Zeroville

Can someone explain this movie to me? The movie seems to be about an artistic, decent, yet disturbed editor. Ironically, the movie itself is horribly edited beyond comprehension. "" seems to be the correct idiom for the end result. James and Seth should smoke less drugs while working on films.

This film is just mystifying. I don't understand it at all. All the film references may be a film buff's heaven, but not for me.

This film has meaning a depth and meaning to someone, but that someone just isn't me. Maybe that someone is you? If you're a big fan of cinema history, you might have a chance of understanding this film. And I think any comparisons to "Once Upon a Time... In Hollywood" aren't straight. This film is a passion project, and to some could become a cult classic. But to me, I just wanted to Rogen/Robinson/Franco laugh out loud. That's what I expect from this cast, but hey! they've earned they're stripes, so can make what they want, for themselves andd industry insiders. I wish I got this film, but I just don't

Appreciate james francos adaptation. If you're into films and enjoyed the book this is decent. Not great but the book is a trip so this was bound to be weird. Some funny moments.

It's 1969. Cinephile Ike Jerome (James Franco) arrives in L.A. He has a tattoo of Montgomery Clift and Elizabeth Taylor on the back of his shaved head. A Place in the Sun is his favorite movie. He befriends a film editor and becomes one himself. He falls for film star Soledad (Megan Fox) and starts working on her movie. Self-important producer Rondell (Will Ferrell) is a bully.

Before using a single frame of film, James Franco needs to figure out what kind of movie he's making. This starts with Franco playing a serial killer. Ferrell seems intent on making a comedy. Megan Fox is doing a tragedy. Everybody is doing something a little different. It's messy and disjointed. It has a surreal feel but in an amateur way. Filmmaker Franco leaves a lot to be desired. Eventually, he arrives in a place where he's trying to be an arthouse surreal director. It may be pretentious but at least, it's something concrete. Franco should keep trying but he's nowhere near good enough to make something like this work.