A documentary that follows one year in the life of American pro basketball player Kevin Sheppard, who signed on to play for the upstart Iranian Super League team A.S. Shiraz.A documentary that follows one year in the life of American pro basketball player Kevin Sheppard, who signed on to play for the upstart Iranian Super League team A.S. Shiraz.A documentary that follows one year in the life of American pro basketball player Kevin Sheppard, who signed on to play for the upstart Iranian Super League team A.S. Shiraz.
- Awards
- 1 nomination total
Zoran Majkic
- Self - team member
- (as Zoran)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
First things first, the film was really entertaining. The people who made it were able to see where the story was and chase after it, my original plan had been to watch the initial 20 min of the film and leave the rest for another day but before I knew it I was near the end of the movie; and that can't be said about most films nowadays!
The reason why I didn't give it a higher score is due to some national facts being wrong about Iran, apart from displaying Chris, the basketball player travelling to Iran, as a hero among iranian sheep, which having met many iranians during my life I strongly believe it couldn't have been further away from the truth. Had they left the judging aside and just shown things the way they are, so that the audience can make up their own mind the film might have just been that much better off.
The reason why I didn't give it a higher score is due to some national facts being wrong about Iran, apart from displaying Chris, the basketball player travelling to Iran, as a hero among iranian sheep, which having met many iranians during my life I strongly believe it couldn't have been further away from the truth. Had they left the judging aside and just shown things the way they are, so that the audience can make up their own mind the film might have just been that much better off.
10frinilig
It is a different take on life in Iran. Kevin Sheppard is a college basketball star turned basketball world traveler as he goes from country to country paid to play basketball. He is not good enough to turn pro but decent enough to play for international leagues. I enjoyed seeing the contrast between the official "America is evil" take that the Iranian government pushes with the kind, warm way that Kevin Sheppard is treated by the Iranian citizens. He meets some pretty Iranian women one of whom develops a crush on him and brings him home to eat with her family. He is oblivious to her interest because he has a girl friend back home. Sweet funny movie with a touch of politics thrown in for good measure.
I am making comments on this film in reaction to a previous review I saw which completely slammed it on very little basis. Firstly, I didn't think the 3 Iranian women in the documentary came across as having "no other worries other than becoming an actress or getting married" - anything but - they were strong women prepared to speak up about the political situation in Iran and the position of women. I'm not surprised they are in trouble with the authorities and my one criticism of the film makers is that they effectively encouraged them to reveal their identities in one scene on the understanding that the film was not going to be seen by those inside Iran. The most important outcome of the film for me was Kevin's (The US basketball player's) comment that he now thought he understood and respected the point of women on a deeper level since knowing these women in Iran.
Iranians in the film didn't come across as "hopeless idiots" nor did Iranian culture as "shallow and ridiculous". I wonder if we saw the same film really? A clue to this hopelessly negative review, however, might be the reviewer's statement: "It was unfortunate that I wasn't informed about this movie's exceptionally low quality beforehand, so I figured I do my share of informing those who haven't spent their time and money on it yet". I'm always wary of people who look to be "informed" of a film's low quality beforehand - who would do the informing? Someone with exactly the same views as yourself, I suppose. Most people prefer to make their own minds up.
Also, by the way, it is a difficult, if not totally unfair, task to compare a fictionalised blockbuster Hollywood drama like "Argo" with a very small budget documentary like "The Iran Job". Personally, I admire Argo as an exceptional film but you only have to know a few Iranians to know how controversial Argo is to them. Many regard the portrayal of the Iranian characters in it as just as stereotypically idiotic as you claim those in the Iran Job to be.
Iranians in the film didn't come across as "hopeless idiots" nor did Iranian culture as "shallow and ridiculous". I wonder if we saw the same film really? A clue to this hopelessly negative review, however, might be the reviewer's statement: "It was unfortunate that I wasn't informed about this movie's exceptionally low quality beforehand, so I figured I do my share of informing those who haven't spent their time and money on it yet". I'm always wary of people who look to be "informed" of a film's low quality beforehand - who would do the informing? Someone with exactly the same views as yourself, I suppose. Most people prefer to make their own minds up.
Also, by the way, it is a difficult, if not totally unfair, task to compare a fictionalised blockbuster Hollywood drama like "Argo" with a very small budget documentary like "The Iran Job". Personally, I admire Argo as an exceptional film but you only have to know a few Iranians to know how controversial Argo is to them. Many regard the portrayal of the Iranian characters in it as just as stereotypically idiotic as you claim those in the Iran Job to be.
I think basketball is a beautiful and yet complicated game. Iran, at least to my western eyes, is an even more beautiful and infinitely more complicated country. This film is a very simple and sweet glimpse and people who cross over the borders surrounding basketball and Iran.
Just as Kevin Sheppard is not a monumental spokesman for all of the United States, the three sisters cannot capture the thousands of years of Iran/Persian in the past, nor the millions of people living there today.
But the human interest stories in this film are what draw us in on a personal level, Obama's inauguration and the election of Ahmadinejad over Moussavi take place while Kevin joins the Shiraz team in this film. I'm not sure how many "critics" here had they been filmed during those two events would have eloquently captured the moment. Intead I found the dinner when Kevin goes to the house of the Father of the three sisters to be more captivating.
That man, who says nothing on camera during the film, to me was the most fascinating character. Raising three strong women, balancing his belief in them and his faith in Islam, what a story must lie beneath the few moments we spend with them all. Kevin's gesture to politely pass on the head of the table setting at the dinner table was a nice moment of individual ambassador work. But even that scene is tinged with some sadness and misunderstanding as the Mother recaps her surprise that her guests did not stay for hours of fruit, nuts and conversation after the meal.
This film felt like meeting some people in fortuitous circumstances, maybe on a vacation retreat, or in the US at jury duty, where you get a glimpse of meaningful private moments in a mostly public setting. I think I'll wonder about the people on this film here, as I would for such "strangers" I encounter who temporarily break past the estrangement.
Two thoughts based on other comments I've read here. One, the sister Elaheh I don't think had a crush on Kevin so much as she did on the camera. Like many a good actress, her desired vocation, she knew the most important leading man for her is the lens. That being said, the lead-in to a Monday meeting with a potential suitor is set up and then dispatched with nary a follow-up, likely her wishful beau may have been rightfully jealous of the camera wanting to hold his intended in its gaze even while he did the same. Who knows? Also I've seen questions about Zoran, the seven footer from Serbia who does seem a veritable gentle giant. Effectively a migrant worker, away from his own family and young son, apparently in his 30's and it is alluded to his having been through the worst of the war in his homeland. It's almost as if he knows that the story of Kevin, and the sisters and their countries would not fit into this film, much less his own.
The simple truth of this film, that people interacting with each other in person, even with a disparity of background and a possible lack of communication somehow figure out their overwhelming similarities.
Just as Kevin Sheppard is not a monumental spokesman for all of the United States, the three sisters cannot capture the thousands of years of Iran/Persian in the past, nor the millions of people living there today.
But the human interest stories in this film are what draw us in on a personal level, Obama's inauguration and the election of Ahmadinejad over Moussavi take place while Kevin joins the Shiraz team in this film. I'm not sure how many "critics" here had they been filmed during those two events would have eloquently captured the moment. Intead I found the dinner when Kevin goes to the house of the Father of the three sisters to be more captivating.
That man, who says nothing on camera during the film, to me was the most fascinating character. Raising three strong women, balancing his belief in them and his faith in Islam, what a story must lie beneath the few moments we spend with them all. Kevin's gesture to politely pass on the head of the table setting at the dinner table was a nice moment of individual ambassador work. But even that scene is tinged with some sadness and misunderstanding as the Mother recaps her surprise that her guests did not stay for hours of fruit, nuts and conversation after the meal.
This film felt like meeting some people in fortuitous circumstances, maybe on a vacation retreat, or in the US at jury duty, where you get a glimpse of meaningful private moments in a mostly public setting. I think I'll wonder about the people on this film here, as I would for such "strangers" I encounter who temporarily break past the estrangement.
Two thoughts based on other comments I've read here. One, the sister Elaheh I don't think had a crush on Kevin so much as she did on the camera. Like many a good actress, her desired vocation, she knew the most important leading man for her is the lens. That being said, the lead-in to a Monday meeting with a potential suitor is set up and then dispatched with nary a follow-up, likely her wishful beau may have been rightfully jealous of the camera wanting to hold his intended in its gaze even while he did the same. Who knows? Also I've seen questions about Zoran, the seven footer from Serbia who does seem a veritable gentle giant. Effectively a migrant worker, away from his own family and young son, apparently in his 30's and it is alluded to his having been through the worst of the war in his homeland. It's almost as if he knows that the story of Kevin, and the sisters and their countries would not fit into this film, much less his own.
The simple truth of this film, that people interacting with each other in person, even with a disparity of background and a possible lack of communication somehow figure out their overwhelming similarities.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- From Texas to Tehran
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $23,115
- Opening weekend US & Canada
- $4,295
- Sep 30, 2012
- Gross worldwide
- $23,115
- Runtime
- 1h 30m(90 min)
- Color
Contribute to this page
Suggest an edit or add missing content