August

What do we have here? An attractive cast, gorgeous photography, a story older than water, non-existent direction and a screenplay that should send the writer into medieval torture chamber of unemployable, talentless graphomaniacs.

The movie does not raise any questions, does not upset nor observe. It is in fact a wooden dud which by definition fails to detonate due to its poor design. As a consequence the sex is not sexy and the drama is not dramatic.

Ladies... even the music is not musical. I give it a 2 because it is nice to look at when Raul is on - he is about the most sexy, dramatic and musical thing in this tripe of a movie.

The moment the producer of this film introduced this film is a full length feature version of the short 'Postmortem', I was super excited because I had no idea. That had been one of my most favorite shorts and for some reason had stuck with me. I was super excited to watch a feature version and when I saw that 2 of the principal characters were retained from the short, it was all the more better, The actors just suited the part so well in the short that I would have hated to see someone else play those parts. I would strongly recommend the short also to people to watch it.

Jonathan and Raul are a very happy couple of few years. They practically live together though Jonathan still has his apartment. Raul is married to Jonathan's best friend so that once the immigration goes through, they can have Raul stay in the country so that they both can live happily. Enter Troy from Spain who is planning to move back to LA. Troy and Jonathan were ex-lovers and apparently Troy broke Jonathan's heart and left for SPain. It took a long time for Jonathan to get over him. Troy is trouble and naughty. We can see that all he wants is Jonathan back. Jonathan is also not completely over Troy and they have a sexual tension between them. They meet for coffee after Troy comes back but something takes Jonathan back to Troy's house and after initial reluctance on their second meeting, they end up sleeping. Raul suspects something but doesn't say much. He expects a mature man like Jonathan should know what he is doing. This goes on for a while. Jonathan doesn't really know whom he really wants, Troy trying to get back to Jonathan and Raul's dilemma when he knows and pretends to ignore what is going on. Finally on Jonathan's 30th birthday, Raul encourages the 3 of them to get in a 3way because they are drunk and stoned but Raul knows exactly what he is doing. He wants to see the extent of their passion. This incident outs some sense in Troy's head. He decides to move back to Spain leaving the 2 men to deal with each other on their own.

The director and editor of the film have very excellently used time jumps and creatively edited the film. The scenes going between past and future add a different feel to the film. We have all seen many love triangle gay movies but this one is handled very differently. Raul's character is the most complicated because he is going through various emotions to decide what o do with jonathan, try to make him understand. He had to speak a lot with his eyes and I must say he did an excellent job. Jonathan and Troy acted very very well too. here is something about Jonathan that makes him very charismatic, at least for me. The film shows how at various points in our life we always keep looking for true love, have to make some very tough decisions to get through the phases in our life and how compassion and passion can make us stop looking at things in a more logical way. Special mention to the background music. It was mostly middle eastern which for some reason fitted so well with the theme and the mood of the film. It was excellent. I wish I could get my hands on the music of the film. I really really loved this film. It is hard to describe in words but the way some of Jonathan's actions are showed are interesting because he thinks what he is doing is OK but from Raul's point of view, he is trying to show that he still has a thing for Troy and as we all know that Troy is trouble.

I strongly recommend this film. An excellent example of how direction and editing can do wonders to a film. I so wish our US based directors who make all kinds of bad film in the name of gay cinema can learn something from this.

Now and then along comes a film that is far more adventuresome than the PR suggests and such is the case of the very well constructed AUGUST. Written and directed by Eldar Rapaport (with Brian Sloan) this is a hard look at love relationships and how the test of time influences the success or failure of commitment. The choice of title reflects the generated heat of contentious relationships and just happens to be set in the time of the infamous Station Fire in Southern California in 2009, the largest and deadliest of the multiple wildfires, burning 160,577 acres (or 251 square miles), destroying countless homes, and killing two firefighters - a time when the Los Angeles basin was without electricity, full of smoke and ashes, and all nerves were on edge regarding the carnage.

Jonathan (Daniel Dugan) and Raul (Adrian Gonzalez) are a contented couple: though they live separately (Raul has married Jonathan's best friend Nina - Hilary Banks - for immigration purposes so they must maintain separate homes) they are devoted to each other and Raul is in the process of planning Jonathan's 30th birthday party. As an unexpected development Troy (Murray Bartlett), Jonathan's ex-boyfriend who has been living in Spain for several years after a painful breakup, arrives in Los Angeles at the height of the heat wave and moves in with his married brother Sean (Bernhard Forcher) and family. Troy calls Jonathan, arranges a meeting for coffee but is sure that Raul will enter the coffee shop to demonstrate the Jonathan is in a committed relationship. But old flames simmer and soon Troy is convincing the not unwilling Jonathan to rekindle their old passion, a liaison that becomes apparent to Raul. At Jonathan's 30th birthday party Nina and her chef boyfriend Nick (Mike Vaughn) invite Troy and Troy's good friend Devon (Brad Standley), and by the end of the evening the group hits the bars to smoke pot and drink. Raul then invites Troy to their home to join Jonathan and him in a physical liaison that results in Troy's 'wakeup call' about commitment as he sees the degree of passion between Raul and Jonathan: Troy as an outsider steps away and eventually returns to Spain - but we never know what will occur next.

AUGUST is blessed with a very fine cast of excellent actors who are able to pull off the intimacy of the story with decorum. There are some problems with the film: the director loses the audience with what feels like inadvertent non-linear storyline that disrupts the flow of the story, and the editor of the film David Au has cut and spliced the film in a disturbing and distracting manner. The musical score by Yuval Ron is heated Middle Eastern in flavor and at times covers the dialogue. But the story works in large part because of the exceptional acting and appeal of Murray Bartlett, Daniel Dugan, and Adrian Gonzalez. As the PR states, ' It is an irresistible gay romantic drama!

Grady Harp

A boring movie about love affairs made for teenagers with lots of blank spaces.

Jonathan, a shortish, homely-ish, 29-year-old, minimally employed nebbish in LA, has a tall, gorgeous (but shallow and manipulative), 40-ish ex-boyfriend, Troy - who dumped him five years earlier but for some reason has moved back from Barcelona just to get him back. BUT... Jonathan has an even MORE gorgeous (breathtakingly gorgeous) twentysomething current boyfriend, Raul - who is not only gorgeous but sweet, strong, sincere and totally devoted to him. Right away you say to yourself, this is just like real life, just like me and the two incredible hunks who can't get enough of me. What's a homely nebbish girl to do? That's the dilemma in this movie that I really wanted to hate but can't.

It's the actors' fault: they're very, very good - TOO good for this unbelievable story. Unfortunately, the weakest actor is the one playing Jonathan, who brings no sensuality or charisma or other hot quality to the role to compensate for his nebbishy homeliness and explain WHY the two hunks are so irresistibly attracted to him.

He was much more believable in Postmortem, the short this movie is based on (available on the compilation DVD Boys Briefs 3 in the US or Boys On Film 4 in the UK). Opposite the same actor as Troy (but a much less gorgeous actor as Raul, in an almost negligible role), he was sexy, and the attraction between him and Troy in Postmortem was palpable and totally believable; it's not in this movie (but Postmortem was set in sexy, dynamic NYC, not in sterile, boring LA, which may have a lot to do with it).

Self-defeating compulsion is the only motivation either Jonathan or Troy shows in this movie, which may be intentional. August is a lot grittier and more complex (and therefore more interesting) than Postmortem was, which is why I'm giving it six stars despite the lackluster performance by Daniel Dugan in the key role as Jonathan. He was great playing the same character in Postmortem, but he'd lost the fire or something when August was made; since that character is central in the story, August suffers for it.