Like Crazy

I was checking out the storyline when I just realized this movie was the story of my life...almost! But it surprised me very positively.

I was also married to an American citizen just out of College and had to follow the same process in order to be with him. Truth is, the bureaucratic aspect of it has done exactly the same to my relationship. The movie captures so so well the frustration, the disappointment, the fears of not knowing if you have what it takes to fight "like crazy" for each other;

The moment in the movie when she calls him and asks him to come over in 30m, breaks my heart! So real, so in despair.

So, not only because I can relate to the story, but because the acting is superb, so natural and because I believe the production & direction have accomplished what they were looking for with the movie, I give it great points.

The movie is a true mirror of youth, freshness and it's timeless, Like a Romeo & Julieta of contemporariness.

Don't let it's indie roots fool you. Like Crazy is a nostalgic love story of people who know what they want but don't know how to get it.

The acting is superb. Yelchin and Jones have chemistry and they play it across the board. You will smile, laugh, cry, and hold your breath as these two characters waltz in and out of each others' lives. Jennifer Lawrence and Charlie Bewley also deliver great performances.

The thing that sets Like Crazy apart is the fact that it doesn't try to be anything than an honest love story. It doesn't play up stereotypes. It doesn't beat out the indie clichés. The dialogue is naturally paced and feels richly authentic. The subtext is dramatic.

This film is worth every dollar and dime in my mind. If you get the chance, go see it. Take friends who want to share the fun of a good film.

Like Crazy is a fantastic watch and a fresh take on everything you thought you knew about indie romance.

This film was beautiful. I saw it at the Sundance Film Festival and fell in love with it Like Crazy. Everything from the acting, to the cinematography, to the story line was amazing. And to think it was shot on the Canon 7D is incredible. I saw 14 films at Sundance and this was my favorite film in the festival. During the Q&A after the film the director made it clear that this film is about the true story of his own relationship with a girl. I would recommend this film to people who have experienced a long distant relationship and to teenage/young adult audiences. This film is the Winner of the U.S. Dramatic Competition Grand Jury Prize at the 2011 Sundance Film Festival. I think it deserved this prize. This film made me feel all sorts of different emotions. This film really is a beautiful story and I am excited to see it coming out in theaters.

This is a love story that was quite interesting to me, because the parts that didn't work were the parts dealing with the actual love. Felicity Jones and Anton Yelchin were both excellent on their own, burning with pain while trying to move on with their life and just exist with this hole inside of them. However it was when they were together that the film lost it's appeal for me. I couldn't feel any chemistry between them, so I had no stake in a large majority of it because I didn't understand why they wanted to be together. Even with their first meeting they seemed so dour together, I never once felt any genuine love there.

The conversations between them were good and honest, albeit typical, and the fact that they improvised a lot of their dialogue makes it more impressive. Unfortunately the premise hinges on an event that I couldn't realistically buy for a second so any sadness the characters felt didn't have enough of an impact on me because there was always this looming anger towards them for being so dumb and getting themselves in this situation. The ending is a smart move, but it's also a pretty straight Graduate rip-off, so I can't commend it too much.

I'm harping a lot on the things that I didn't like about the film, but I think ultimately there were more positives than negatives for me. The actors really shined individually, even if they didn't sell the core relationship for me, and quite a few of their separate scenes gave me an emotional reaction, albeit not to the extreme that they should have hit me. So I'm pretty lukewarm on it overall, but I at least admired the acting.

Anna (Felicity Jones) and Jacob (Anton Yelchin) are in love with each like crazy. Hence the title, "Like Crazy". They are in, or want to be in, a grown-up relationship — one where they act like adults and are just a part of each other's lives. But they met each other at college and one stupid idea forces them to make grown-up decisions that will affect the rest of their lives quicker than they would have liked.

"Like Crazy" is just about their relationship. We watch as they fall in love, grow apart, find a middle road, and then try and pick an extreme. Anna is a writer and Jacob is a furniture constructor. But their lives are just so inconsequential to the film which is the way it has to be when it is only about their relationship.

The film is minimal in story, in characters, in budget, and in production. And that's what makes it so sweet. Made for only $250,000 and edited in the director's bedroom, it's a story and film of passion.

I found it to be very similar to "Blue Valentine" (2010), but perhaps not as impactful — at least to me. Both played to rave reviews at Sundance, last year "Blue" picked up the Grand Jury Prize nomination, this year "Crazy" got the Jury win for both director Drake Doremus and actress Felicity Jones.

I first saw Felicity Jones last year in "Cemetery Junction" (2010). She played this beautifully innocent girl in a town where innocence just doesn't really exist. In "Like Crazy" she plays a beautiful, adult-like young woman growing up in a world of love but learns that she might not know what love is after all.