Wild Bill

Went to watch this movie after an awful time watchin "The Hunger Games". Not to expect much out of it this movie really surprised & amazed me.

The story line's smooth with good performances all round. Liked the plot with the father returning after doing time to the so called home, the kids settling in a parent less world and sudden chaos caused with the father's return not to forget the intervention of the child services & the so called drug peddlers pitching in to a a nicely woven story. Must acknowledge the director for the good work.

Its been a good Saturday end thanks to "Wild Bill"

Rating 7 of 10, go out and watch this good flick.

Wild Bill is directed by Dexter Fletcher who also co-writes the screenplay with Danny King. It stars Charlie Creed-Miles, Will Poulter, Liz White, Sammy Williams, Charlotte Spencer, Leo Gregory, Neil Maskell and Iwan Rheon. Music is by Christian Henson and cinematography by George Richmond.

Wild Bill Hayward (Creed-Miles) is just out of prison after serving eight years. Heading home he finds his two sons Dean (Poulter) and Jimmy (Williams) fending for themselves after their mother abandoned them. Bill hadn't planned on hanging around, but if he doesn't then the boys will be taken into care. More pressing is that the local drug runners have got young Jimmy working for them, Bill might just have to take his parental responsibilities to another level and justify his Wild reputation.

Splendid piece of British grit and wit, Wild Bill follows in the traditions of films directed by British actors, who for their debut directing assignment impressed with the ability to grab the attention and no loosen the grip. Fletcher has done a bang up job here, managing to turn what could have been a standard dysfunctional family melodrama into something more meaningful, engaging and suspenseful.

Story is set to the backdrop of working class London, where the building of the Olympic stadium serves as a beacon of hope in the distance, while our principal characters struggle through a world of grimy flats, empty pubs, dirty cafés and drug infested council estates.

The narrative operates on two fronts, Bill (Miles superb) is trying to keep on the straight and narrow, as he candidly observes, if his dog craps on the pavement he will get 18 months back in prison! But as he tries to build a relationship with his two sons, especially the older and more colder Dean, circumstances are drawing him back into the violent world he desperately wants to leave behind. It's this angle that gives the film its suspense, as viewers we are wondering if Bill can achieve his goals, will he get a break, will the family become one unit?

Elsewhere the film operates as a coming of age story, where Dean has had to grow up real fast to look after his younger brother, even taking on employment at the age of 15 to provide for Jimmy and himself. Then there is matters of the heart, as he is strongly attracted to local girl Steph (Spencer), this aspect is very well handled by Fletcher, who gets the excellent Poulter to deftly portray those early nerves when Cupid starts to draw back its bow, the tentative fumblings of young love easily identifiable to us all.

Pic is full of familiar British faces, most of them just stopping by in cameos to lend friendly support to Fletcher's project. They all offer a reassuring presence to proceedings, adding further weight to what is damn fine debut picture. Sometimes violent, often heart warming and tender, and very laugh out loud funny, Wild Bill is a winner. 9/10

Rare do films slip past my radar like this, but a netflix research project where I listed about 10-fairly well-received films that I hadn't seen, led me to watch "Wild Bill".

The formula is rather simple, and certainly nothing we haven't seen before, but then why in the heck does this work so well?

So only super-mild spoilers here in a 1 sentence synopsis;nothing you couldn't have gathered from reading the plot summary above. Bill returns home from a 8-year prison stint to find his two sons living unsupervised.

What makes "Wild Bill" work so well is the characters and their journeys. Bill, his eldest son, the youngest(Jimmy), and Bill's girlfriend all go through serious changes in the film. Every character-arc fits perfectly into the film's storyline, and the acting is spot-on to boot. Nothing seems forced or unrealistic.

Another great thing about the movie is the ending. It really builds towards a crescendo, and the ending is bittersweet. There's something magical about the emotional scene late in the film where Bill has no other choice, just the primal instinct to protect his boys.

At a point midway through the film, something clicks with Bill. We see two boys believing they were men when they really weren't, and one man not realizing how to be one until the moment when he recognized what was actually worth living for..

"Wild Bill" is a soulful, heart-breaking and mending story with some solid performances, a nice soundtrack, and great ending.

It's a Full Monty meets Green Street Hooligans, and it's every bit as good as both.

HIGhly recommended.

78/100

I'm so sick of American films portraying the English with stupid posh accents and houses with access to a rooftop that somehow overlooks the whole of London. This is a proper English film about proper English people. Good movie.

Watched this movie knowing nothing about it, and with the name wild bill, though it was one of those silly lets kill everyone movies, but i was absolutely engrossed by this movie from the first 5 mins, great storyline, and great acting, and being from this part of London myself, it catches the essence of life in the London ghetto life, and towards the end of the movie you really feel for the lead character and find yourself getting chocked up for the guy.

8 out of 10 from me, and i'm normally a hard critic of English films as there been so much rubbish in the last few years coming out of england.

I'm fully intent to watch this film again, and this time take my wife so she can see what i was raving about to her about this film.

Charlie Creed-Miles and Will Poulter have given me faith in English films again...