Day of the Falcon

i was deeply moved and excited by this great movie. finally, there's a movie that told us how the kingdom of Saudi Arabia was built. this is a movie not only gave us great scenes of the desert, the people and one of the greatest fighting scene since 'lawrence of Arabia', but also gave us some great love romance between the two younger generations of the Saudi reigning tribes, their loyalty and their faith to each other during the turmoil time. there was also a beautiful romantic touch from that beautiful exquisite free-will young woman from the southern tribe, she not only saved the future king, helped him regaining the land but also left him with a forever nostalgic memory.

the casting did a great job signed up two great actors to play the foe against each other. the development of the young hostage son from a geeky bookworm nerd to a great man with a vision for its land and its future was also very well crafted.

too shame that the extremity of the strong belief of the Muslim religion didn't free that country but enslaved it later with tyranny and totalitarianism. but for this movie itself, this outcome was not what the screenplay and the director really wanted to portray in the first place. what they've tried to tell by this movie were love, loyalty, truthfulness and humanity before that black gold buried and suffocated the whole country's past and future. its later corrution and cruelty of the house of the saud were not included in what they wanted to tell in this particular movie.

this is a wonderful and fantastic film with great cinematography and sound track. an almost perfect romantic saga.

It has a good story (historically irrelevant) about the beginnings of oil exports from the middle east. The leading role is played marvelously while for some obscure reason the accompanying major characters are a bit swallow.

Other than that, it is consistent, the film and the story flow without tiring the audience and with awe inspiring scenes of desert battle.

Baring in mind that I gave a 9 to the film because I really enjoyed it and that's what films are about, I have to address the fact that either my knowledge of the Arab world is far lesser than i thought or the film for some reason follows some ill-thought clichés... Half of the people shown on the film would never pass for Arabs... really never... it's more likely that i would pass for an Arab and I'm Greek than half of the cast of the movie... moreover the "heaviness", if it can be a valid term, of the language reminds me more of Persians and less of Arabs ...

Anyways other than that, it is a good film worth seeing, it will make you worth the time.

'Black Gold' is an old fashioned epic about feuding fiefdoms in 1930's Arabia, when oil had just been discovered in the region. Mark Strong & Antonio Banderas are the two rulers with a long standing rivalry that metamorphoses into a temporary truce, only to flare up again when their very divergent views inevitably come in the way. Tahar Rahim & Freida Pinto as their respective children, married to each other in what is essentially a politically motivated gesture, attempt to play the peacemakers. Performances - particularly Strong, Rahim & Pinto - are very good. Rahim, playing a Michael Corleone-ish character, does a commendable job. Pinto looks lovely, and Strong as the devout Sultan with a conscience, is nicely understated. As is customary in director Jean-Jacques Annaud's films, the locales & cinematography are breathtaking. The action sequences are crisp & filmed in a raw, realistic manner. Where the film falters, is in taking too long to tell a story that in fact needs far less time. Some passages get boring whereas others keep the viewer completely engrossed. It is this unevenness in the film's pacing that dents the possibility of it soaring high. Overall though, not a bad way to spend a couple of hours.

They don't make many movies like this anymore, it felt like somebody had discovered a lost gem from the 1970s, with real extras, real horses and real camels instead of the soulless computer copies of todays CGI productions. I loved it! Also the story remained interesting, when the Prince has a difficult decision to make whose side he'll be on.

The story apparently is not precisely following actual historical events, but takes the liberty of creating a world of the 1930s like it could have been. No maps are shown on the screen to show which army moves where, because it is the general feeling of a changing world that matters, the struggle between different attitudes, not the history lesson. I do not know why this artistic freedom is making some viewers complain. Hundreds of western movies described battles between soldiers and Indians which were only vaguely similar to actual history, so I don't think this discussion is necessary. "Black Gold" is an adventure movie, first of all. Actually, the makers balance very well between the entertainment value and ambitions beyond that, neither too heavy nor too light. A good compromise was found between a commercial approach and content that has something to say. When the oil flows over the ground, useless like a pond of black ink, one wonders: is it worth all that fighting? One review here said 'the director made a mistake, there is no pipeline', which proves that the poetry of pictures is really lost on some people. Anyway.

The makers, supported by the Emirate of Qatar, succeeded in putting the Arabs in the focus, and if the American guy from Texas Oil remains a cartoon character with a silly hat, it's hardly an accident. Best actors to me were Tahar Rahim as Prince Auda and Mark Strong as Amar, his father. Antonio Banderas, however, had a license for staring, it seems. Any time he has got a close-up without much to say: yes, he stares in an interesting way. The director could have told him him not to overdo it, but I guess it's easier said than done.

Jean-Jacques Annaud's "Day of the Falcon" (also known as "Black Gold") attempts to deliver an epic historical drama set against the backdrop of the Arabian oil boom. While the film boasts undeniably stunning cinematography, capturing the vast beauty of the desert landscapes, and features an ambitious scope with large-scale battle sequences, its narrative often struggles. The dialogue can feel stilted and unnatural, and the performances, despite a talented international cast including Antonio Banderas and Mark Strong, sometimes lack the necessary emotional depth to fully engage the audience. The pacing can be uneven, and the film's attempt to blend historical commentary with a personal love story occasionally feels forced, resulting in a visually impressive but ultimately less impactful cinematic experience.

Is it worth watching? If you appreciate grand historical visuals and sweeping desert epics, it might offer some enjoyment. However, if you prioritize strong character development, natural dialogue, and a consistently engaging plot, you might find it a somewhat tedious watch.