In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.
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This adaptation of Anna Karenina is a very flat adaptation of one of the greatest pieces of literature, but actually it is not only a failure as an adaptation but disappointing also on its own merits. It is not without its redeeming qualities of course, the costumes and sets are gorgeous and some of the best of the year, the music is beautifully composed, Jude Law is a superbly restrained and dignified Karenin and Matthew Macfadyen and Domhnall Gleeson are similarly excellent as Stiva and Levin respectively. Keira Knightley in the title role however didn't do it for me. She tries but comes across as too young and too selfish, and I also didn't care at all for her over-earnest mannerisms. The weak link of the cast is the woeful miscast that is Aaron Taylor-Johnson's Vronsky, often too moody and wooden as well as too effeminate and foppish, so much so it comes across as creepy. The script is very stilted and lacking in any kind of heart. There is a lot of melodrama as well but it comes across as forced, while the switching from play-within-a-play to film is confusing. The story similarly suffers from pedestrian pacing and the drama and characters are too thin to make us properly care and that is including Anna, whose attempts to overcome her suffering is entirely too trivialised here. Even bigger of a problem was Joe Wright's direction, I loved Pride and Prejudice and especially Atonement so I hoping a similar kind of directing job. But Wright often seems to be paying attention to himself too much, with the camera work too incongruous and surreal. Everything, from the gimmicky theatrical elements to the ball scene where the dancing is so robotic and where you don't have a clue what dance style it's supposed to be, plays too much of an overblown musical but without song and dance. In conclusion a disappointment even on its own, for me a beautiful bore is a very apt summing up as to how I felt about it. See the Greta Garbo and Vivien Leigh films instead. 4/10 Bethany Cox
I loved the cinematography of the Theatre. I loved that everything got out from the stage. The director did a pretty good job directing this.
The staging of this film is certainly something I hadn't seen before. The majority of scenes are made to look like everything is happening on a theater stage. This style doesn't add a whole lot to the film though. While the costumes, production design, music, and cinematography are all terrific, I'm afraid I can't say the same about the story. It just didn't really capture me and I found a lot of the film to be boring. Anna Karenina may be a classic text, but I can't use the same adjective for this retelling.
The lead virtue - Jude Law as Karenin. The worst sin - the mixture of pieces from everywhere for create the atmosphere. The theater is a nice idea but only better used . Virtues - the portraits of Levin and Kitty. Problems - a not reasonable Vronski and imposibility to feel the drama of Karenina. Short. It is a film without soul. Images, inacuracy, a kitsch Russia and a sort of "ad usum Delphini" adaptation. Too noisy, too vulgar, using the not inspired actor for Vronsky and proposing a hard fight to Keira Knightley for create her Karenina. Short, a film without purpose. And that is all.
Good production but doesn't quite hit the spot.
Set in 19th century Russia, a married aristocrat, Anna Karenina (played by Keira Knightley), starts an affair with a Count. After a while, the relationship becomes quite serious...
A decent adaptation of the Tolstoy novel. Lavish costumes and sets, and a sense of the emptiness and superficiality of Russian aristocracy. However, for all its intrigues, just doesn't quite hit the spot. Not entirely engaging and seems to drag in segments. Some of the imagery was just to clever for its own good, ending up feeling pretentious.
Solid performances all round. Jude Law is the best of the lot, as the conservative husband of Anna Karenina.
Set in 19th century Russia, a married aristocrat, Anna Karenina (played by Keira Knightley), starts an affair with a Count. After a while, the relationship becomes quite serious...
A decent adaptation of the Tolstoy novel. Lavish costumes and sets, and a sense of the emptiness and superficiality of Russian aristocracy. However, for all its intrigues, just doesn't quite hit the spot. Not entirely engaging and seems to drag in segments. Some of the imagery was just to clever for its own good, ending up feeling pretentious.
Solid performances all round. Jude Law is the best of the lot, as the conservative husband of Anna Karenina.
Did you know
- TriviaOne of Alicia Vikander's favorite experiences from the production was the filming that took place in the countryside outside of St. Petersburg, Russia. The temperatures dropped below -40 °C, and she stayed in a cabin for five days that didn't have hot water and only featured benches instead of beds. Meanwhile, Russian security guards protected her and co-star 'Domhnall Gleeson' from wild wolves and bears that dominated the deserted area.
- GoofsThe label of the bottle of morphine Anna drinks from changes from "la Morphine" to "Morphine" between shots. The only correct French form would be without an article (prescriptions would have been written in Latin in 19th-century Russia anyway).
- ConnectionsFeatured in Projector: Anna Karenina (2012)
- SoundtracksSong for a New Life (Masha's Song)
(uncredited)
Written by Anoushka Shankar
Performed by Tannishtha Chatterjee
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Chuyện Tình Anna
- Filming locations
- Kizhi, Karelia, Russia(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,600,000 (estimated)
- Gross US & Canada
- $12,816,367
- Opening weekend US & Canada
- $320,690
- Nov 18, 2012
- Gross worldwide
- $68,929,150
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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