Silent House

Greetings again from the darkness. On my never ending trek to find quality horror movies, this one had a couple of interesting things going for it. First, it stars Elizabeth Olsen (sister of the twins) who was so impressive in last year's Martha Marcy May Marlene. Secondly, the film was reported to have been shot in one continuous take/shot. From a technical aspect, this is one of the more curious claims and brazen filmmaking attempts one can imagine.

Let's start with the fantastic Ms. Olsen. With very few lines of dialogue and being on screen for 95% of the frames, she doesn't disappoint. The camera loves her face ... even when that camera is mere inches away and the lighting is provided by a kerosene lamp or flashlight. She proves very expressive in fear and isn't afraid of quiet, and more rare these days, she isn't afraid to look less than glamorous. Ms. Olsen's future is much brighter than the lighting in this bleak house.

The basic story has Sarah (Olsen), her dad (Adam Trese) and her uncle (Eric Sheffer Stevens) returning to the family lake house for some simple rehab and packing, with the goal of putting the place up for sale. Next thing you know, strange noises, a lost key, and dad is bloodied on the floor. The house itself is a maze of doors, floors and staircases, and because the windows are boarded up and the electricity is dead, the limited lighting will have you straining your eyes to make out location and shapes.

Directed by the husband and wife team of Chris Kentis and Laura Lau (Open Water), the first 30 minutes of this movie captured my interest and had me on edge. Unfortunately, it kind of unravels and ultimately ends with a disappointing and rather cheap explanation. It's a remake of a 2010 Uruguay film, which was based on a true story from the 1940's. I am not sure if the ending to this one follows the "true" ending. As for the single take, I call BS. There were changes to the blood spatters on Olsen, not to mention numerous times where a "blackout" proved convenient to shift camera gear. Still, the real time feel is a nice touch, as is the minimal use of music ... a rarity in a genre known for blasting crescendos to cue our screams.

The Hollywood adaptation of the 2010 Uruguayan horror film La casa muda, Silent House is a shot-for-shot remake that even applies the same technical gimmick of the original in order to advertise itself as a film shot in one continuous take and while there are a couple of new elements added in the story, it fails to rectify the biggest plot hole of its source material.

The story of Silent House follows Sarah, a young woman who's at her family vacation house with her father & uncle and is helping them clean the property and make it ready for sale. While her uncle is out for an errand, she hears strange noises, followed by an attack on her father after which she attempts to get out of the house but finds herself trapped inside and terrorised by a possible intruder.

Written, co-produced & co-directed by Laura Lau, with added directional effort coming from Chris Kentis, Silent House is quite a tedious film to sit through considering that I've already seen the original and while that film suffered from numerous shortcomings of its own, what sucks about Silent House is that it ends up making the very same mistakes all over again as if no one cared to question the whole absurdity of its major plot twist.

The images captured by its ever-moving camera is edited to give the illusion of an unbroken take from start to finish but the gimmick fails to add or elevate the tension. At 87 minutes, the film still feels a tad too long as only one thing keeps happening in the whole movie. The only effort comes from Elizabeth Olsen who carries the whole film on her own & tries to do whatever she can but unfortunately Olsen doesn't have enough material to work with here.

On an overall scale, Silent House is an unnecessary remake of an already mediocre original that fails to take the advantage of the opportunity it had to improve on the shortcomings of that Uruguayan chiller. The scares are quite predictable, that major plot twist in the final act is as illogical as before, its one shot technique is quite useless, it is longer than it needs to be, and is barely held together by Olsen's committed performance. Another addition in the long list of pathetic remakes churned out by Hollywood, Silent House is worth skipping.

Sarah (Elizabeth Olsen) is helping her father (Adam Trese) and uncle (Eric Sheffer Stevens) to renovate the family's old lakeside house before selling it. It's a place they have rarely visited in years. Local kids have smashed all the windows and blown the electrics meaning that the boarded up windows let in no light. The only light available is that which comes from a torch or hand-held lamp. While in the semi darkness and after her uncle has left for the day, Sarah hears a noise which her father goes to check out. He never returns. Sarah is left alone in the house with someone or something out to get her and her family and no way out.

The whole film was shot in such a way as that it looks like one continuous shot. I noticed the odd cut here and there but overall the idea is very successful. It genuinely feels as though Elizabeth Olsen is in the house for 85 minutes, running, hiding from and fighting whatever is after her. Using just one camera, Olsen is on screen for about 84 of the 85 minutes and has to carry the entire film. She does so with great aplomb. The one shot idea isn't original and indeed the film itself is a remake of a 2010 Uruguayan film but it's a nice gimmick that is well used.

The house is brilliantly dressed to maximise the creepy feeling. It creaks and whistles and is filled with all manner of sinister fittings from old furniture and toys to large objects under sheets and unknown items half hidden in the shadows. It also feels a little maze like though you get to know your way around as the film progresses. Elizabeth Olsen is dressed in typical horror attire with a tight white vest which shows off her 'ample talents' as well as the blood and dirt she accumulates throughout the film. Her performance is also mind blowingly excellent. She was superb in Mary, Marcey, Marlene and if anything even better here. She starts off a bit slowly but after twenty minutes goes all the way up to eleven where she stays until the final few moments during which she is pushing twelve. She is even better at the end than she was during the rest of the film.

So far, so good then. Unfortunately there are two major problems. The first is that it is nowhere near scary enough. I get scared by everything and I didn't jump once. Don't get me wrong, it's scarier than Dark Shadows but so is my girlfriend in the morning. For a proper 'scary' horror, it didn't produce the scares it needed to. There was plenty of tension but it didn't go anywhere. My second problem is that I worked out part of the twist after about eight minutes and had unravelled everything by the mid point. The film still ended in a satisfying way but I felt where we were heading was fairly obvious. On the other hand, my girlfriend said she thought about it at the beginning but it didn't totally click with her until the end so maybe I'm in a minority.

Overall the film will be best remembered for its clever cinematography rather than for its scares. It's a nice idea but the plot has been done a thousand times. It creates plenty of tension and intrigue but doesn't deliver the final blow. Elizabeth Olsen continues to impress and I look forward to seeing her again soon.

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Directors Chris Kentis and Laura Lau give us a story about a young woman, Sarah, who is sealed inside her family's secluded lake house. With no way out, events become terrifying. The direction was fine and all of the suspense points seem to be there, albeit a bit predictable. I'm not sure who to credit whenever there is two, sometimes three, directors on board.

The cast had fine actors involved including Adam Trese, Elizabeth Olsen, Eric Sheffer Stevens, Julia Taylor Ross. Elizabeth Olsen did a good job and it doesn't hurt that she is nice to look at.

Interesting camera work on this movie. There seems to be a lot of static shots, that work most of the time. I'm sure that these are choices that the director (s) made and I applaud them for making choices and sticking to them.

This is a story based on a concept that is not very original, but what is important is the execution.

Would I recommend it? I'm not sure if this is for everyone. Some may pick it apart just a little too much. For my, I enjoyed it for what it was.

Silent House is directed by Chris Kentis and written by Laura Lau. It stars Elizabeth Olsen, Adam Trese and Eric Sheffer Stevens. Music is by Nathan Larson and cinematography by Igor Martinovic. A remake of Uruguayan film, La casa muda (The Silent House), story has Olsen as Sarah, a young woman who finds herself locked in the abandoned family home she was helping her father and uncle to clear out before it is sold. Soon Sarah finds herself pursued by an unseen assailant and she struggles to make sense of what is festering in the house.

Forget the gimmick that comes with the film, that of the use of "real time" to give off the effect of one continuous take, it doesn't impact on how you ultimately will feel about the film either way. It comes down to if you can buy into another haunted house movie whilst accepting the outcome as being worth your time. Horror fans are notoriously hard to please, even when something original happens along, such as the recent The Cabin in the Woods, a good portion of the horror faithful will remain displeased. Silent House is what it is, a hugely efficient haunted house creeper that admirably builds suspense and then shows its twisty hand. If you want fresh and exciting, and I keep seeing people write that "such and such" didn't bring nothing new to the table whilst themselves not offering up exactly what could be brought to said table, then it's very unlikely Silent House will fill your horror hungry bellies.

Coming from the makers of Open Water, it's evident that Silent House wants to have realism on its side, it's stripped back for impact, with a less is more approach to its garnering of chills. With Olsen terrific, and she is, we are asked to put ourselves in that house and be in her shoes to feel the terror. Not everyone can do that, obviously, but being able to do that considerably makes Silent House a far better movie than its lowly internet ratings suggest it is. The scares are not over done, the music score is suitably sparse as claustrophobia reigns supreme, the use of natural light impressive and the camera glides about as an ethereal observer, technically it is a very effectively constructed haunted house picture. It's also refreshing to find the makers are able to use credible reasons for characters to be in and out of the house, this isn't about the dumb decision making so often rife in this sub-genre of horror over the years.

Sadly the third act is weak as the scares, tech attributes and atmosphere subside, we land in familiar territory and the big reveals, whilst thematically potent and never to be scoffed at, lack the desired impact and the film closes down more on a whimper instead of the terrified scream the rest of the film deserved. A shame, because for the most part this is a very good genre offering for those who have a bent for such spooky/home invasion doings. 7.5/10