Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.
- Nominated for 1 BAFTA Award
- 10 nominations total
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Summary
Reviewers say 'The Sandman' series is lauded for its captivating narrative, stunning visuals, and faithful adaptation of Neil Gaiman's comic series. The show explores dark fantasy, psychological drama, and the human condition, with standout performances, especially Tom Sturridge as Dream. However, it faces criticism for uneven pacing, inconsistent writing, and deviations from the source material. Some express dissatisfaction with character portrayals and diversity representation. Despite these issues, many find the series engaging and eagerly anticipate future seasons.
Featured reviews
The good:
I haven't finished the comics yet but I appreciate that the show attempts to stay close to the source material. There have been a staggering number of adaptations where writers insert their own ambitions into the project and it ends up looking nothing like the original work.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
I also appreciate the casting for Morpheus. The actor embodies the character beautifully and is a joy to watch.
The production quality of the show is great and I like the pacing and flow of the story.
The bad: The forced diversity is awful. It's neither subtle nor organic and as a person of colour, it seems like western media thinks diversity is just black and white. Strong, black women lecturing a god and showing the error of his ways is about as ham-fisted as it gets.
Overall, I do enjoy most of this show and I would recommend it. It's just a shame that politics would mar what could have been a great show. Alas, it's just alright.
This show was so exciting. I've never fallen asleep during a show before. This one?? I watched it, passed out. Rewound it, passed out again. I think it's cursed-or it's a secret sleep aid and I think the plot is just a lullaby.
Great visuals, epic concept.......and the perfect cure for insomnia. :)
Great visuals, epic concept.......and the perfect cure for insomnia. :)
First of all, series II is better than series I, and that doesn't always happen.
Series II is more mature. The main character definitely evolves more and analyzes his behavior. He even apologizes (though the first time it's a non-apology, just like with politicians).
The series is dark, baroque, stylized, and features some excellent reflections, such as: "The greatest curse of getting what you want is getting what you wanted." The series also requires a certain erudition, as the characters can reference a literary work, revealing only a fragment of the plot or the character's name but not the title. Or they encounter a whole galaxy of long-forgotten gods, from Odin (the perhaps more well-known one) to Ishtar (the perhaps lesser-known one).
The series features excellent humanist themes about the tragedies of ordinary people. There's a great character of a trans woman whose family behaved very badly at a funeral, and a young woman with gloves with a troubled past. These are truly excellent storylines.
Among the show's flaws is the seamless transition from one completed case to another, and then a third. Perhaps it would have been more sensible to make several, but shorter, seasons. Especially since some storylines feel a bit drawn out.
However, despite minor flaws, I think the show deserves 8 stars after the second season.
Series II is more mature. The main character definitely evolves more and analyzes his behavior. He even apologizes (though the first time it's a non-apology, just like with politicians).
The series is dark, baroque, stylized, and features some excellent reflections, such as: "The greatest curse of getting what you want is getting what you wanted." The series also requires a certain erudition, as the characters can reference a literary work, revealing only a fragment of the plot or the character's name but not the title. Or they encounter a whole galaxy of long-forgotten gods, from Odin (the perhaps more well-known one) to Ishtar (the perhaps lesser-known one).
The series features excellent humanist themes about the tragedies of ordinary people. There's a great character of a trans woman whose family behaved very badly at a funeral, and a young woman with gloves with a troubled past. These are truly excellent storylines.
Among the show's flaws is the seamless transition from one completed case to another, and then a third. Perhaps it would have been more sensible to make several, but shorter, seasons. Especially since some storylines feel a bit drawn out.
However, despite minor flaws, I think the show deserves 8 stars after the second season.
Season 1 of the show was superb - the world building was incredible; it was complex and grand, it felt rich and full of themes, and so cleverly put together. Despite the many different aspects of the world, the core plot felt focused and all the different characters introduced had relevance that somehow fed back into it. It left me excited to see how season 2 would expand on all of it.
Except then it, kind of didn't. Season 2 wanders around aimlessly for most of it. What new elements it does introduce feel superficial and trivial, and are disposed of as quickly as they are introduced. All the energy from the characters seems to have been sucked out, like they're shells of their former selves. You find yourself wondering what the point of most of what you're watching is, and I'm afraid it never gets clearer.
Season 2 also goes very heavy with LGBT themes and diversity. Season 1 had representation in an almost seamless way that never took the spotlight from the story. Season 2's (numerous) gay relationships and trans character feel shoe-horned in and contrived, attention is purposefully directed to them yet they don't organically fit into the story and so their inclusion feels clunky, forced and jarring in a way that season 1 didn't.
Overall season 2 doesn't do enough to expand on the world built in season 1. Morpheus plods along fairly pathetically and apologetically for most of the season, and the whole season feels grounded in a way that betrays the ethereal, celestial, beings and concepts that inhabit it.
8/10 for season 1, 4/10 for season 2.
Except then it, kind of didn't. Season 2 wanders around aimlessly for most of it. What new elements it does introduce feel superficial and trivial, and are disposed of as quickly as they are introduced. All the energy from the characters seems to have been sucked out, like they're shells of their former selves. You find yourself wondering what the point of most of what you're watching is, and I'm afraid it never gets clearer.
Season 2 also goes very heavy with LGBT themes and diversity. Season 1 had representation in an almost seamless way that never took the spotlight from the story. Season 2's (numerous) gay relationships and trans character feel shoe-horned in and contrived, attention is purposefully directed to them yet they don't organically fit into the story and so their inclusion feels clunky, forced and jarring in a way that season 1 didn't.
Overall season 2 doesn't do enough to expand on the world built in season 1. Morpheus plods along fairly pathetically and apologetically for most of the season, and the whole season feels grounded in a way that betrays the ethereal, celestial, beings and concepts that inhabit it.
8/10 for season 1, 4/10 for season 2.
Netflix's The Sandman is a great adaptation of the original comic-books (please don't call them graphic novels, they're comics).
Sadly this adaptation also fails to deliver the most important and strikingly emotional stories from the comics. The fate of the two angels in Hell, The Inn at the end of the world, Barbie's story, and many more.
I understand they've skimmed down the story to the bare minimum and essential to tell the fate Dream. However with it, they have disregarded precisely what the comics are all about, the stories of Morpheus and his Realm.
Hopefully, somebody else will have another go in 30 years.
That been said, the cast is spectacular, the photography is beautiful, and the whole atmosphere captures perfectly the tone and feel of the original comics.
I see some reviews complain about it being slow or too elaborate, ehem, The Sandman is proper mythology and a very deep family drama, not another one of Snyder's mental puke. It actually requires you to THINK.
Sadly this adaptation also fails to deliver the most important and strikingly emotional stories from the comics. The fate of the two angels in Hell, The Inn at the end of the world, Barbie's story, and many more.
I understand they've skimmed down the story to the bare minimum and essential to tell the fate Dream. However with it, they have disregarded precisely what the comics are all about, the stories of Morpheus and his Realm.
Hopefully, somebody else will have another go in 30 years.
That been said, the cast is spectacular, the photography is beautiful, and the whole atmosphere captures perfectly the tone and feel of the original comics.
I see some reviews complain about it being slow or too elaborate, ehem, The Sandman is proper mythology and a very deep family drama, not another one of Snyder's mental puke. It actually requires you to THINK.
Did you know
- TriviaDave McKean, who created the covers for the comic series, came out of "Sandman retirement" to design the credits sequences for this series.
- Crazy creditsThe Warner Bros and DC Comics logos are formed from shifting sands.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Geeked Week for Freaks (2021)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Sandman: Người Cát
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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