The Greatest Movie Ever Sold

It's time for me to downsize my adoration of Morgan Spurlock, director of the Greatest Movie Ever Sold. His Supersize Me introduced me to the horrors of too much fast food, although I suspected that were so anyway. In Greatest, I learned nothing new about product placement in movies.

Despite his vigorous pursuit of companies to sponsor his film totally in product placement, I knew it all from the beginning. Much revenue is derived from an actor holding a Coke or a Pepsi. But then I knew that the minute I heard of the idea decades ago, and Spurlock adds zero insight, such as what marketing agencies or manufacturers really think about the idea other than their fear of Spurlock trashing them.

I did learn that Morgan Spurlock is as much the center of attention as Michael Moore. Spurlock seeks it out, guaranteeing his premier place by doing the film himself and showcasing his highly-developed sales skills.

OK, maybe I learned something else: In Sao Paulo outdoor advertising is banned. Although I thought I would be pleased, the city looked strangely vacant, something out of a horror flick. Maybe it's not the advertising I dislike—maybe it's just Morgan Spurlock's advertising himself that turns me off.

Having taken on the McDonald's diet in "Super Size Me", Morgan Spurlock now turns to advertising. "The Greatest Movie Ever Sold" is a look at product placement, completely funded by product placements. Much of the documentary features Spurlock asking people about how product placement works, as well as inquiring about the ethics of it. The big surprise to me is just how prevalent product placement is (you're going to be hard-pressed to find a Hollywood movie that doesn't feature it).

Since a lot of the documentary features talking heads -- among them Noam Chomsky and Quentin Tarantino -- it's a little repetitive at times, but it's mostly a good look at the extent to which commercialism saturates our lives. And very funny every step of the way! And remember: always drink POM!

Some people would have you believe that Spurlock is trying to dupe his audience and exploit advertisers for profit, like this is a BAD thing. But that's just it - it's not. After you see this movie, you might actually notice the subtle, insidious advertising which is omnipresent in our society. he rubs your face in it, exposes some of the inner-workings of the ad-market and tries his hardest not to look like a whore all the while.

Let's not forget Spurlock's masochistic endeavor to eat McDonalds 3x daily for a month. Is that not genuine? This time he lays his reputation on the line instead of his health, and to those who are offended by it: are you less offended by movies that use product placement shamelessly without informing the audience? Spurlock had to walk a thin line to make this movie, and I think he walked it beautifully.

The Brilliant thing Morgan Spurlack does with this movie, is he throws in your face, what advertisers and movie executives have hidden, (in some case very poorly) in the movies they produce. The Transformers all being GMC for example. Spurlack satirises the whole idea of advertisements and sells out his own film in the process, though he sells out only to buy in, so he doesn't really sell out. Its this ingenious and hilarious concept to the movie which makes you think "holy cow I'm an idiot" and Morgan pushes his film to show the manipulative ways of commercial giants. Another clever trick Morgan uses is the, documentary within a documentary style. The film follows Morgan as he attempts to get advertising for his film which is going to be a documentary on advertising. So essential what we see is the pre-production of a movie which then becomes the movie. This gives a real insight in to how the big Hollywood blockbusters are able to get such high budgets by selling to advertisers.

This film only really appeals to people who are interested in how the media is able to have control over consumers, as we are pretty much witnessing a prolonged documentary on how Morgan Spurlock can find a million dollars to make a pretend movie.

A cleverly put together gem that manages to patronise an audience in to realising just how we can be manipulated by the big name brands.

Morgan Spurlock has delivered a fascinating satire of the process of placing products into movies and the ubiquitous nature of advertising in our society. He takes us inside the process by showing us what it takes to make a movie and to gain corporate sponsorship for it. He allows us to see the process by getting corporations to underwrite his movie about product placement. He uses humor – as he did with fast food in Super Size Me - to point to the insidious way into which advertising has slipped into film-making and become a major part of its profit model of film making. He isn't the first one to do this, of course. Feature films like Thank You for Smoking and The Truman Show have pointed out this phenomenon. Steve Colbert has also does so regularly on his show. Still by putting it into a documentary form, Spurlock has taken the critique to a new level. The sponsoring companies will likely benefit through their association with his humorous critique of corporate America. The movie-going public will benefit if they become more cognizant of the pervasive nature advertising in films. Spurlock has shown us yet again that it is much easier to get the public to listen to critiques our economic system if they are delivered with a good-natured sense of humor.