In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.
- Won 1 Oscar
- 83 wins & 187 nominations total
Scarlett Johansson
- Samantha
- (voice)
Lynn Adrianna Freedman
- Letter Writer #1
- (as Lynn Adrianna)
Kristen Wiig
- SexyKitten
- (voice)
Spike Jonze
- Alien Child
- (voice)
- (as Adam Spiegel)
Guy Lewis
- Marriage Counselor
- (as Dr. Guy Lewis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
"The Heart is Not Like a Box" (dialog)
Fairly rare one of a kind film.
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
poetic
A great film about loneliness. Splendid performance of Joaquin Phoenix. And pure poetry. Admirable poem about isolation, need of other, social surogate and , off course, freedom. Its basic virtue - the proposed questions creating perfect atmosphere , becoming inspired challenges to discover new perspectives.
Unique
Another movie that i say "i should've watched before". Intense romantic drama. Fascinating portrait of loneliness in a post-digital world. Amazingly original screenplay, concept, musics, especially colors and performance from Joaquin Phoenix. This made me stay with myself after the credits have finished, i found myself reflecting on my own life and relationships.
The Movie Her Predicted Life in 2025. It Feels Haunting to Watch Today.
Her no longer feels like a distant futuristic fantasy but more like a reflection of the AI-driven world we're beginning to inhabit. Spike Jonze imagined a lonely man forming a profound emotional bond with Samantha, an AI operating system full of charm, wit, and empathy. Today, chatbots and voice assistants echo that vision: AI like ChatGPT can converse naturally, offer guidance, and even mimic human emotion, creating connections that feel surprisingly real. This blurs the line between companionship and simulation, showing that Jonze's imagined world is closer than we might think - though we're still in the early stages.
Yet, unlike Samantha, modern AI lacks true self-awareness and genuine emotional growth. Tools like ChatGPT, with expressive voices, can charm and engage users, but they respond to prompts rather than forming authentic relationships. Her functions as both a mirror and a warning: AI can ease loneliness and simulate intimacy, but the film reminds us that the most meaningful connections remain human - messy, imperfect, and irreplaceable. Watching it today is both eerie and prescient, highlighting how the future Jonze envisioned is unfolding faster than expected.
Her remains one of the most essential "tech romance" films of the past decade, not just for its storytelling but for its philosophical and emotional foresight. With modern AI like ChatGPT, we're not merely imagining Jonze's world; parts of it are happening in real time. This isn't just entertainment - it's a living experiment, and its implications for society, identity, and human connection are only beginning to emerge.
Yet, unlike Samantha, modern AI lacks true self-awareness and genuine emotional growth. Tools like ChatGPT, with expressive voices, can charm and engage users, but they respond to prompts rather than forming authentic relationships. Her functions as both a mirror and a warning: AI can ease loneliness and simulate intimacy, but the film reminds us that the most meaningful connections remain human - messy, imperfect, and irreplaceable. Watching it today is both eerie and prescient, highlighting how the future Jonze envisioned is unfolding faster than expected.
Her remains one of the most essential "tech romance" films of the past decade, not just for its storytelling but for its philosophical and emotional foresight. With modern AI like ChatGPT, we're not merely imagining Jonze's world; parts of it are happening in real time. This isn't just entertainment - it's a living experiment, and its implications for society, identity, and human connection are only beginning to emerge.
I love everything about Her
This is the best film I have seen all year, and I saw just about every good film to hit theaters in 2013. I think it's because it is so representational of what it's like to be human.
There are so many things that make this movie special, but I'll just mention a few.
1. The score is INCREDIBLE. The music paired with the beautiful sound design make you FEEL the movie. Sure, you see everything on the screen, which is already beautiful, but then that music hits you and the emotions just start to run. I laughed, I cried, my brain got all tingly. It was an emotional roller coaster, and the score assisted in that so well.
2. The script. I knew how this movie was going to end 30 minutes in. And unlike most who would then say that it's predictable and not worth watching, I consider that awesome, because it means that the script is tight enough to tell a good story with a believable arc. Every scene in this movie is straight up powerful! Like it will fill your heart with sadness and happiness and pain and guilt and confusion. And then rinse and repeat. For 2 hours. It moves through all of the most complex and interesting questions that we should be asking ourselves about what it means to be a human being. About what it means to be alive. This film is about all that life is. And after the screening, as well as during, I found myself questioning things in my own life that either don't make sense or don't have to make sense. Like love and thoughts and emotions. They're all so natural and yet none of us truly understand how they work. In my opinion, moreso than any other film this year, Her has the perfect mix of complex ideas, story, and character development. One of the best scripts ever written.
3. Cinematography. My personal favorite shot to see and use is the extreme close up. And that shot was all over this movie. The reason I love it so much and believe it works so well is because it allows you to see the emotions of the character so plainly. Like their face is right in your face, so you just have to look at it. And that's where Joaquin shines. He delivers such a powerful and emotional performance and the close ups are there to capture it all. They also make great use of the natural backlighting of Shanghai, and the colors all fuse to make it a really pretty movie. I'd say the cinematography is on par with Drive and/or Lost in Translation in terms of the style. It looks like every shot was photographed with the intent to make it the most beautiful shot in the film. And I admire the DP's work. He did a really great job.
More than anything though, this film just made me feel. Everything about it was so beautiful. I didn't want it to end. I felt like the film was controlling me - playing with my mind as if it were a joystick. And that's just something you don't get every day. Very rarely am I awe- stricken by a movie, and this film made my jaw drop. It is without a doubt the best film of the year, and upon just one viewing, one of my top 5 favorite movies of all time.
There are so many things that make this movie special, but I'll just mention a few.
1. The score is INCREDIBLE. The music paired with the beautiful sound design make you FEEL the movie. Sure, you see everything on the screen, which is already beautiful, but then that music hits you and the emotions just start to run. I laughed, I cried, my brain got all tingly. It was an emotional roller coaster, and the score assisted in that so well.
2. The script. I knew how this movie was going to end 30 minutes in. And unlike most who would then say that it's predictable and not worth watching, I consider that awesome, because it means that the script is tight enough to tell a good story with a believable arc. Every scene in this movie is straight up powerful! Like it will fill your heart with sadness and happiness and pain and guilt and confusion. And then rinse and repeat. For 2 hours. It moves through all of the most complex and interesting questions that we should be asking ourselves about what it means to be a human being. About what it means to be alive. This film is about all that life is. And after the screening, as well as during, I found myself questioning things in my own life that either don't make sense or don't have to make sense. Like love and thoughts and emotions. They're all so natural and yet none of us truly understand how they work. In my opinion, moreso than any other film this year, Her has the perfect mix of complex ideas, story, and character development. One of the best scripts ever written.
3. Cinematography. My personal favorite shot to see and use is the extreme close up. And that shot was all over this movie. The reason I love it so much and believe it works so well is because it allows you to see the emotions of the character so plainly. Like their face is right in your face, so you just have to look at it. And that's where Joaquin shines. He delivers such a powerful and emotional performance and the close ups are there to capture it all. They also make great use of the natural backlighting of Shanghai, and the colors all fuse to make it a really pretty movie. I'd say the cinematography is on par with Drive and/or Lost in Translation in terms of the style. It looks like every shot was photographed with the intent to make it the most beautiful shot in the film. And I admire the DP's work. He did a really great job.
More than anything though, this film just made me feel. Everything about it was so beautiful. I didn't want it to end. I felt like the film was controlling me - playing with my mind as if it were a joystick. And that's just something you don't get every day. Very rarely am I awe- stricken by a movie, and this film made my jaw drop. It is without a doubt the best film of the year, and upon just one viewing, one of my top 5 favorite movies of all time.
Iconic On-Screen Romances
Iconic On-Screen Romances
Take a look at some of the most swoon-worthy pairings in movies and on TV.
Did you know
- TriviaSamantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
- GoofsWhen Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
- Crazy credits"Leanne Shapton...... Armpit Sex Drawing"
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #22.51 (2013)
- SoundtracksOff You
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited
Details
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $25,568,251
- Opening weekend US & Canada
- $260,382
- Dec 22, 2013
- Gross worldwide
- $48,274,727
- Runtime
- 2h 6m(126 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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