Bright

I recently had the chance to watch BRIGHT at the Magnolia Independent Film Festival- one of several festivals was screening at in mid February 2011 as it began its tour on the festival circuit.

From the first frame to the last, this film is a cinematographic feast. Rich visuals support a skilled writing hand, and experienced direction in this longer than normal short film. It's length however, is not a detriment. The story takes as long to tell as it needs to and the running time felt perfect.

The acting is performed with such natural, believable deliveries that, as a viewer, you often feel like a fly on the wall witnessing the true lives of real people. Sometimes you will laugh with the characters, and at other times you will feel their pain, and ultimately their redemption.

BRIGHT, for me, is about the fear of living and coming to terms with that fear. It is something many people can identify with, and I highly recommend catching as it continues touring at film festivals.

We watched BRIGHT with our 13 year old daughter who was extremely moved by the film, as were we. The message of the film is very personal and powerful: that we need to leave our safe worlds, face our fears, and go and search for our lives. Only in this way will we become strong and grow into the full, multi-faceted and complex individuals that we have the potential to be. This overarching theme is artfully developed on several different levels throughout the film, both through the storyline and the beautiful use of symbols. But the reason this film succeeds is that the actual story line is extremely compelling and we are left guessing throughout the film as to the "real" story behind the characters. In short, we are left wanting more. Thank you for a beautiful film. Karen Puschel

Describing the essential requirements of a "skillful literary artist," Edgar Allan Poe wrote in a review of Nathaniel Hawthorne's "Tales from an Old Manse": "The unity of effect or impression is a point of great importance... without a certain continuity of effort--without a certain duration or repetition of purpose--the soul is never deeply moved." Every moment, Poe said, must be "conceived, with deliberate care, (to create) a certain unique or single effect."

Benjamin Busch has created such a work of art with his short film "Bright," about Troy (Eric Nenninger) a young man who must overcome a paralyzing fear in order to move forward with his life. Every moment in the film is skillfully and deliberately planned to create a particular effect in the viewer. The film establishes a rich atmosphere from its opening moments and is filled with symbolic imagery, especially regarding light. Troy is raised by a blind adoptive father, Irwin (Robert Wisdom), who represents the iconic blind sage of mythology and guides Troy on what turns out to be a spiritual journey. Irwin is blind, but he can "see"; Troy is sighted, but his back is always toward the light.

In this dystopian future, Troy works as a restorationist, helping people regain their sense of continuity with their past by finding old-style original light bulbs for their homes. This is, of course, a metaphor for the conflict between what is natural and what is artificial, what is light and what is dark, in the search for courage and meaning in life.

The pacing is deliberately slow, filmed at "the pace of real thought," according to director Busch, who wants viewers to have the time to hear the dialog. As a result, viewers can contemplate philosophically meaty lines like "There's danger in all this safety"... "Someone who never sees, never knows"... "I miss the light but I can remember it"..."I loved and I lost, and I'm glad that I loved"... and "How much would you pay to be happy?"

"Bright" won the 2011 award for Best Short Drama and the Audience Choice Award at the Anthem Libertarian Film Festival.It is a film to be seen with friends, and discussed in long leisurely conversations afterward. As Poe said of Hawthorne's "Tales," "withal is a calm astonishment that ideas so apparently obvious have never occurred or been presented (like this) before." I think Poe would have been pleased with "Bright."

This is a brilliant and sophisticated short film showing the vivid struggle of a young man overcoming his most terrifying fear. The film doesn't tell the story, it shows the story, giving credit to the audience for having the intelligence to follow a tightly bound script. Nothing is rushed, and the director is unafraid of using silence at times, without feeling the need to fill the heavy weight of that silence with unnecessary dialog. The true nature of the main character's fear is magnified by this quiet, and this even pulls at the viewer's own fears. I found it very effective.

The performance of the main character (played by Eric Nenninger) is subtle, and honest, without being overly emotive. There is a lot more scope to his story arc than can be shown in a short film, and a part of me would love to see a feature length version of Bright. But it also resides very well within the realm of the short film genre, because the viewer is allowed to fill in the rest of the story with their own imagination, making Bright unique to each person who sees it.

What struck me most was the artistry of the cinematography. Each scene seems to be so well crafted, and almost every frame would make a beautiful still photograph. This speaks volumes for the talent of writer/director Benjamin Busch, who closely choreographed every facet of Bright. The cast and crew obviously deserve a lot of credit too.

I highly recommend Bright, and hope it gets picked up by HBO or the Independent Film Channel so that more people may get to see it!

A fabulous journey into the mind, into the soul, into the past and into the future await the unsuspecting viewer. Ben Busch gently guides you into the serene, yet troubled world of a man/child who seeks the comfort of his childhood but finds himself in the harsh bright light of reality. It is a reality he tries hard to avoid facing. Ben Busch has produced on a shoestring budget a real masterpiece. It beautifully draws you to the key characters and gradually exposes each of their greatest fears, and their strengths. The dialogue is taut and poetic, the direction is smooth and flowing, the production qualities are impressively professional for such a low-budget film. This film deserves a large audience and this filmmaker, actor, director and writer deserves a shot at a big project. He captures his audience like few I have have ever seen.