Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.
- Nominated for 1 BAFTA Award
- 10 nominations total
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Summary
Reviewers say 'The Sandman' series is lauded for its captivating narrative, stunning visuals, and faithful adaptation of Neil Gaiman's comic series. The show explores dark fantasy, psychological drama, and the human condition, with standout performances, especially Tom Sturridge as Dream. However, it faces criticism for uneven pacing, inconsistent writing, and deviations from the source material. Some express dissatisfaction with character portrayals and diversity representation. Despite these issues, many find the series engaging and eagerly anticipate future seasons.
Featured reviews
As someone who has read the comics - The Absolute Sandman 1-4 and Absolute Death proudly sit on my shelf - I approached this adaptation with cautious optimism.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
Season 1 blew those doubts away. From the extraordinary visuals to Tom Sturridge's hauntingly precise embodiment of Dream, it struck the delicate balance of fitting television while never betraying Neil Gaiman's original vision. Episodes like The Sound of Her Wings reminded me why the material was always considered "unfilmable", and why that was wrong.
Season 2 deepened the world. Season of Mists delivered scope, The Song of Orpheus merged Greek myth with tragic inevitability, and the introduction of Destruction and Delirium proved the Endless could thrive on screen. Even side players like Johanna Constantine and the Corinthian elevated the ensemble. For much of the season, it was intelligent, faithful, and frankly cinematic television at its best.
And then came the stumble. The closing arc in Ep 11, and then a needless Ep 12, felt indulgent and oddly slight... a missed opportunity to end with the grace and gravitas the comics achieved. Having loved Season 1 and nearly all of Season 2, this final note was jarringly flat, as if the production lost sight of its own rhythm.
Still, across two seasons, The Sandman remains one of the most ambitious and visually stunning comic adaptations ever attempted. Even with its uneven close, it captured the heart of Gaiman's mythos and gave us performances (Sturridge especially) that deserve to be remembered.
That Netflix has now cancelled it only underlines the melancholy: a dream realised, but cut short.
The best thing about the show is that many episodes feel like movies. So much happens with them that time seems to linger. Even with Sandman walking and talking slowly... deliberately, the show packs in a lot in 40-45 minutes.
I was sad to see that there will not be more to enjoy but what was here was very nice. The special effects and scenery were exquisite.
I was sad to see that there will not be more to enjoy but what was here was very nice. The special effects and scenery were exquisite.
I thought the show was really great the first episodes, dark setting and interesting characters. Somewhere along the way I grew bored by the show however. I will probably watch the second season if it ever comes out since I am a fan of the novels. This was entertaining but the stark difference to how it started and how it ended made it less interesting for me. I hope the next season will focus on what made the first episodes so good. I think maybe sandmand will have a hard time to compete with all the upcoming franchises coming out this fall, I hope I am wrong though!
On another note, 600 characters requirement for a short user review is too damn long!
On another note, 600 characters requirement for a short user review is too damn long!
First of all, series II is better than series I, and that doesn't always happen.
Series II is more mature. The main character definitely evolves more and analyzes his behavior. He even apologizes (though the first time it's a non-apology, just like with politicians).
The series is dark, baroque, stylized, and features some excellent reflections, such as: "The greatest curse of getting what you want is getting what you wanted." The series also requires a certain erudition, as the characters can reference a literary work, revealing only a fragment of the plot or the character's name but not the title. Or they encounter a whole galaxy of long-forgotten gods, from Odin (the perhaps more well-known one) to Ishtar (the perhaps lesser-known one).
The series features excellent humanist themes about the tragedies of ordinary people. There's a great character of a trans woman whose family behaved very badly at a funeral, and a young woman with gloves with a troubled past. These are truly excellent storylines.
Among the show's flaws is the seamless transition from one completed case to another, and then a third. Perhaps it would have been more sensible to make several, but shorter, seasons. Especially since some storylines feel a bit drawn out.
However, despite minor flaws, I think the show deserves 8 stars after the second season.
Series II is more mature. The main character definitely evolves more and analyzes his behavior. He even apologizes (though the first time it's a non-apology, just like with politicians).
The series is dark, baroque, stylized, and features some excellent reflections, such as: "The greatest curse of getting what you want is getting what you wanted." The series also requires a certain erudition, as the characters can reference a literary work, revealing only a fragment of the plot or the character's name but not the title. Or they encounter a whole galaxy of long-forgotten gods, from Odin (the perhaps more well-known one) to Ishtar (the perhaps lesser-known one).
The series features excellent humanist themes about the tragedies of ordinary people. There's a great character of a trans woman whose family behaved very badly at a funeral, and a young woman with gloves with a troubled past. These are truly excellent storylines.
Among the show's flaws is the seamless transition from one completed case to another, and then a third. Perhaps it would have been more sensible to make several, but shorter, seasons. Especially since some storylines feel a bit drawn out.
However, despite minor flaws, I think the show deserves 8 stars after the second season.
The good:
I haven't finished the comics yet but I appreciate that the show attempts to stay close to the source material. There have been a staggering number of adaptations where writers insert their own ambitions into the project and it ends up looking nothing like the original work.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
Did you know
- TriviaDave McKean, who created the covers for the comic series, came out of "Sandman retirement" to design the credits sequences for this series.
- Crazy creditsThe Warner Bros and DC Comics logos are formed from shifting sands.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Geeked Week for Freaks (2021)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Sandman: Người Cát
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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