Stella Days

Martin Sheen has landed a role that shows off his considerable talents in this small scale, sensitive and informed film from Tribeca. Based on a novel by Michael Doorley adapted for the screen by Antoine O. Flatharta and directed with sensitivity by Thaddeus O'Sullivan, the story takes place in Ireland of 1956, and the film opens with an introduction to bringing electricity into a very small town whose people have done very well without the new-fangled things, thank you very much.

The priest of the town is Fr. Daniel Barry (Martin Sheen), a loving man who hears confessions, makes his rounds offering oils of last rites to please one elderly ill patient and caring for his flock in a very human manner, is a man of the World having the Church both in America and Rome, who has a passion for Cinema , Music and Language is left to languish in a rural community after being replaced in Rome by a younger priest with greater credentials for scholarship. The Parish Bishop (Tom Hickey) has decided his parish needs a new, modern, concrete church and he burdens the parish priests to raise the funds for the project. There is a politician in the town - Brendan (Stephen Rea) - who vies for power with Fr. Barry, seeking political clout to reign in the filthy temptations of the world from his followers. Fr. Barry, on the other hand, devises a method for raising funds (and catering to his love for picture shows) by building a cinema. He is supported by a new young schoolteacher Tim (Trystan Gravelle, a young Welsh actor of great potential) - Fr. Barry overrode Brendan, further alienating himself. Tim finds room and board with a local young mother Elaine (Amy Huberman) whose alcoholic abusive husband is off to London leaving their young son Joey (Joseph O'Sllivan) without the nurturing of a father. The tale pits the worldly priest against the power hungry fundamentalist politicians and the significant people of the story are at first injured and then find a manner of redemption. In the end the 'bringing of light' to the little town in Tipperary via electricity and modern times merely reveals a path for conscientious folk to escape it all.

The cast is very strong, the musical score by Nicholas Hooper, and the countryside of Ireland is gorgeous. This is a little film with a big message that flies like a lark in the sky. Try to catch it!

Grady Harp

Two stars. This story was a profane look at the Catholic Church. It contained unnecessary language and sexual content, both of which indicate to me a lack of imagination on the part of the writers. There were no virtuous messages gained from this movie. Pictures in the 30s and 40s were able to be captivating without language or sex. Why do modern writers and producers lack the ability to present a story without salacious content. As I was always told, when a person uses vulgarity or obscenity to express themselves, it is an indication that they lack the ability to communicate intelligently.

The priest has no biblical Christian values to share with the audience. Martin Sheen is supposedly a Roman Catholic in real life. He makes the priesthood look like nothing more than a new-age, "god within you" sort of role. He overlooks and actually condones the sexual immorality of a parishioner, and sides with the adulterers as if they are the heroes of the story. The movie uses profanity that I know was not common in the 1950s. Just overall a lackluster, meaningless movie.

I saw this recently in a sneak preview,I was expecting a bit more from the story and the cast but I was disappointed with both.It started off at a slow pace and stayed that way.That is not always a bad thing in a film,some can be wonderful and slow moving for example Spring,Summer,Autumn,Winter and Spring(2003)dir:Ki-duk Kim,but it would have been good to see it get out of 2nd gear.Martin Sheen could have phoned in his performance with the effort he put in to it and Stephen Rea played the part of... Stephen Rea,surprise that. The cinema was half full and it was a free show,which says a lot.People were laughing at a lot of the customs of Irish people and the influence of the church which was at the height of it's power in Ireland at that time.This saddened me as I was born,reared and still live in that land.Go see it if you want to have a look at rural Ireland in 1956 as the production values were excellent and very accurate.The sad thing about a freebie is that you cannot ask for your money back,but in a recession I cant say no as I paid 13.20euros the day before to see Hugo in 3D in the same cinema. J.Lavelle - Dublin,Ireland 2012

I took my Mum to see this film, never imagining I would enjoy it as much as I did.

Martin Sheen is commendable as the world weary Fr. Daniel Barry - a man living with the legacy of a vocation thrust upon him as a young boy by ambitious parents. The film offers a snapshot of life in claustrophobic, rural 1950's Ireland, with overlaying themes of longing, control and unfulfilled desires - set against the backdrop of an oppressive status quo.

Recommended - but don't expect to emerge from the cinema bellowing with laughter.

The main character,played by Martin Sheen ,is the most interesting;too bad they focused on his passion for cinema and his will to have a movie theater ,in spite of the well-meanings from his flock .The question of his faith is much more important:when the old lady passes away ,he realizes that she was not a true believer ,and flashbacks about the priest's childhood show that he did not feel a vocation for priesthood (he tells it so:"God never called me" ).It was his mother's dream (and selfishness),not his.

But this side of the priest (which is ,all in all,essential) is too underwritten .The other parts are cardboard ,particularly Stephen Rea's grumpy notable.The young teacher is more endearing but his affair with his (married with a kid) landlady is quite derivative ,even if he compares her to Jane Wyman in " All that heaven allows" -thus we learn that the story takes place after 1955,whereas the hints at Rex Ingram's "four Horsemen of the Apocalypse" and " The prisoner of Zenda" ,could make us believe the action happened much earlier.(though they were remade later)

Besides ,the choice (by chance?) of "from here to eternity" ( 1953) is not what you call a smart one to test the equipment;and it includes the famous scene when Burt Lancaster and Deborah Kerr (mistaken for Liz Taylor!) have an adulterous relationship at that! See it for Martin Sheen's moments of doubt and fear.