Blind Alley

Blind Alley is an apt title for this silly thriller that is not scary or even well thought out. It begins with a beautiful girl, Rosa(Ana de Armas) dancing in booty shorts and mini skirts at a photo shoot audition for some unknown reason. Next up, she is in a house cleaner's uniform talking with a coworker as they clean hotel rooms. On her way home she stops at a 24 hour laundromat with flickering lights, in the middle of the night, with no one around. A young man walks in and they seem to connect until he behaves strangely and she barricades herself inside the place as he taunts her. The storyline is not worth the paper it was written on. The one positive is Ana de Armas, a gorgeous young actress. The negative aspect is that Ana keeps her clothes on, which is a shame, because at least I would have one reason to recommend this film. Do not waste your time on Blind Alley.

Given my rather limited exposure to the Spanish cinema, then I was not familiar with this 2011 horror movie titled "El Callejón" (aka "Blind Alley") prior to stumbling upon it by random chance here in 2025. And given my love of all things horror, of course I needed no persuasion to watch the movie.

Writer Antonio Trashorras, whom also directed the movie, put together a somewhat bland and slow paced narrative. There wasn't exactly a whole lot of thrilling or scary things going on, unless you consider a woman trapped inside a 24-hour laundromat as being scary; if so, then you're in for a treat. You have to wait for the last 15 minutes of the movie before things start to speed up, but by then it was just simply too little, too late.

Suffice it to say that I was, of course, not familiar with a single actor or actress on the cast list. The acting performances in the movie were fair, despite the shortcomings of the script.

The effects in the movie were actually good, but again, you don't get to see these before the last 15 minutes of the movie. Once again, too little, too late.

Would I recommend this movie to horror fans? No. It simply just didn't have what it took to be a properly entertaining movie. The narrative was too slow paced and uneventful.

My rating of writer and director Antonio Trashorras's 2011 movie "El Callejón" lands on a very generous four out of ten stars.

Gory and spooky horror film is entertaining for fans of the genre . This exciting picture contains thrills, chills , graphic violence , action-filled with fierce attacks and loads of gore and guts . It deals with an attractive young dancer, Rosa (Ana De Armas) comes home from an audition at a public stage . Just as she arrives , her mobile phone rings , to tell her she has a call-back the next day . Later on , she visits the nearby laundromat to wash her dresses , where she is harassed by various members of her neighbourhood . The appearance of strange characters , some nightly denizens (Alfonso Rojas , Diego Cadavid , Leonor Varela) deliver the goods, plenty of screams , shocks and tension .

The horror and action moments are fast moving and compactly realized . This is an effective and simple movie ; it results to be an acceptable Spanish horror , including functional special effects realized in traditional style, including brief C.G. , but also some plot elements are plain stupid . The creepy images of wide range from the genuinely horrifying to the bizarre along with scary and amazing frames . It is a great roller-coaster ride, from beginning to end , though action and terror starts when rare roles show up , as the young girl quietly confident about getting a break and then spends a night trapped inside a laundromat with a serial killer and other attackers . At the beginning of the movie takes place a charming dancing by the gorgeous Ana De Armas that comprises the background for the opening credits . The picture displays shocking and well-crafted transformation in charge of expert make-up artists. The make-up assistants create truly horrible attacker monsters . The picture is really influenced by terror films of the 80s , Giallo movies , and especially by ¨Demons 1¨ and ¨Demons 2¨ by Lamberto Bava and Dario Argento .

It packs suspenseful and thrilling musical score by Alfons Conde . And colorful and glimmer cinematography by Javier Salmones , including splitting image , and elegant camera movements in the eighties style . Salmones is considered to be one of the best Spanish photographers with notorious titles as Thirteen Chimes , Los Borgia , Finisterre , Lengua de Mariposa , Rottweiler , Noche de reyes , Dama de Porto Pim , Romasanta and many others . This violent and bloody film was well directed by Antonio Trashorras and in which he shows nice visual style . Antonio Trashorras was born in Madrid and he is a prestigious writer , director and producer, especially known for El espinazo del diablo (2001), Raices de Sangre , Agnosia , Campamento Flipy , Sangre , Los Totenwackers (2007) , Anabel and this El callejón (2011) , or Blind alley .

Blind Alley was not what I expected, a claustrophobic slasher flick set within a lonely laundromat which goes in directions you will not see coming.

This Spanish made horror is made well, fantastic cinematography, thrilling from start to finish and extremely atmospheric.

With a brilliant cast across the board (Though minimal cast required) I found myself rooting for our heroine despite her being a very generic victim type.

What really sets it apart from the rest is the big twist at the end which alike the likes of Orphan (2009) I can confidently say I didn't see coming at all.

The films biggest flaw is its runtime, standing at only around 75 minutes long this damaged the film and due to its content felt more like a Tales From The Crypt episode than an actual movie.

Don't get me wrong I really enjoyed Blind Alley but it would have benefited overwhelmingly from an additional 30 minutes.

The Good:

Fantastic twist

Very well filmed

Great tension

Solid cast

The Bad:

Far too short

Pointless side plot

This movie has two things going for it. It has a pretty decent main setting of an all-night laundromat. It's NOT believable, if you know Madrid at all, that a laundromat would be that deserted late at night (it would be much more likely at 6 or 7 in the morning), but it's an effective setting nevertheless. The second is the lead actress Ana de Armas (Ana of Guns). She is first seen at a go-go dancing audition in a very short skirt and, good god, she is cute! It's a little less believable she has to work as a motel maid while waiting for her big break or that she is unlucky at love. Anyway, during her whole laundromat ordeal she is dressed in a pair of skin-tight yellow pants. It's very distracting. I don't know if it's because her ass is that mesmerizing or the rest of the movie is that boring--probably a little of both. Anyway, halfway through this I was checking the internet to see if she has ever appeared in a better movie.

I disagree that this movie is a giallo. It's way too pedestrian. It's mostly just a standard-issue psycho stalker movie. She meets a scary-looking street person and a handsome young stud in the laundromat. Guess which one she has to worry about? Still, they might have pulled this off, having such a good setting and muy caliente leading actress, but then Leanor Varela shows up. Now Varela is a good actress (and pretty muy caliente herself), but unfortunately she ushers in a whiplash-inducing plot twist and some bad CGI as the movie shifts from one rather tiresome horror movie cliché to a completely different but equally tiresome one (a la "From Dusk to Dawn"). It also goes from kinda boring to really stupid.

At it's best this could have been like the British movie "Creep", but it goes well off the rails even before its scant 75 minute running time is over. This is the kind of movie Hollywood OUGHT to re-make. Keep Ana and her yellow pants and the eerie all-night laundromat, throw out everything else. . .