Thermae Romae

Lucius Modestus (Hiroshi Abe) is a hardworking bath builder in ancient Rome, but he's behind the times and no longer getting work. He can only think when under water and one day at the baths, under water, he sees something bubbling; when he investigates, he is sucked into a vortex that suddenly thrusts him out of the water.... and into a bath-house in modern-day Japan! Assuming that all the "Flat-Faced Clan" are slaves, he marvels at the bath and water-related technology available to them; he becomes emotional at the taste of a "milk-fruit" drink and soon finds himself back in Rome. But now he's back in Rome with new ideas for baths, and it isn't long before his fame bring him to the attention of Emperor Hadrianus (Masachika Ichimura). Meanwhile, young Mami (Aya Ueto) has failed in her quest to become a published manga star, and she's fired when she lets Lucius escape from his first modern-day adventure. Seeing him, she has found her new hero – to draw, that is – and she can only hope that he will appear again. As, of course, he does, several times.... When I read the description of this film, I knew it was going to be top of my list for 2013 FantAsia films to see, and I was very much not disappointed in it; the very premise is hilarious (did you know, for example, that ancient Romans all spoke Japanese and, well, most of them were Japanese? Or that an ancient Roman would, when asked the year, casually reply, "it's 135 AD"? Totally goofy, with a touch of romance besides, by the end even dour Lucius has a smile on his face. I hope I can find this on DVD, is all I can say!

Whopping temerity abounds in Hideki Takeuchi's THERMAE ROMAE, an adaptation of Mari Yamazaki's massively popular eponymous manga series, which is parlayed into a gigantic box-office smash hit, Japan's second highest-grossing domestic film in 2012 and also spawns a sequel.

In this time-travel cock and bull story, an Ancient Roman architect Lucius Modestus (Abe) multiply stumbles upon present world in Japan through magic watery portals which the movie gives no explication whatsoever. Lucius takes his cue from mod cons to improve his design of Roman baths, which is pertinently yoked to the historical process of the Roman Empire under the reign of the peripatetic Emperor Hadrian (Ichimura), not only does Lucius' copied private bath console the emperor's loss of Antinous in 130, but his discovery of therapeutic hot springs is able to miraculously heal the wounds and dissipate the fatigue of jaded Roman warriors as well, which in turn, secures Antoninus (Shishido)'s standing as Hadrian's successor, to the chagrin of the obnoxious skirt-chaser Ceionius (Kitamura). It is all thanks to Japanese bathing culture, that human history doesn't go astray in the wrong hands, temerity, yes, but also innately droll....

read my full review on the blog: cinema omnivore

A bath architect from ancient Rome keeps drowning and appearing in baths in modern Japan, get back to his own time and recreates the baths of the modern world in the best ways he can. The film is as crazy as it sounds from the plot and manages to be hilarious throughout. I didn't mind the minor problems it had in terms of the production. White actors speaking in English being dubbed over, while Japanese actors cast as Romans speaking Japanese looked weird and there were some special effects that were a bit tacky but it all went with the tone of the film. The recreation of ancient Rome itself has been done pretty well. The concept of innovation and the morale of the public psyche being connected to baths is not something you associate all the time but it does make sense. I love these types of crazy storylines.

I felt the humor of the original comic was depicted in the movie faithfully! A ancient Roman architect named Lucius was led modern Japanese bath house, sentoh. There he got some ideas of Romen bath architecture, Thermae Romae. He called modern Japanese flat-faced people. That way to call was very funny! Also Romen people were played these Japanese actors have distinct facial features, Hiroshi Abe, Kazuki Kitamura and Masachika Ichimura. So an actress of heroine couldn't find them in true European extras. I felt like the ending was twisted. But I liked it because it got to the point.

I saw it as provocative, sweet and...pretty boring between the travels of poor architect are not only repetitive but, in some measure, pretty childish.

But the idea is seductive and , reminding the emotion of childhood about adventure - historical books, just smart used. And the humor, like providential romance, the parallel between cultures , ore than Japaneses talking Latin are not so insignificant.

Indeed, in few moments I perceived Terumae romae as just delightful and, in some measure, it is little more, for acting, for atmosphere, for ingenuity of slices of story and for noble intentions as axis of a sweet - pretty nice film about pretentions of powerful men and the sources of inspiration for a correct architect.