IMDb RATING
3.7/10
1.9K
YOUR RATING
The spiteful ghost of Sadako, a murdered woman whose body was thrown down a well, reaches the Internet searching for a host in order to live once again.The spiteful ghost of Sadako, a murdered woman whose body was thrown down a well, reaches the Internet searching for a host in order to live once again.The spiteful ghost of Sadako, a murdered woman whose body was thrown down a well, reaches the Internet searching for a host in order to live once again.
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
From the original Ringu series that is. It might try to come up with something fresh and original, but it doesn't really succeed. The main actress is really beautiful and she may be able to act, but it's not like she has to in this movie. Many people will also have issues with CGI, but it's not about the CGI itself, but the fact that it is poor CGI, added to make the 3D thing "work".
I only watched the 2D version, but it's crystal clear, where the 3D is supposed to kick in. Even the version I watched is "comin' at you"! But that does not warrant watching this movie. At least not on my watch. But somehow they seem to have managed to make enough money to actually be able to do a sequel to this (according to IMDb) ... I'm not holding my breath (sorry for the pun).
I only watched the 2D version, but it's crystal clear, where the 3D is supposed to kick in. Even the version I watched is "comin' at you"! But that does not warrant watching this movie. At least not on my watch. But somehow they seem to have managed to make enough money to actually be able to do a sequel to this (according to IMDb) ... I'm not holding my breath (sorry for the pun).
Back when the world was first introduced to the creepy long-haired girl in white that came after a viewing of a cursed videotape, the goggle box in the living room was probably the only device one needed to fear. Today, the invasion of the electronic screen into every nook and cranny of our lives is so pervasive that we'd probably be staring at fear itself no matter where we turn- and it is precisely this reality that 'Sadako 3D', the fifth official entry in the 'Ring' series, exploits.
In one of the more effective sequences of the movie, our protagonist Akane (Ishihara Satomi) flees the all-girls school she is teaching at to get away from the multitude of computer screens within, only to be confronted on the street by electronic billboards above and around her. It is a clever reflection of the world we live in today, dominated by second, third and fourth screens of different sizes and dimensions. Speaking of dimension, an additional dimension of fear has also been added in the form of depth, another phenomenon that 'Sadako 3D' gladly takes advantage of.
Yet despite these virtues, director Hanabusa Tsutomo's adaptation of original creator Koji Suzuki's newest addition to the series is a hugely disappointing entry that sullies the reputation of the franchise. Instead of the grippingly eerie atmosphere of Hideo Nakata's first film, we get cheap 'boo' scares that dissipate as quickly as they appear. Instead of a genuinely spine-tingling central character in Sadako, we get a young teenage girl with superimposed red eyes and inexplicably numerous spider-like 'Sadakos' that end up unintentionally amusing. And instead of some intriguing village folklore surrounding Sadako, we get some lame excuse in the form of a limp revenge plot concocted by a vengeful artist.
Yes, Tsumoto's 'Sadako 3D' is such a deeply flawed movie that one can't help but lament at the caricature the central character has become at the hands of a clearly inept director. Tsumoto was also behind the screenplay and he and co-writer Fujioka Yoshinobu are just as incompetent in sustaining any dramatic momentum in the storytelling. Despite hewing closely to the template of the original movie in having a female protagonist on the hunt for Sadako, the duo fail to replicate the former's riveting buildup of fear or dread, chiefly because Akane isn't given much of a mystery to decipher in the first place. Couple that with a haphazard manner by which various supporting characters chance upon the said cursed footage and meet their death, and you have a narrative that basically makes little sense.
But none of that compares to the appalling CGI employed for Sadako. It says a lot when the Sadako of fourteen years ago looks more realistic than the Sadako here- and that is apparent right from the opening shot with a woman falling down a well. Even if we are willing to overlook the perspective issues of this oft-repeated shot, the use of CGI in Sadako's appearance from a computer screen or smartphone is simply awful, driven solely from the perspective of the third dimension with little thought of other spatial considerations.
Most dreadful- and worthy of reiterating- is the laugh-inducing climax where tens of Sadako-wannabes go after Akane in pure arachnid fashion. For no other reason other than the fact that it must have been hard crawling out of smaller modern-day screens, our supposedly fear-inducing character has suddenly been reduced to a long-legged creature monster that moves with extraordinary speed. Not only that, Akane also makes the transformation from scared schoolteacher to spider-buster, vanquishing her pursuers with a simple wield of a metal rod. Humour was probably not Tsumoto's intention for this drawn-out ending, but there's little else it offers.
Regrettably then, this seemingly prescient entry into the 'Ring' mythology is a complete letdown. Instead of offering a new dimension in horror, it careens into unintentional humour and just about erases any lasting memory of why Sadako was so terrifying in the first place. Like most franchise entries with '3D' prominently displayed within its title, it is no more than a cash-grab attempt at exploiting the extra dimension with a lame rehash of a previously successful horror that did just fine in 2D. With such a feeble return, this Sadako might as well have stayed in the well- which is where you want to kick it under after you've seen it.
In one of the more effective sequences of the movie, our protagonist Akane (Ishihara Satomi) flees the all-girls school she is teaching at to get away from the multitude of computer screens within, only to be confronted on the street by electronic billboards above and around her. It is a clever reflection of the world we live in today, dominated by second, third and fourth screens of different sizes and dimensions. Speaking of dimension, an additional dimension of fear has also been added in the form of depth, another phenomenon that 'Sadako 3D' gladly takes advantage of.
Yet despite these virtues, director Hanabusa Tsutomo's adaptation of original creator Koji Suzuki's newest addition to the series is a hugely disappointing entry that sullies the reputation of the franchise. Instead of the grippingly eerie atmosphere of Hideo Nakata's first film, we get cheap 'boo' scares that dissipate as quickly as they appear. Instead of a genuinely spine-tingling central character in Sadako, we get a young teenage girl with superimposed red eyes and inexplicably numerous spider-like 'Sadakos' that end up unintentionally amusing. And instead of some intriguing village folklore surrounding Sadako, we get some lame excuse in the form of a limp revenge plot concocted by a vengeful artist.
Yes, Tsumoto's 'Sadako 3D' is such a deeply flawed movie that one can't help but lament at the caricature the central character has become at the hands of a clearly inept director. Tsumoto was also behind the screenplay and he and co-writer Fujioka Yoshinobu are just as incompetent in sustaining any dramatic momentum in the storytelling. Despite hewing closely to the template of the original movie in having a female protagonist on the hunt for Sadako, the duo fail to replicate the former's riveting buildup of fear or dread, chiefly because Akane isn't given much of a mystery to decipher in the first place. Couple that with a haphazard manner by which various supporting characters chance upon the said cursed footage and meet their death, and you have a narrative that basically makes little sense.
But none of that compares to the appalling CGI employed for Sadako. It says a lot when the Sadako of fourteen years ago looks more realistic than the Sadako here- and that is apparent right from the opening shot with a woman falling down a well. Even if we are willing to overlook the perspective issues of this oft-repeated shot, the use of CGI in Sadako's appearance from a computer screen or smartphone is simply awful, driven solely from the perspective of the third dimension with little thought of other spatial considerations.
Most dreadful- and worthy of reiterating- is the laugh-inducing climax where tens of Sadako-wannabes go after Akane in pure arachnid fashion. For no other reason other than the fact that it must have been hard crawling out of smaller modern-day screens, our supposedly fear-inducing character has suddenly been reduced to a long-legged creature monster that moves with extraordinary speed. Not only that, Akane also makes the transformation from scared schoolteacher to spider-buster, vanquishing her pursuers with a simple wield of a metal rod. Humour was probably not Tsumoto's intention for this drawn-out ending, but there's little else it offers.
Regrettably then, this seemingly prescient entry into the 'Ring' mythology is a complete letdown. Instead of offering a new dimension in horror, it careens into unintentional humour and just about erases any lasting memory of why Sadako was so terrifying in the first place. Like most franchise entries with '3D' prominently displayed within its title, it is no more than a cash-grab attempt at exploiting the extra dimension with a lame rehash of a previously successful horror that did just fine in 2D. With such a feeble return, this Sadako might as well have stayed in the well- which is where you want to kick it under after you've seen it.
- www.moviexclusive.com
We live in times where VHS tapes are quite unpopular and idle, so of course a premise which focuses on a cursed VHS tape would not work anymore, as in scaring people who spend most of their times on their tablets, IPhones, Blu-Ray, Netflix etc. Then, through an insane worshiper, the curse reaches Internet, whereby Sadako's ghost searches from a supernaturally gifted host to occupy and live once again. This greatest plot ever thought to upgrade the "Ringu" premise is, unfortunately, misused in "Sadako 3D", which is surprising coming from the J-Horror genre full of such great films, "Ringu" itself included, that left Hollywood jealous and out of attention, forcing them to remake several Asian films.
"Sadako 3D" has a plausible plot for this high-tech times, but is visually absurd and spends most of its length focusing more on action and abusing of 3D effects, forgetting the new kind of thriller the story should provide. Basically, it turns out too much violent and noisy for a "Ringu" (or a J-Horror) film. Hopefully, this is an isolated case and won't happen to upcoming films, otherwise, be sure Japanese horror itself is cursed.
"Sadako 3D" has a plausible plot for this high-tech times, but is visually absurd and spends most of its length focusing more on action and abusing of 3D effects, forgetting the new kind of thriller the story should provide. Basically, it turns out too much violent and noisy for a "Ringu" (or a J-Horror) film. Hopefully, this is an isolated case and won't happen to upcoming films, otherwise, be sure Japanese horror itself is cursed.
This film starts with a man named "Seija Kashiwada" (Yusuke Yamamoto) throwing the body of a young woman into a well. The scene then shifts to a high school teacher named "Akane Ayukawa" (Satomi Isohara), who confiscates a cellphone used by one of her students, which prevents her from watching a mysterious video linked to recent deaths. Yet even though Akane temporarily prevented her student from accessing the streaming video, she couldn't stop her from doing so after school. The next day, Akane learns that the student has committed suicide. Shocked, another student named "Lisa Kitayama" (Hikari Takara) decides to investigate the video herself, but is saved when Akane arrives just in time. The problem is that the spirit named "Sadako Yamamura" (Ai Hashimoto), released by Seiji, is not only intent on killing Lisa but also wants to take over Akane's body because Akane has powers Sadako needs to complete her mission of killing every person on Earth. For those unfamiliar, this film is part of a series that began with the 1998 movie "Ringu," followed by two sequels, the first being "Spiral" that same year. Unfortunately, "Spiral" didn't perform well at the box office, and a different sequel called "Rungu 2" was produced in 1999, which then spawned another sequel the next year. As for this particular movie, it picks up where "Spiral" left off, even though it's been around 13 years since then. That said, the film acknowledges the passage of time a couple of times, but it doesn't mention any characters from the previous films except Sadako. So, you don't need to watch the earlier movies to understand what's happening. I should also note that although this film was made in 3D, I wasn't able to see it in that format, so I can't say how much better it was than the version I saw. Hopefully, the 3D effects were impressive because the 2D version didn't add much over the previous films in the series, with the excessive reliance on CGI toward the end being a particularly poor choice. Regardless, I don't think this was a bad movie necessarily, but I was somewhat disappointed overall, and I have rated it accordingly.
"The Ring" ("Ringu") was groundbreaking and innovative back in its time, and the following movies - read parts 2 and 0, as well as the Korean version, but not the American version (which was just beyond awful) - were great. And in the spirit of the previous Japanese movies, I was thrilled when I happened to fall across "Sadako 3D" by sheer luck. Preparing for a good old fashioned Japanese scarefest, I settled in on the couch to watch "Sadako 3D".
And now that the end credits have finished, I sit here with a very, very empty feeling and a rather bad taste in my mouth. This movie was quite far from the original trilogy, both in plot and in scares. Not to mention the 3D effects were not particularly impressive.
For a Japanese horror movie then "Sadako 3D" was frightfully lacking spooks and scary moments. And a poorly animated CGI version of Sadako didn't really help the movie along in any great way. Nor did it help when she came out of the well and had strangely mutated legs. Or when there were several of those creatures crawling around. It was just horrible to witness.
The acting throughout the movie was adequate, despite the actor and actresses had very little to work with. And Satomi Ishihara (playing Akane) did carry the movie all by herself actually. Without her in the movie, it would have been even more gut-wrenching to sit through.
At 96 minutes, you get very little worth for your money. The movie is lacking that tradition dark sense of foreboding doom and horror that usually permeates the Japanese horror movies. "Sadako 3D" was too much of a re-shined attempt to cash in on an otherwise great series and try to brighten it up with 3D effects.
Having seen "Sadako 3D", I am somewhat hesitant about sitting down to watch "Sadako 2 3D". Why? Well, aside from the lack of creativity in the title, then from the fear that it will turn out just as dull, lifeless and boring as the first "Sadako" movie was.
"Sadako 3D" is more of a slap in the face of fans of the original "Ring" movies than it is a well-worthy addition to the legacy.
And now that the end credits have finished, I sit here with a very, very empty feeling and a rather bad taste in my mouth. This movie was quite far from the original trilogy, both in plot and in scares. Not to mention the 3D effects were not particularly impressive.
For a Japanese horror movie then "Sadako 3D" was frightfully lacking spooks and scary moments. And a poorly animated CGI version of Sadako didn't really help the movie along in any great way. Nor did it help when she came out of the well and had strangely mutated legs. Or when there were several of those creatures crawling around. It was just horrible to witness.
The acting throughout the movie was adequate, despite the actor and actresses had very little to work with. And Satomi Ishihara (playing Akane) did carry the movie all by herself actually. Without her in the movie, it would have been even more gut-wrenching to sit through.
At 96 minutes, you get very little worth for your money. The movie is lacking that tradition dark sense of foreboding doom and horror that usually permeates the Japanese horror movies. "Sadako 3D" was too much of a re-shined attempt to cash in on an otherwise great series and try to brighten it up with 3D effects.
Having seen "Sadako 3D", I am somewhat hesitant about sitting down to watch "Sadako 2 3D". Why? Well, aside from the lack of creativity in the title, then from the fear that it will turn out just as dull, lifeless and boring as the first "Sadako" movie was.
"Sadako 3D" is more of a slap in the face of fans of the original "Ring" movies than it is a well-worthy addition to the legacy.
Did you know
- TriviaThe film is canonically the sequel to the film Spiral (1998), which was ignored as a sequel and replaced with Ring 2 (1999).
- ConnectionsFeatured in The J-Horror Virus (2023)
- How long is Sadako 3D?Powered by Alexa
Details
Box office
- Gross worldwide
- $20,335,408
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content