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"ChromeSkull" is the sequel to the 2009 horror hit "Laid to Rest." It brings back ChromeSkull, who barely escaped death in the first movie and is hell-bent on continuing where he left off...... Read all"ChromeSkull" is the sequel to the 2009 horror hit "Laid to Rest." It brings back ChromeSkull, who barely escaped death in the first movie and is hell-bent on continuing where he left off... and forging a new path of terror and destruction."ChromeSkull" is the sequel to the 2009 horror hit "Laid to Rest." It brings back ChromeSkull, who barely escaped death in the first movie and is hell-bent on continuing where he left off... and forging a new path of terror and destruction.
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- 1 nomination total
Christopher Allen Nelson
- Max
- (as Christopher Nelson)
Aimee-Lynn Chadwick
- Allie
- (as Aimee Lynn Chadwick)
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Robert Hall's 2009 horror debut Laid to Rest wasn't perfect by any means, but offered a great gore-scheme and pacing and suspense that came to its favor. Its characters weren't very well crafted, and logic had to hide out so the film could do its thing, but overall it was a cute and enjoyable little gore flick. Did it ever need a sequel? Well, to Hall, since it was a moderate success on the message boards and online yes it did.
Laid to Rest 2, accompanied by the "Chromeskull" subtitle, is a bleak and ugly film not because it's gruesome and violent, but because its plot becomes blown out of proportion and it becomes a cocky horror film. Somebody should've whispered in the filmmakers' ears that this wasn't a big success, but a fairly unexpected one. The story has now become enlarged and has now gone to expand its boundaries to the point where it's unbelievable and contrived.
The film picks up right where the first left off, then manages to fast-forward three months later where we are introduced to Jess (Michaels), a girl going blind because of scar tissue in her eyes. Jess is drugged, kidnapped, and locked in a coffin by the killer who has a video camera on his shoulder and a shiny, chrome-silver mask in the shape of a skeleton on his face. He uses deadly, homemade knives that are something straight out of a sadist's mind, but are crafted with such detail they become one of the strongest points in the film.
I'm not going to even try to explain the backstory of the killer because I feel ashamed for even asking for it. I wished for minor backstory after seeing Laid to Rest. I thought, I'd like just a small, brief explanation of why this person was killing and videotaping it. I didn't need a huge, bloated, and exhausting storyline that is convoluted and outright ridiculous. The film wants to bring the top-secret, government business into play but it doesn't have the budget nor the skills to do so. This is a slasher film. It's a hack and slash, gorehound, bloody, disgusting, gruesome horror film that deserves zero conspiracy talk at all.
The fact that they bring the overblown backstory into play is just a clear sign of cockiness, but who can really blame them? If you spat out a random, unknown horror film into stores with a promising cover and you made big bucks off of it, you'd take the obligatory sequel one step further wouldn't you? Well, Chromeskull: Laid to Rest 2 doesn't take just one step, it takes about two leaps and, when you think it has officially stopped in one place, it manages to tip-toe a bit further and further. Have mercy.
Bobbi Sue Luther, director Robert Hall's wife respectively, played the heroine from the original film and makes a quick appearance in this one as well. Sadly, she's killed off very quickly just to bring in an annoying and obnoxious blonde girl instantly. She's no Bobbi Sue, and she's not even interesting enough to be concerned for unlike her.
Chromeskull: Laid to Rest 2 was somewhat promising, but ultimately falls flat on its face. There is a third film planned which I assume and sort of hope will close the series. I hope after this ludicrous sequel we at least get a final and respectable entry in a series that never got off its feet completely. Aside from gore, the series never truly accomplished much else. It succeeds in being a standout for a few reasons, but overall, when closely examined, or even mildly, it's just another horror film inspired by too many others.
Starring: Brian Austin Green, Danielle Harris, Mimi Michaels, Nick Principe, and Thomas Dekker. Directed by: Robert Hall.
Laid to Rest 2, accompanied by the "Chromeskull" subtitle, is a bleak and ugly film not because it's gruesome and violent, but because its plot becomes blown out of proportion and it becomes a cocky horror film. Somebody should've whispered in the filmmakers' ears that this wasn't a big success, but a fairly unexpected one. The story has now become enlarged and has now gone to expand its boundaries to the point where it's unbelievable and contrived.
The film picks up right where the first left off, then manages to fast-forward three months later where we are introduced to Jess (Michaels), a girl going blind because of scar tissue in her eyes. Jess is drugged, kidnapped, and locked in a coffin by the killer who has a video camera on his shoulder and a shiny, chrome-silver mask in the shape of a skeleton on his face. He uses deadly, homemade knives that are something straight out of a sadist's mind, but are crafted with such detail they become one of the strongest points in the film.
I'm not going to even try to explain the backstory of the killer because I feel ashamed for even asking for it. I wished for minor backstory after seeing Laid to Rest. I thought, I'd like just a small, brief explanation of why this person was killing and videotaping it. I didn't need a huge, bloated, and exhausting storyline that is convoluted and outright ridiculous. The film wants to bring the top-secret, government business into play but it doesn't have the budget nor the skills to do so. This is a slasher film. It's a hack and slash, gorehound, bloody, disgusting, gruesome horror film that deserves zero conspiracy talk at all.
The fact that they bring the overblown backstory into play is just a clear sign of cockiness, but who can really blame them? If you spat out a random, unknown horror film into stores with a promising cover and you made big bucks off of it, you'd take the obligatory sequel one step further wouldn't you? Well, Chromeskull: Laid to Rest 2 doesn't take just one step, it takes about two leaps and, when you think it has officially stopped in one place, it manages to tip-toe a bit further and further. Have mercy.
Bobbi Sue Luther, director Robert Hall's wife respectively, played the heroine from the original film and makes a quick appearance in this one as well. Sadly, she's killed off very quickly just to bring in an annoying and obnoxious blonde girl instantly. She's no Bobbi Sue, and she's not even interesting enough to be concerned for unlike her.
Chromeskull: Laid to Rest 2 was somewhat promising, but ultimately falls flat on its face. There is a third film planned which I assume and sort of hope will close the series. I hope after this ludicrous sequel we at least get a final and respectable entry in a series that never got off its feet completely. Aside from gore, the series never truly accomplished much else. It succeeds in being a standout for a few reasons, but overall, when closely examined, or even mildly, it's just another horror film inspired by too many others.
Starring: Brian Austin Green, Danielle Harris, Mimi Michaels, Nick Principe, and Thomas Dekker. Directed by: Robert Hall.
ChromeSkull (Nick Principe), who barely escaped death, is hell-bent on continuing where he left off... and forging a new path of terror and destruction.
Robert Hall wrote and directed this picture, just like the first part. And Hall proves he knows what he is doing in the big chair -- while primarily known as a makeup artist, he skillfully controls this story and makes it a very powerful franchise for the 21st century. And he has not left the makeup behind, either -- CG is used very sparingly, with more than enough practical effects and gore to satisfy any horror fan.
The cast is also a bit stronger this time, with horror icon Danielle Harris making a sizable cameo and the well-known Brian Austin Green in a starring role. His character calls to mind certain aspects of "Saw", which I think is unfortunate, but also overcomes those comparisons. ChromeSkull is not Jigsaw -- he cares not for redemption or to test humanity.
There is an expanded mythology in this film centering around "the organization", which I found to be a bit complicated and hard to follow. Maybe I need to view the first film again, view this film again or listen to the commentary. I feel there is a lot of potential here for exploring the organization, and also potential for sequels (though hopefully they do not proceed without having a solid story to tell).
This sequel is more mature than the original, but relies on the same strengths -- fast-paced action, terror and gore. If that is the type of horror film you like, this is a must-see for you. I do not wish to say it is anti-cerebral, but this is not a thinking film... it is blood first, story second... and not in a bad way.
Robert Hall wrote and directed this picture, just like the first part. And Hall proves he knows what he is doing in the big chair -- while primarily known as a makeup artist, he skillfully controls this story and makes it a very powerful franchise for the 21st century. And he has not left the makeup behind, either -- CG is used very sparingly, with more than enough practical effects and gore to satisfy any horror fan.
The cast is also a bit stronger this time, with horror icon Danielle Harris making a sizable cameo and the well-known Brian Austin Green in a starring role. His character calls to mind certain aspects of "Saw", which I think is unfortunate, but also overcomes those comparisons. ChromeSkull is not Jigsaw -- he cares not for redemption or to test humanity.
There is an expanded mythology in this film centering around "the organization", which I found to be a bit complicated and hard to follow. Maybe I need to view the first film again, view this film again or listen to the commentary. I feel there is a lot of potential here for exploring the organization, and also potential for sequels (though hopefully they do not proceed without having a solid story to tell).
This sequel is more mature than the original, but relies on the same strengths -- fast-paced action, terror and gore. If that is the type of horror film you like, this is a must-see for you. I do not wish to say it is anti-cerebral, but this is not a thinking film... it is blood first, story second... and not in a bad way.
I loved the first the first one. Storytelling was awesome the first time the acting was solid but more importantly believable. Brian Austin Green was a cartoon the cops acted nothing like even tv cops would act like and I'm not sure where this takes place but my guess would be that at no point would cops investigating two homicide's would also be working a missing persons case at the same time. The first movie had a certain feeling of low budget but in the best way possible it's cast had faces that you said I know that person but not sure where from the violence was over the top but not in a way that took away from the story. The first movie made money with almost all of it coming by word of mouth. The Chromeface story was hijacked and molded into nonsense to make sequels of nonsense. When I saw that another Laid to Rest was made I was excited this was horrible, except for the gore witch was solid but not solid enough for me to waste another two hours on each of the never ending sequels to follow.
The first "Laid to Rest" wasn't a great slasher but it was a alright slasher that is passable because of the creative kills with a single weapon. This time the kills are a bit more gruesome for this sequel but it also seemed like they just put in bunch of random character for ChromeSkull to kill. And that basically sums up most of this movie for the most part. If you have a weak stomach though it's just better to stay away from this if you do cause there is almost nothing in the story department. The acting is even more atrocious this time and almost laughable at times than actually makes the premise intimidating. There is more weapons that is used to gruesomely kill people but the only audience I can see really enjoying this movie. Is the audiences that like to watch people die in some of the most gruesome way possible with sharp objects. Although I seen similar movies like this before but even I had to cringe a few times while watching this. Also the mystery behind ChromeSkull is what sort of made the videotaping killer sort of interesting and this movie reveals a bit of ChromeSkull and who he is. I am not sure if this is a good thing but the premise is even more ridiculous this time around. And not only because ChromeSkull manage to survive the first incident, it just makes the killer more supernatural than human. Okay so it is now revealed that ChromeSkull is like some leader in some creepy secret organization. Although it isn't clearly explained what that organization is about. Like I said there is little to no script for this movie and to sum it up, it's a sadistic gruesome killing movie. But there is audiences for this type of movie so if your one of them this movie might be worth a watch with a group of friends that share the same interest. I personally just found this sequel to be gruesome but bland. The movie sort of picks up near the end and than fall short again because it just becomes too ridiculous and stupid.
3.8/10
3.8/10
I know that I enjoyed the original Laid to Rest for its sheer enthusiasm and spectacularly OTT gore, but I can recall very little about the actual plot, despite having only seen it a year ago; perhaps that's because there wasn't much of a story to remember in the first place (the lack of strong narrative clearly didn't matter too much to me: I gave the first film a rating of 7.5/10).
Chromeskull: Laid to Rest 2 is just as eager to please in terms of bloody mayhem, and does so brilliantly with oodles of really mean-spirited and excellently executed gore, but this time around the film-makers also try to build on Chromeskull's character, and it is here that the film comes apart quicker than one of the killer's victims. While a bit of back-story mightn't have been so bad, what we are presented with here is so overblown, convoluted, and incomprehensible that it only serves to confuse and irritate in the extreme.
The film opens abruptly with no recap of previous events, immediately launching into the unnecessarily complex nonsense that passes for a plot, in which a secret organisation is revealed to be behind the work of our metal mask-wearing maniac. With a script even messier than one of Chromeskull's kills, the viewer is simply left with too many unanswered questions—Who are these characters? What is the nefarious organisation hoping to achieve? Why are the police so fing inept? Who the hell thought it would be a good idea to hire Danielle Harris (she was in the extremely disappointing sequel to Hatchet too!)? It all adds up to a very frustrating and frankly rather tedious experience.
If director Robert Hall proceeds with his intended third and final Laid to Rest film, I really hope that he succeeds in explaining matters in a satisfying manner; simply drenching proceedings with buckets of really nasty knife action just won't cut it next time.
I rate Chromeskull: Laid to Rest 2 a 9/10 for the sterling work of the effects guys, but 1/10 for everything else (resulting in a disappointing average of 5/10).
Chromeskull: Laid to Rest 2 is just as eager to please in terms of bloody mayhem, and does so brilliantly with oodles of really mean-spirited and excellently executed gore, but this time around the film-makers also try to build on Chromeskull's character, and it is here that the film comes apart quicker than one of the killer's victims. While a bit of back-story mightn't have been so bad, what we are presented with here is so overblown, convoluted, and incomprehensible that it only serves to confuse and irritate in the extreme.
The film opens abruptly with no recap of previous events, immediately launching into the unnecessarily complex nonsense that passes for a plot, in which a secret organisation is revealed to be behind the work of our metal mask-wearing maniac. With a script even messier than one of Chromeskull's kills, the viewer is simply left with too many unanswered questions—Who are these characters? What is the nefarious organisation hoping to achieve? Why are the police so fing inept? Who the hell thought it would be a good idea to hire Danielle Harris (she was in the extremely disappointing sequel to Hatchet too!)? It all adds up to a very frustrating and frankly rather tedious experience.
If director Robert Hall proceeds with his intended third and final Laid to Rest film, I really hope that he succeeds in explaining matters in a satisfying manner; simply drenching proceedings with buckets of really nasty knife action just won't cut it next time.
I rate Chromeskull: Laid to Rest 2 a 9/10 for the sterling work of the effects guys, but 1/10 for everything else (resulting in a disappointing average of 5/10).
Did you know
- TriviaWhen Preston is getting his Chromeskull tattoo on his chest, it is actually a shot of Nick Principe (who plays Chromeskull) receiving the tattoo for real on his back.
- Crazy creditsThere's an additional scene after the credits where the FBI-agents interrogate a woman, probably the wife of Chromeskull.
- Alternate versionsGerman version was ridiculously edited for violence by 9 minutes in order to get a FSK-18 rating, pretty much every death scene is shortened to reduce the blood and gore. Uncut version is soft-banned (put on the BPjM Index B list which means medium chances of being confiscated down the road).
- SoundtracksLaid to Rest
Written by Kurt Meinicke, Steve Salama, Tillian Meier, Jolion Ridges
Performed by ShC
Details
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.85 : 1
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