaders) - think obfuscation, smoke-screen hypnosis, hyperbolic nonsense.
Emmett Scanlan is nothing short of mesmeric in his portrayal of the utterly reprehensible, but spell-binding Charlie. This is the type of movie you'd never see on telly, except maybe in the old days, at 2 in the morning on Channel 4. If I saw it in that context, I'd be raving about it for a month.
The suits will want to kill Charlie's creator, Terry McMahon, because that seemingly is what Terry McMahon would like to do to them.
Charlie Casanova and his suited lackey 'friends' portray the nihilistic, consequence-less recklessness of the young Irish ruling-classes who were partly responsible for bringing Ireland to its financial knees. Everyone and everything is fair game to Charlie, especially the 'track-suited scum' on the poorer north side of the city he thinks his speculated wealth subsidizes.
One of the great things about this movie is the way the writer succeeds in challenging even the most politically-correct bleeding heart into admitting that for all one's outrage and achy-breaky heart, one ultimately does very little to halt the march of financial despotism.
The movie validates AND dismisses in equal measure, both arguments presented by the 'track-suited scum' and their suited rulers. This is where the real genius of the script lies. Charlie Casanova poses many questions and answers none.
The movie is a moral and philosophical treatise on the ruling haves and the powerless have-nots, in the context of the writer's city - the north and south-side of Dublin. The Dublin McMahon shines the light on, is every city, every man, and Charlie is all of us in various guises. What you get to see is yourself on the big screen.
I'll be buying this on DVD, after I watch it another four times in the cinema.
Hands down the best and most interesting Irish film I've ever seen,I never thought that something so completely original could be created from the emerald isle. Right from the start i was floored,i thought it was going to wain due to my preconceptions but it only got better. Charlie is the depiction of unchecked ego,something most of the planet knows by now.A deleterious sham of a human who believes that words matter more than action,that perception can be fueled to the point of plausibility no matter what the circumstance. His world comes undone but no consequence follows which seems appropriate considering how the elite need only circumvent,using language and our expectations,the question of responsibility and reflection to continue their grip on position and control. I'll refrain from waxing lyrical on this most amazing work,Watch it!!!
Ignore all other reviews,If you are interested in an original voice no matter what the medium,this is for you.
Ignore all other reviews,If you are interested in an original voice no matter what the medium,this is for you.
I like to keep an open mind when going to the cinema. I generally avoid all reviews and press relating to movies on show, depending on word of mouth and personal recommendation instead. I arrived at the cinema expecting nothing, and it dutifully delivered. It was easily the worst film I've ever had the misfortune of seeing.
The only positive I could draw from this movie is that it is mercifully short, although seemingly endless when you have to sit through it. Most people didn't bother (there were probably 20 people at the beginning of my showing and around 12 by the end). The dialogue was unintentionally hilarious at times, but mostly cringe-worthy. The acting is of an impossibly low standard. The story line is confused and forgettable. Even the movie itself looks extremely amateur. I'd imagine they were intentionally going for a dark and gritty look, but the technical expertise obviously wasn't there to pull it off.
Avoid this film at all costs.
N.B.: Aside from the disingenuous 10 star reviews of the film on this very site, the IMDb score is also massively misleading. It has the same ratio of 10* reviews as The Shawshank Redemption, IMDb's number one film of all time. If only real votes were counted, I'd say it would be in the 2 star range.
The only positive I could draw from this movie is that it is mercifully short, although seemingly endless when you have to sit through it. Most people didn't bother (there were probably 20 people at the beginning of my showing and around 12 by the end). The dialogue was unintentionally hilarious at times, but mostly cringe-worthy. The acting is of an impossibly low standard. The story line is confused and forgettable. Even the movie itself looks extremely amateur. I'd imagine they were intentionally going for a dark and gritty look, but the technical expertise obviously wasn't there to pull it off.
Avoid this film at all costs.
N.B.: Aside from the disingenuous 10 star reviews of the film on this very site, the IMDb score is also massively misleading. It has the same ratio of 10* reviews as The Shawshank Redemption, IMDb's number one film of all time. If only real votes were counted, I'd say it would be in the 2 star range.
Did you know
- Quotes
Charlie Casanova: You tell your lowlife family and friends there's a new breed of top dog in this town; we are the movers, makers, shakers and takers and you fuck with us at your peril.
Details
Box office
- Budget
- €937 (estimated)
- Gross worldwide
- $5,401
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