Honour

i can say nothing was hold back on this movie about the hate on both sides, film was dark, raw and gritty as it can get in Great Britain. i am guessing this film will upset a lot of people who are Muslim and i have to say i do not fallow any religion myself but saying that lots of Muslim's will come to realise the truth in the story which is happening all around us even today. i am from Turkey originally so bit more open minded about Women's choices but to east of Turkey mostly in Urfa honour killings are reality even to this date, lately a girl getting raped and killed by family member by drowning while she was 4 months pregnant. i am not an ostrich i will not put my head in sand and say this is not happening like most, Honour killing is not a religious but cultural upbringing it happens not just in Muslim cultures but seems more apparent due to how often it is happening. i have to say only way forward is educating people by saying taking life is wrong moral point and religious point and this job task is for making tougher laws by government and religious leaders speaking out to their community to change hearts. i believe the film was well acted but have to say it was rushed with bad cutting directing was OK i would have like to see the story being more longer more character development and more depth as it is i gave 8 should have been 6-7 but it is a brave, bold and raw take on this sensitive matter for that it deserves 8 and should be watched by every one over the age of 18 due to way more realistic Violence used in the film.

Honour deal with the subject of honour killings in sections of the Pakistani Muslim community although prevalent amongst Hindus and Sikhs.

Mona (Aiysha Hart) is a modern young woman who lives with her mother (Harvey Virdi) and two brothers Kasim (Faraz Ayub) who is a police officer and much younger Adel (Shubham Saraf). Her mother is strict and devout, I would probably add a hypocrite as well.

Mona is going out with another Pakistani Muslim Tanvir (Nikesh Patel). However this is not good enough for her family because he is Punjabi or something. So in effect he is Muslim, he is from Pakistan but the wrong region or caste so not good enough for the family and enough to bring shame to them. You see what I meant when I called her mother a hypocrite.

When the rest of the family hear about her plans to marry this they go off the rails. Kasim threatens Tanvir and frightens him off. For bringing shame to the family they attempt to kill her but she escapes and the family hire a bounty hunter (Paddy Considine)to find her. Considine is happy to take money from Asians although we note he is a racist.

Writer/director Shan Khan mixes the time line to heighten the suspense of what is a straightforward thriller. It works to an extent but too often the film becomes a hysterical melodrama with the focus on Karim the foul mouthed cop turned bad guy as he has been too brain washed by his repulsive mother.

There is a scene where his mother tells him that as a policeman, a pillar of the community, with his family's standing, he is an eligible catch and could marry a top Pakistani girl. His sister'r behaviour has put all this at risk.

At least the film highlights the sensitive issue of honour killings but it needs to have placed more explanation to the viewer as to why Tanvir was deemed to be unsuitable for Mona or else the viewer could be left confused.

The film is set in London but there is a glaring scene of a main road in the Isle of Man which I recognised as it was near where I used to live.

"Two people love each other, why can't people be happy for them? He's Punjabi, Mona. He's Muslim, Adel. Yeah, but that ain't how it works."

Occasionally you watch a movie with a rarely used (or abused) topic. No alien creatures threatening to destroy humanity, not another childish story about a post-apocalyptic world with a youngster as a liberator, not again cheap humor in a silly comedy with overstressed eager beaver, not an average action story with muscled guys or a horror with once again an evil spirit being driven out by using medieval rituals to the place where it came from. "Honour" is about honor killings.

Despite our modern society this ancient use is still applicable in some cultures. Especially in the Muslim communities they sometimes fall back on this custom. Mostly the targeted persons are those who ashamed their family and, believe it or not, these mad acts are justified by certain laws of Islam. In some countries the majority of perpetrators go unpunished like in Pakistan. It's a despicable thought that there are hundreds of women being killed each year because they have violated the family honor. And that's the starting point of this film.

"Honour" is a gray and depressing impression of the beautiful Mona (Aiysha Heart) whose life enters a gruesome cycle of violence after she began an affair with a Punjabi and therefore experiences the wrath of her primal conservative mother (Harvey Virdi). Mona's mother (the similarity with the nasty witch from Hansel and Gretel is striking) and brother Kasim (Faraz Ayub) first try to take the law into their own hands. This goes wrong (in an incomprehensible way) and they hire a bounty hunter (Paddy Considine) to liquidate Mona.

You can call the performances of the actress Aiysha Hart and the other actors commendable. Persuasive and dedicated. A cast that does its utmost to realize a credible and realistic story. Considine plays a sublime character role. You can see the duality in his character evolving. From a cold blooded, racist assassin into a true understanding person who apparently still has a bit of humanity inside him. Despite these superb performances, the film still fails on several points. Apparently Shan Khan couldn't really decide whether it should be a didactic documentary or a thriller. It's not a documentary because the background of the problem is pretty vaguely presented and there's hardly any explanation. For a thriller, there has been as much as no suspense. Also, the storyline was pretty confusing because of the constant use of time jumps and constantly viewing the same situation from a different viewpoint. The whole movie was like a Spaghetti Bolognaise: tasteful with a clew of story lines.

Despite being a low-budget film, "Honour" partly succeeded to convince. It throws some light on a mysterious and incomprehensible to our standards culture, where barbaric practices are still honored. All in all I thought it was a good movie and a must see, if only to conclude that unfortunately such practices are still part of our modern society. And despite the dark atmosphere, this film also shows a gentle side so there remains still a bit of hope. Technically, I thought the executed idea of the film being a loop, not unkind and creative.

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HONOUR is a difficult movie to watch. Centering on the idea of honor killings, a practice that not only prevails in Muslim communities but in other cultures as well, it focuses on the way in which Mona (Aiysha Hart), 'transgresses' her family's sense of ethics by falling in love with a Punjabi man Tanvir (Nikesh Patel). Spurred on by her elder brother Kasim (Faraz Ayub), who works for London's Metropolitan Police by day, the family engage a bounty- hunter (Paddy Considine) to pursue Mona and discover her whereabouts. This he agrees to do, while at the same time despising the family, especially Mother (Harvey Virdi), who spends most of her time at home working as a seamstress.

The movie opens explosively with the dénouement, and then goes back to tell the story of why Mona was considered to 'transgress'. The ideas might seem shocking to non-Muslims, but Shan Khan's film shows how important it is for young women - especially - to forge the right marriages, even if it means them being transported back to Pakistan to marry a spouse chosen for them by their family, and agreed upon (normally on financial terms) by the groom's family.

Shot in neo-documentary style around the streets of the London suburb of Southall, a major center for the Asian community, HONOUR makes much of the private/public distinction: by day Kasim spends his time working for an organization that explicitly pursues anti- racist policies (in the wake of the Stephen Lawrence inquiry, which exposed large-scale racism in the Metropolitan Police). By night he appears to embrace just the kind of racism that the police try to eradicate, as he abuses Tanvir - and at one point holds him captive. Yet director Khan does not criticize Kasim for this; on the contrary he suggests that this is a way of life for many of London's Asian communities.

The real villain of the piece is Considine's bounty-hunter, who has no sense of belief other than to obtain as much money as possible. He is the true racist in the sense that he makes no effort to understand anybody's motives; all that matters for him is that the job should be done and he should receive due financial reward. It is people like him who help to perpetuate the racist stereotypes that prevent members of different communities from integrating with one another in inner cities - not just in London, but everywhere.

HONOUR offers no comfort of an easy resolution. On the contrary, it suggests that second or third generation Asians living in western capitals have to acknowledge the presence of cultural difference, and observe the conventions laid down by their families, even it that means sacrificing the so-called 'freedom' of the west for a more confined existence. This might seem 'unfair' in Mona's cause, but only because she has been brought up in a culture that supposedly values free will.

"Honour killings are violent acts of vengeance, committed by male family members against female relatives ..." This is patently untrue. Honor killings do not discriminate by gender. Women simply get the publicity.

But it seems every writer must follow Feminist (gender Marxist) dogma and carry water for "the war on women" screed.

Again and again, bad male culture, poor 'heroic' women victims and the white knights that save them to prove how strong they are.

This inanity keeps cropping up again and again by a whole generation of writers brainwashed since childhood to despise the penis.