33 Postcards

I hadn't heard of 33 Postcards and stumbled upon it online, there was no good reason to watch it, but I did and I'm so glad I did. It isn't the usual blockbuster drama, but weaves emotion like no other.

I'm (for lack of a better word) gob smacked! The film's and the performances' simplicity and earnestness blew me away. It created the magic of an international film with the determined oriental passion. I owe thanks to Pauline Chan, Philip Dalkin and Martin Edmond for wiping the blues away from my evening. And very specially to Guy Pearce, who acted with so much care for the story!

You take away a lot of food for thought, in terms of changing priorities, innocence and holding your ground. I've just watched an amazing movie and that it moved me so much that I cared to register on IMDb to write a review for it, says a lot to the movie's credit.

Do watch it, you will not regret it.

It is incredible how hard it is to write a good story and yet this film takes the simple premise of an orphaned Chinese girl sponsored into schooling by a benefactor she has never met except via postcards and letters and turns it into an achingly good two hours of entertainment.

Mei Mei, Little Sister (Zhu Lin), is a sixteen year old whose life in a Chinese Orphanage has been supported by regular payments made by Dean Randall (Guy Pearce). Mei Mei is training to be the conductor of a children's choir who are to tour in Australia which is where the bulk of this film takes place.

The plot and screenplay are developed with such simple brushstrokes you know there is a masterpiece being painted before our eyes. And this film doesn't let you down through all its wonderful and deft touches. Even the violent scenes are made to fit the delicate canvass the whole is painted upon, and we are never driven to the need for explicit artistic license.

The soundtrack too is so finely tuned to the images, with some breathtaking choral singing at appropriate moments. The acting is strong, brilliant from Zhu Lin and Guy Pearce, and only occasionally overstated by the support. The script is just wonderful but then the message from this film is wonderful too.

Recommended viewing. Nine out of ten.

If you enjoy movies about people, relationships, overcoming adversity, and can appreciate movies without CGI, this is a good film about two people reaching across a world to form an unselfish relationship. The story, directing and acting are all excellent. Characters are well-developed and- contrary to some ratings- well fleshed out. Some people will rate this at the top of their favorites. Others my only find it so-so. But it's a good film without gratuitous language, gore or over-the-top CGI. There are few of such these days. For those who rated this 1-3 stars... I pity such jaded opinions who have lost their ability to appreciate basic good film making. Such negative reviews are unrealistic and unwarranted.

This is a well-done movie.

I can't comprehend how this movie has such a poor rating.. I checked it before I watched the film so I was not expecting much but giving it a crack; mainly because I love Claudia Karven.. Now I'm one to check my phone throughout a film, especially for the first 30 or so minutes but this film had me 100% focused from start to finish; a long with lump in my throat and a hand on my heart. I had to review it just so I could talk about it, because I'm sitting here absolutely touched by this film. I hope the actors are proud of it despite the reviews.. You can tell they put their everything in it and it showed by how quick I connected with each character.

I love Australian film and 33 Postcards reminds me why I have such a place for it in my heart.

This is a quirky and touching movie about a sixteen year-old orphan from China, Mei-Mei, (played with pluck and naïveté by then newcomer Zhu Lin), who travels to Sydney, Australia with a children's choir and slips away to meet and thank the man whose financial donations sponsored her education; as important to her, her sponsor's steady stream of postcards about his perfect life provided her love, support and hope.

Her journey to find Dean Randall, (played by one of my screen favorites, Guy Pearce), is a surprising one. She learns that he is a convicted killer serving time in prison where he is up for parole, and the stories he wrote in his postcards were of a fantasy life. Dean is portrayed as being a sort of killer with a heart of gold, which was hard to swallow except for the fact that Guy Pearce is so likable.

The film passed quickly and gently. Mei-Mei and Dean form a bond, which he resists at first out of shame. It's a touching idea, however the screenplay was full of holes and the direction lacked finesse. The actors did the best they could in this production.