Alex Cross

I just got through seeing Alex Cross. It was a good enough movie to pay the $5.75 matinée price. The movie had decent action scenes, which is totally out of the norm for Tyler Perry, that kept me entertained. The acting in this movie was pretty good and Tyler Perry himself did do a pretty good job with his part especially being that this is his first action roll. But with all that being said I still can see why Morgan Freeman turned the roll down. This movie was kind of predictable. I was telling my wife what was going to happen in the movie and I hadn't seen this movie before hand, done any research on this movie nor have I heard anyone talking about pieces of the movie. Now I've seen some of Tyler Perry's movies and those ones I have seen is what keeps me from watching his other movies, but this one, although he didn't make this one, is better than anything else he played in. Except Why Did I Get Married. So If you're not doing anything on a Sunday afternoon and want to see a little action and a little suspense it's O.K. to go and see this one.

Aside from the acting, directing, casting, cinematography, cutting, special effects, and script there was nothing wrong with this film. I've read a half dozen James Patterson novels and they go fine with a domestic, factory made, mass produced (like his books) beer if you just want to kill time in a deck chair. It took a couple hits of Old Crow to get through this turkey, however. Prepare yourself, if you dare, for an embarrassingly clichéd and stereotypical performance by Cicely Tyson as Alex's mother, Giancarlo Esposito caricaturing himself, and a painful more than laughable attempt at Pulp Fiction style banter by Tyler Perry and Ed Burns (who doesn't even measure up to Edd Byrnes' level of mediocrity). We are also "treated" to another "man flying through the air from a bomb blast and emerging unscathed from the fireball" fantasy so prevalent in trashy American films (compare this bit to the Polish miniseries "Wataha" to see what a blast would really do). In sharp contrast to the rest of this schlock, however, is Mathew Fox's riveting and inspired performance as an assassin. Truly creepy and worth seeing even if you have to watch the rest of this Amateur Night at the Movies offering (hence 4 stars rather than one). For a similar plot, similar dénoument, and similar psycho assasin (Snake, in this case), but done with talent, artistry, and skill, check out Golgo 13: The Professional (1983).

Although I have only given this movie a 5/10 I still don't regret watching it. There are simply a lot of better films out there. It was one I managed to get cheaper tickets for so perhaps that's why I am not as critical as others. I found it entertaining and I was fully engrossed in the story. I felt some of the acting was a bit ropey but then again I thought Matthew Fox was superb. He really did portray a rather scary character, very different from that of Jack in Lost. There was some rather cheesy and altogether cheap parts to the movie, but overall it was a good watch. I can understand why some may have given this film a very low rating, but for me I saw a lot of positives.

Adapted from James Patterson's pulp novel 'Cross', this cat-and-mouse action flick more closely resembles an extended episode of 'NCIS' or 'Law and Order' than it does a fully-fledged feature film. The episodic narrative and say-everything-I'm-thinking dialogue destroys all subtlety and intelligence this may have had, whilst Rob Cohen's murky, in-your-face direction is over-zealous, distracting and at times makes it difficult to decipher what's actually going on in the action sequences. Tyler Perry is hugely popular in the States thanks to his dumbed-down, cross-dressing comedy output, but he goes full serious here to mixed results. Perry's not a complete dud yet is easily out-acted by Matthew Fox, whose psychotic serial killer – replete with twitches, tics and crazy eyes – is fun to watch and elevates this from total boredom to mediocre entertainment.

The third outing for James Patterson's fictional detective Alex Cross, following on from two adaptations of his work in the 1990s: KISS THE GIRLS and ALONG CAME A SPIDER. This one's a mess of a film, which is largely down to a poor choice of director and two poor choices for the main actors.

The narrative involves Alex Cross and his chums who are on the trail of a psychotic assassin who enjoys inflicting pain upon his victims. As the story progresses it becomes clear that this bad guy will stop at nothing to complete his job, which leads to a handful of mildly memorable moments including a great twist thrown in that you won't expect or indeed see coming.

A shame, then, that the execution is so muddled, with Rob Cohen once again proving a poor choice as director. You just can't take the story seriously, somehow. Tyler Perry replaces Morgan Freeman as the crusading detective, replete with Holmesian-style deductive reasoning, and I can't think of a poorer replacement. Freeman is one of those guys who constantly gives solid performances no matter the film whereas Perry's character might as well be a walking corpse. There's no emotion from him, just cold stiffness.

Equally stiff is a lamentable Matthew Fox as the supposed villain. Although Fox certainly looks imposing, when it comes to his acting it's rather dire. I've never liked this guy, and his attempts at wide-eyed menace fall flat every time. Lower down the cast list we get a bloated Jean Reno and the walking plank of wood that is Ed Burns. Even the requisite fight scenes and action bits can't lift this lifeless thriller out of the doldrums.