Karate Girl

The worst part about being a Rina Takeda fan is that you will never find a movie properly showcasing her abilities, because nobody ever made one (and, by now, probably never will).

She's awesome. Very talented, and a great screen presence, which are the most important traits of an action star. But she just doesn't have any writers/directors/producers caring to capitalize on that. High Kick Girl was a nice if deeply flawed first effort. Fans were hoping Karate Girl would be the one to get it right, but it ended up being a huge step backward, as too were her subsequent films, but let's stay focused.

What is wrong with KG? Problem #1: not enough Rina! We want to see Rina taking up as much of her film as Jackie Chan takes up of his films. This was a noticeable problem in High Kick and even worse in KG.

Problem #2 is what KG fills the holes with: a lot of plot. Plot isn't inherently bad, but it is when it's so repetitive and boring. I don't know how many times I can listen to the bad guys have the same conversation. I don't know why they want me to try.

Problem #3 is her co-star, the fourteen-year-old Tatsuya Naka. For a fourteen-year-old, she's extremely talented. She has some remarkable acrobatic moves. But the issue is she reads as having impressive agility, not impressive force, and the movie asks us to believe in her force. We watch her incapacitate a room full of large, muscular adults by lightly kicking each of them once, and it just doesn't work. She should be in the movie, just not in this way, and not for this much screen time. The film treats her with the same importance as the person used to market the film, both on the cover and in the title!

A lot of martial arts films are enjoyable with fast forwarding (for example, High Kick Girl). KG is disappointing even then. It has a couple of good moments, and Rina does the best one could hope for with this material, but the final product simply isn't a good one, unfortunately.

If I had reviewed this when I first saw it in 2011, I'd end with "I can't wait for her third film-maybe they'll get it right next time!" But since I'm writing this after my 2018 rewatch, we already know how that one turned out.

The quality of Japanese movies in this genre has always been so so at best, but it seems to be slipping downwards in recent years.

Story of this movie is pretty derivative. There's a family of outrageously potent karate masters who in the old age killed any opponent with one blow. The modern descendant of this clan gets attacked by another group of criminal martial artists. The father is killed, and two small daughters survive. About ten years later, the grown up daughter is found by the martial artist gang, and is being targeted again. It's revenge for the girl, and finishing the unfinished business for the bad guys.

The movie has pretty bad action scenes. There's not a hint of moves that shows that any of the characters are who they are supposed to be. The moves don't look real, and this is probably not the fault of the actors, but due to bad choreography. Also, they could have put little more attention to staging the each act. It's reminiscent of cheaply made adult videos in many areas.

The level of Japanese action movies are about where Hong Kong movies were in the early '70s. Compared to the action scenes of say like the "Ip Man 2" there's really no contest.

There are period action pieces coming out of Japan that still holds quality, but ones that are positioned in the modern era has been going down hill.

There are better made movies in martial arts genre, and you'd probably better served watching those.

The acting is either wooden or scene chewing over the top with almost nothing in between. The plot is paper thin, generic, and illogical even by martial arts movie standards. Overall, the movie feels low budget....but none of that is probably why you're interested in this movie. You probably care about the fighting and I'm happy to report that this movie has plenty of excellent fight sequences.

The movie doesn't have the budget or the creativity for big action set pieces, so they wisely keep the action sequences as simple as possible. That puts the actor's very cool karate fighting styles front and center. The movie does not use quick cuts or shaky camera so you really get to see the details of the fight choreography. Overall, that's the main appeal of the movie. Hand to hand combat. It elevates an otherwise bad movie into watchable territory.

Bonus points for including behind the scenes fight and stunt footage during the ending credits. Not enough action films do that these days.

Karate Girl (2011) is a film that had all the visual promise-killer cover art, a high school girl ready to strike-but the execution pulls its punches. The story rushes past with little depth, the characters are barely sketched, and the fight scenes feel more like a karate instructional video than cinematic combat. Moves often lack impact or even contact. The villain? Forgettable. His right-hand man? Useless. Only the dubbed voice of the villain leaves a cool impression. Everyone else sounds like a bad audition tape. Watch it if you need background noise or a movie to kill time while you're waiting.

In my IMDb list of all time greats, I have several martial arts entries. Properly done, they can be fun, even exhilarating. This entry, which loosely follows HIGH KICK GIRL, is literally the lowest possible level of movie export. No real budget. No real story. No real dialog. No real choreography. Rena Takeda does have a legitimate fanbase, and she has skill, but even in her native Japan she tends to get cast in B- and C- films. Even the English dubbing is terrible. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))