Alex Cross

It's not hard to figure out what's wrong with this movie. Skeptics may think Tyler Perry was a bad choice to fill in a young Morgan Freeman's shoes, but he was fine in the role. Plus, Matthew Fox as a psychopathic skinhead assassin is a lot of fun. Where the movie fails is in its haphazard direction, bland writing, and godawful editing. It's amazing the actors were able to recite this dialogue with a straight face.

The story of Alex Cross is a simple murder mystery: Alex Cross and his partner investigate a brutal crime scene and discover that they're after a professional killer referred to as Picasso. Things get personal and Cross plans to seek his revenge once and for all - standard crime thriller plot. The problem is when the characters start talking to each other. Honestly, it's laughable how bad some of this dialogue is, especially between Cross and his family. They throw in these "emotional" scenes to break up the action but all they do is make for a really awkward paced movie. It would be passable if the dialogue actually moved the plot forward or added depth to the characters but they don't, at all. There are some subplots that are introduced and never brought up again, e.g. Alex Cross becoming an FBI agent. What was the point of even including that?

The main reason to watch this movie is for Matthew Fox. He plays a sadist who is "fascinated by pain." Not very original but who cares, it's Matthew Fox playing a 130 pound unhinged lunatic. The scenes in which we see him doing his job - stalking his targets, infiltrating their houses, taking out their body guards and whatnot - are the most interesting parts of the movie. He's the only character given a clear cut motive and enough development to make him a passable antagonist.

Unfortunately, Perry isn't given nearly as much to work with. He's a generic detective with the name Alex Cross who acts as a poor man's Sherlock Holmes. His whole objective is to get into the mind of this madman while trying to maintain a steady family life, but instead of weaving tension between these two factors and having them play off one another, the writer/director think it's more effective to jump from one setting to another with no momentum building or rising tension whatsoever. Also, there wasn't enough psychological warfare between Cross and Picasso for there to be a compelling hero-villain dynamic. They try to do that in a couple scenes, but it's so poorly written that you don't believe a word of it.

The lack of good characters and dialogue would almost be forgivable if the action was excellent, but unfortunately that is not the case. The action scenes consist of shaky cam galore, constant jump cuts, and incomprehensible choreography. The climax of this movie, if you can even call it that, is a horrifically edited nightmare. You can hardly make out what's going, and once it ends you're just like, "Okay. Is that it?"

Again, the leads save this movie from being a total bomb. I was admittedly entertained for a good portion of the movie despite its stupid dialogue. None of it is inventive or new; it's just your run-of-the-mill murder mystery that is low on thrills and high on cheese. It's worth a one time watch if it's on TV or something, but the main thing you'll remember from Alex Cross is the criminally wasted talent.

I have not ready the books or seen either of the previous films. Also I have only seen parts of Tyler Perry's other movies and that was enough to let me know I didn't want to watch any more. That being said, I felt that Tyler Perry's performance was very believable and very different than what I was expecting. At points in the film he is a bad-ass (albeit a bit overweight, but hey not all heroes hit the treadmill) and at others he is quite likable. He has some some quick and funny dialogue that he looked very at home with. All in all I now believe he is a pretty decent actor especially when comparing to his other "characters."

Matthew Fox plays an intense dude. Check out the images section to see what I'm talking about. He plays the insanity factor pretty hard and at times feels like he is nearing the "full retard" line but he never quite jumps the shark. It's sort of hit and miss. At times it's extremely effective and at others it seems a bit overdone. As a whole, pretty effective, and definitely crazy.

I liked Edward Burns as Alex's partner and Rachel Nicols as the third in their team. I was disappointed with basically everything else in the movie. Acting was for the rest of the characters pretty downright bad (with the exception of Dr. Cox who was acceptable). The stunts, aside from a cool fight scene in a business office, were pretty lame. The cinematography was average. The script was too heavy handed and convenient. The dialogue was good but the situations were not so much. It sort of felt like they were trying too hard to be gritty and raw.

Seriously though Tyler Perry is BY FAR better than you are expecting. Go see it just to have your perception of him shattered a bit.

Adapted from James Patterson's pulp novel 'Cross', this cat-and-mouse action flick more closely resembles an extended episode of 'NCIS' or 'Law and Order' than it does a fully-fledged feature film. The episodic narrative and say-everything-I'm-thinking dialogue destroys all subtlety and intelligence this may have had, whilst Rob Cohen's murky, in-your-face direction is over-zealous, distracting and at times makes it difficult to decipher what's actually going on in the action sequences. Tyler Perry is hugely popular in the States thanks to his dumbed-down, cross-dressing comedy output, but he goes full serious here to mixed results. Perry's not a complete dud yet is easily out-acted by Matthew Fox, whose psychotic serial killer – replete with twitches, tics and crazy eyes – is fun to watch and elevates this from total boredom to mediocre entertainment.

I just got through seeing Alex Cross. It was a good enough movie to pay the $5.75 matinée price. The movie had decent action scenes, which is totally out of the norm for Tyler Perry, that kept me entertained. The acting in this movie was pretty good and Tyler Perry himself did do a pretty good job with his part especially being that this is his first action roll. But with all that being said I still can see why Morgan Freeman turned the roll down. This movie was kind of predictable. I was telling my wife what was going to happen in the movie and I hadn't seen this movie before hand, done any research on this movie nor have I heard anyone talking about pieces of the movie. Now I've seen some of Tyler Perry's movies and those ones I have seen is what keeps me from watching his other movies, but this one, although he didn't make this one, is better than anything else he played in. Except Why Did I Get Married. So If you're not doing anything on a Sunday afternoon and want to see a little action and a little suspense it's O.K. to go and see this one.

Aside from the acting, directing, casting, cinematography, cutting, special effects, and script there was nothing wrong with this film. I've read a half dozen James Patterson novels and they go fine with a domestic, factory made, mass produced (like his books) beer if you just want to kill time in a deck chair. It took a couple hits of Old Crow to get through this turkey, however. Prepare yourself, if you dare, for an embarrassingly clichéd and stereotypical performance by Cicely Tyson as Alex's mother, Giancarlo Esposito caricaturing himself, and a painful more than laughable attempt at Pulp Fiction style banter by Tyler Perry and Ed Burns (who doesn't even measure up to Edd Byrnes' level of mediocrity). We are also "treated" to another "man flying through the air from a bomb blast and emerging unscathed from the fireball" fantasy so prevalent in trashy American films (compare this bit to the Polish miniseries "Wataha" to see what a blast would really do). In sharp contrast to the rest of this schlock, however, is Mathew Fox's riveting and inspired performance as an assassin. Truly creepy and worth seeing even if you have to watch the rest of this Amateur Night at the Movies offering (hence 4 stars rather than one). For a similar plot, similar dénoument, and similar psycho assasin (Snake, in this case), but done with talent, artistry, and skill, check out Golgo 13: The Professional (1983).