Einstein's God Model
- 2016
- 1h 29m
IMDb RATING
5.2/10
2.9K
YOUR RATING
String theory and the afterlife collide as researcher Brayden Taylor embarks on a quest to contact another dimension. An "American Doctor Who", this underground sci-fi film is the first of a... Read allString theory and the afterlife collide as researcher Brayden Taylor embarks on a quest to contact another dimension. An "American Doctor Who", this underground sci-fi film is the first of a series of adventures based on real science.String theory and the afterlife collide as researcher Brayden Taylor embarks on a quest to contact another dimension. An "American Doctor Who", this underground sci-fi film is the first of a series of adventures based on real science.
- Awards
- 1 win total
M.T. Cozzola
- Francine
- (as Mary-Terese Cozzola)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It is typical of me, a common lame-brained normal person with an active interest in science and physics but no real mastery of it, to savor these sorts of theoretical science type movies, especially when they experiment with quantum physics.
"Quantum physics" is to me, the common lame-brained normal etc, pure magic. I attempted a while ago to learn just some of the basics and it completely overwhelmed me and erased what ever little bit of it I did understand. It is demonic spooky magic.
This movie thankfully does not go very dense into the quantum, much in the way "Primer" went very dense into the mechanical engineering, and relies heavily on dumbing down the concepts for the audience a bit.
Despite that, while I was able to get ahold of and gain a clear understanding of most, if not all of the concepts dealt with in the film, when they all come together as a whole, I was just left confused.
The film itself made me hesitant to approach, as it was very clearly low budget. I've enjoyed many low budget movies, but typically since the vast majority of movies are done in 24 frames per second, and the vast majority of live television (including news, reality TV, talk shows) are done in 30 fps, making them look just slightly "faster" than movies.
this film seemed to be shot in some uneven mix of 30 fps and something a bit faster, giving it a look somewhere between a talk show and a soap opera. Despite this, the acting was amazingly decent all throughout and the concepts kept my interest long enough to actually enjoy much of the movie. There are some encounters with cliché storytelling, such as the "Off-beat science guy" who is very nearly thrown out by the protagonist due to a lie, placing the entire concept of the film at risk.
Other reviews detail probably in greater detail and understanding what they attempted many times to explain using the term "membranes". The impression I got was something reminiscent of multiple universes, but somehow different, especially later on in the film when they make a startling slight revelation which changes the way they should approach it.
Up to the climax, I had a firm grasp of what was happening. When the business with the protagonist and the professor unfolded, I had a shaky grasp of what was happening. When it got to the "epilogue" portion, I completely lost it.
"Quantum physics" is to me, the common lame-brained normal etc, pure magic. I attempted a while ago to learn just some of the basics and it completely overwhelmed me and erased what ever little bit of it I did understand. It is demonic spooky magic.
This movie thankfully does not go very dense into the quantum, much in the way "Primer" went very dense into the mechanical engineering, and relies heavily on dumbing down the concepts for the audience a bit.
Despite that, while I was able to get ahold of and gain a clear understanding of most, if not all of the concepts dealt with in the film, when they all come together as a whole, I was just left confused.
The film itself made me hesitant to approach, as it was very clearly low budget. I've enjoyed many low budget movies, but typically since the vast majority of movies are done in 24 frames per second, and the vast majority of live television (including news, reality TV, talk shows) are done in 30 fps, making them look just slightly "faster" than movies.
this film seemed to be shot in some uneven mix of 30 fps and something a bit faster, giving it a look somewhere between a talk show and a soap opera. Despite this, the acting was amazingly decent all throughout and the concepts kept my interest long enough to actually enjoy much of the movie. There are some encounters with cliché storytelling, such as the "Off-beat science guy" who is very nearly thrown out by the protagonist due to a lie, placing the entire concept of the film at risk.
Other reviews detail probably in greater detail and understanding what they attempted many times to explain using the term "membranes". The impression I got was something reminiscent of multiple universes, but somehow different, especially later on in the film when they make a startling slight revelation which changes the way they should approach it.
Up to the climax, I had a firm grasp of what was happening. When the business with the protagonist and the professor unfolded, I had a shaky grasp of what was happening. When it got to the "epilogue" portion, I completely lost it.
"Einstein's God Model" is a terrifically conceived and shrewdly executed piece of sci-fi storytelling, applying theory from science's greatest historical figures to our existential quest for proof of consciousness beyond our earthly lives. This is a film that very admirably and consistently doses the brain with a full buffet of cranial course load -- Edison and Tesla join Einstein not only in the film's credits scroll (nice touch), but in the storytelling's pursuit of the notion that we may live on post-mortem in the soul's more modernized reclassification as an enduring electromagnetic field. Sold!
Brayden (Aaron Graham) is a young anesthesiologist. His fiancé has recently passed. Alone in his grief, he yearns for a metaphysical reunion, and attempts to actualize it by seeking out a physicist pursuing contact with the dead. It turns out that the physicist, too, has shuffled off this mortal coil, but his widow gifts Brayden a laboratory contraption built by the great Thomas Edison himself, who was once in similarly hot pursuit of these same epiphanies.
For the existentialist living for that final moment when life gives way to the ultimate answers, "Einstein's God Model" is pure exploratory bliss. The fascinating abundance of science seamlessly woven into its elite storytelling doesn't just adequately acquit itself; it's indeed the film's key strength, evoking contemplation at the highest levels while giving way to some thoroughly riveting crescendos. "Einstein's God Model" comes heavily recommended, and particularly for those in constant query of whatever the beyond may (or may not) look like. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)
Brayden (Aaron Graham) is a young anesthesiologist. His fiancé has recently passed. Alone in his grief, he yearns for a metaphysical reunion, and attempts to actualize it by seeking out a physicist pursuing contact with the dead. It turns out that the physicist, too, has shuffled off this mortal coil, but his widow gifts Brayden a laboratory contraption built by the great Thomas Edison himself, who was once in similarly hot pursuit of these same epiphanies.
For the existentialist living for that final moment when life gives way to the ultimate answers, "Einstein's God Model" is pure exploratory bliss. The fascinating abundance of science seamlessly woven into its elite storytelling doesn't just adequately acquit itself; it's indeed the film's key strength, evoking contemplation at the highest levels while giving way to some thoroughly riveting crescendos. "Einstein's God Model" comes heavily recommended, and particularly for those in constant query of whatever the beyond may (or may not) look like. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)
This indie film is just plain fun. Sure, it's amateurish, but...
It mentions some real ideas in physics (past and present) -- GUF theory; quantum theory; string theory; membranes; etc.
It includes some actual history about Thomas Edison.
It names some real physicists -- Einstein (obviously), Tesla, Bohr, etc. (check out the opening credits!)
The props (early electronic devices) look authentic.
One of the writers seems to have a medical background -- some nice details.
Given the film's limited budget, the special effects are pretty good.
The acting is good enough to carry the plot.
I would compare this movie favorably to the first "Flatliners" film (I haven't seen the recent remake).
Watch it and judge for yourself.
It mentions some real ideas in physics (past and present) -- GUF theory; quantum theory; string theory; membranes; etc.
It includes some actual history about Thomas Edison.
It names some real physicists -- Einstein (obviously), Tesla, Bohr, etc. (check out the opening credits!)
The props (early electronic devices) look authentic.
One of the writers seems to have a medical background -- some nice details.
Given the film's limited budget, the special effects are pretty good.
The acting is good enough to carry the plot.
I would compare this movie favorably to the first "Flatliners" film (I haven't seen the recent remake).
Watch it and judge for yourself.
Whether one believes in the afterlife or not, this sci-fi film will get you to wonder.... Surrender your convictions to enjoy this eerily entertaining movie
An enjoyable indie ride with some interesting ideas about quantum physics and reality. Gets points for not dumbing down the science. Yes of course it feels indie and low budget in some places, but that's because it is indie and low budget. This should be kept in perspective when rating.
Did you know
- TriviaCraig's tee shirt is a message in braille. It says, "It's very beautiful over there."
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El Modelo de Dios de Einstein
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Runtime
- 1h 29m(89 min)
- Color
- Aspect ratio
- 1.78 : 1
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