An Ordinary Man

Have seen this excellent film with a 1st Class performance by both Ben Kingsley and the maid Hera Hilmar, kudos to both!

Fall of communism in former Yugoslavia in 1991 and that follows by 10-years long wars. and many war crimes such as mass murders, ethnic cleansing were committed. Most of these war criminals were then brought to justice by international tribunal. One of them was General Ratko Mladic. The main character of the story is loosely based on Ratko Mladic. Movie feels paint dry with no definitive focus. An aimless drift.

Writer and director Brad Siberling offers a very strange essentially two character film that immerses the viewer in the terror - and humor - of isolation, demonstrating how the presence of a companion allows connection in a world that no longer makes sense. Filmed in Serbia the actual languages and change sin viewpoints (and accents) can be confusing at times, but this not the point of the film - simply an observation.

In the opening screen remarks we are informed that War Criminals are usually caught in time, except one, this one: The General. And apparently the area of location is Yugoslavia and we meet the General (Ben Kingsley) being escorted to yet another hiding place by his handler Miro (Peter Serafinowitz). When the General is dropped off at his current safe house he encounters Tanja (Hera Mimar), a maid, who provides the responses to the General's endless chatter. Tanja is his only connection with the outside world and the various walks and endangerments they face form the crux of this mysterious story.

The acting by Ben Kingsley (sporting a confusing but consistent strange accent) is brilliant. A stylish, dense, and in many ways illuminating film about the effects of war on the individual.

A former general (Ben Kingsley) is wanted by the international community for war crimes. He is being protected by his supporters. He gets moved again and gets new maid Tanja (Hera Hilmar). He is suspicious of the young maid who isn't good at cleaning or cooking.

This is following the wrong protagonist. Sure, Kingsley is the biggest actor here or most anywhere. That instinct only goes so far. He should not be the subject of the movie. Nobody cares if he lives or dies or captured. There is no tension without the rooting interest. Any possible rooting interest resides with Tanja. She should be the protagonist. The mystery of her intentions can be maintain and the reveal would actually mean something. The audience should be invested with her instead of him. The ending should have been shocking but it's met with a shrug and a meh. The idea of making this monster human could be compelling but it needs the context of the war. Without it, nobody can truly get a feel for him.

A truly moving experience! This presentation has everything, love, honour, justice, vengeance, hatred, hope, hopelessness. This is filled with superb acting and I was left knowing the cost of knowledge. To what or to whom will we sacrifice our all?