A mysterious group kidnap a girl's sister. Years later, the group reappears and she is determined to get her sister back.A mysterious group kidnap a girl's sister. Years later, the group reappears and she is determined to get her sister back.A mysterious group kidnap a girl's sister. Years later, the group reappears and she is determined to get her sister back.
Richard Heselton
- Keith
- (as Richard William Heselton)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The worst part about being a Rina Takeda fan is that you will never find a movie properly showcasing her abilities, because nobody ever made one (and, by now, probably never will).
She's awesome. Very talented, and a great screen presence, which are the most important traits of an action star. But she just doesn't have any writers/directors/producers caring to capitalize on that. High Kick Girl was a nice if deeply flawed first effort. Fans were hoping Karate Girl would be the one to get it right, but it ended up being a huge step backward, as too were her subsequent films, but let's stay focused.
What is wrong with KG? Problem #1: not enough Rina! We want to see Rina taking up as much of her film as Jackie Chan takes up of his films. This was a noticeable problem in High Kick and even worse in KG.
Problem #2 is what KG fills the holes with: a lot of plot. Plot isn't inherently bad, but it is when it's so repetitive and boring. I don't know how many times I can listen to the bad guys have the same conversation. I don't know why they want me to try.
Problem #3 is her co-star, the fourteen-year-old Tatsuya Naka. For a fourteen-year-old, she's extremely talented. She has some remarkable acrobatic moves. But the issue is she reads as having impressive agility, not impressive force, and the movie asks us to believe in her force. We watch her incapacitate a room full of large, muscular adults by lightly kicking each of them once, and it just doesn't work. She should be in the movie, just not in this way, and not for this much screen time. The film treats her with the same importance as the person used to market the film, both on the cover and in the title!
A lot of martial arts films are enjoyable with fast forwarding (for example, High Kick Girl). KG is disappointing even then. It has a couple of good moments, and Rina does the best one could hope for with this material, but the final product simply isn't a good one, unfortunately.
If I had reviewed this when I first saw it in 2011, I'd end with "I can't wait for her third film-maybe they'll get it right next time!" But since I'm writing this after my 2018 rewatch, we already know how that one turned out.
She's awesome. Very talented, and a great screen presence, which are the most important traits of an action star. But she just doesn't have any writers/directors/producers caring to capitalize on that. High Kick Girl was a nice if deeply flawed first effort. Fans were hoping Karate Girl would be the one to get it right, but it ended up being a huge step backward, as too were her subsequent films, but let's stay focused.
What is wrong with KG? Problem #1: not enough Rina! We want to see Rina taking up as much of her film as Jackie Chan takes up of his films. This was a noticeable problem in High Kick and even worse in KG.
Problem #2 is what KG fills the holes with: a lot of plot. Plot isn't inherently bad, but it is when it's so repetitive and boring. I don't know how many times I can listen to the bad guys have the same conversation. I don't know why they want me to try.
Problem #3 is her co-star, the fourteen-year-old Tatsuya Naka. For a fourteen-year-old, she's extremely talented. She has some remarkable acrobatic moves. But the issue is she reads as having impressive agility, not impressive force, and the movie asks us to believe in her force. We watch her incapacitate a room full of large, muscular adults by lightly kicking each of them once, and it just doesn't work. She should be in the movie, just not in this way, and not for this much screen time. The film treats her with the same importance as the person used to market the film, both on the cover and in the title!
A lot of martial arts films are enjoyable with fast forwarding (for example, High Kick Girl). KG is disappointing even then. It has a couple of good moments, and Rina does the best one could hope for with this material, but the final product simply isn't a good one, unfortunately.
If I had reviewed this when I first saw it in 2011, I'd end with "I can't wait for her third film-maybe they'll get it right next time!" But since I'm writing this after my 2018 rewatch, we already know how that one turned out.
With the compulsory dramatic intro scene you immediately get to know the villain of the movie and the younger versions of the Karate Girls. Come again two Karate girls. Yes,two of them. And both who actually know Karate. The story is very simple. Yet the director thought it necessary to explain what Karate should be about in almost every talking scene. Even in some of the action scenes there seems to be too much talking. The action scenes are adequate but do look very choreographed. Sometimes far too slow and too much breaks during fights. Since the pace of the movie is quite slow it only makes the movie even seem slower. It surely doesn't help that the movie takes itself far too seriously. Especially when the acting is real bad.It is a shame really that the director failed to put in some real excitement. The trailer for this movie looks promising. But like most trailers they put in the best scenes from the movie in there. So in this case you are better off watching the trailer.
When Rina is fighting, the movie is exciting. The rest is dull, talky and mostly wooden. I recommend fast-forward for everything between the sisters' action sequences, to avoid boredom that can dilute the impact of her artistry. Rina deserves better vehicles.
Karate Girl (2011) is a film that had all the visual promise-killer cover art, a high school girl ready to strike-but the execution pulls its punches. The story rushes past with little depth, the characters are barely sketched, and the fight scenes feel more like a karate instructional video than cinematic combat. Moves often lack impact or even contact. The villain? Forgettable. His right-hand man? Useless. Only the dubbed voice of the villain leaves a cool impression. Everyone else sounds like a bad audition tape. Watch it if you need background noise or a movie to kill time while you're waiting.
Karate Girl is certainly better than the numerous overrated karate movies starring American or Chinese actresses and actors that have flooded the market throughout the past few decades. The story revolves around a young woman working at a cinema who has a troublesome past. Her father was assassinated and her little sister kidnapped by a group of thugs. The young woman secretly survived, changed her identity and got adopted by another family. When she is filmed fighting two thieves at the cinema and the clip goes viral, the thugs however realize that she is still alive and want to annihilate her.
This movie convinces on several levels. The atmospheric opening scene and multiple flashbacks are quite atmospheric, emotional and violent. The film's locations vary fluidly between beautiful settings and gloomy spaces. This tale of revenge doesn't offer any surprising twists but should appeal to fans of classic martial arts movies from the seventies and eighties in particular.
However, this release certainly isn't without its flaws. The acting performances are at times wooden, repetitive and predictable. The fight scenes lack authentic choreography and look at times unintentionally funny. The film suffers from rather slow pace and repetition and would have been much more efficient if it had been shortened by fifteen to twenty minutes.
At the end of the day, this film is only interesting for fans of female martial arts films and might especially appeal to teenagers. More seasoned genre fans however simply can't overlook the film's numerous significant flaws. Karate Girl is overall passable for some relaxed entertainment on a lazy afternoon but fails to leave a significant mark. Ironically, the footage from behind the scenes during the credits and the music video coming along with the film show better quality than the movie itself.
This movie convinces on several levels. The atmospheric opening scene and multiple flashbacks are quite atmospheric, emotional and violent. The film's locations vary fluidly between beautiful settings and gloomy spaces. This tale of revenge doesn't offer any surprising twists but should appeal to fans of classic martial arts movies from the seventies and eighties in particular.
However, this release certainly isn't without its flaws. The acting performances are at times wooden, repetitive and predictable. The fight scenes lack authentic choreography and look at times unintentionally funny. The film suffers from rather slow pace and repetition and would have been much more efficient if it had been shortened by fifteen to twenty minutes.
At the end of the day, this film is only interesting for fans of female martial arts films and might especially appeal to teenagers. More seasoned genre fans however simply can't overlook the film's numerous significant flaws. Karate Girl is overall passable for some relaxed entertainment on a lazy afternoon but fails to leave a significant mark. Ironically, the footage from behind the scenes during the credits and the music video coming along with the film show better quality than the movie itself.
Did you know
- ConnectionsSpoofed in Girl Blood Sport (2019)
Details
- Runtime
- 1h 32m(92 min)
- Color
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