Ernest & Celestine

It's interesting how studios and creative people would assume they know what people want. Disney knows that people want to see fairy tale stories and grand animation making the way for memorable characters and catchy songs. Warner Brothers knows that people want to see really fast animation alongside some good visual gags as perpetrated by unique charters with a lot of heart. Most other studios seem to copy either formula in their own projects. It's not too bad of an idea as long they can make their movies just as original and unique (projects like Despicable Me or Cloudy With a Chance of Meatballs).

But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.

In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.

She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.

As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.

Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.

I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.

Genuinely charming cartoon feature from the PANIQUE AU VILLAGE lot.

While rummaging through the town's dust bins, Ernest the bear finds sleeping mouse Ernestine and is dissuaded from eating her - whether it's Tom's Jerry, the King Sized Canary or Br'er Rabbit, they never get eaten.

The pair are our introduction to the parallel surface world of the bears and the underground world of the mice, both of which prove hostile, though mouse world is one of those appealing fantasy communities, like Santa city in POLAR EXPRESS or the bath house in SPIRITED AWAY. The lead duo are among the most engaging of cartoon characters and their seclusion seems a nice outcome. It would be interesting to see if their appeal survives English language dubbing.

The watercolour texture is unfamiliar and imaginative. The music is effectively unobtrusive. It would be hard to fault this one. Why try?

Move over Pixar and Disney, your monopoly be damned. Although I do like some of the Pixar/Dinsey animated movies, it was always the French animated movies that I adored. It was always amusing and entertaining and often adhering to real life nuances than go all aboard with fantasy. From L'illusioniste to Persepolis, the craftsmanship and quality that goes into these movies are impeccable. Often manually animated than using CG, the smooth animation is just mesmerizing, furthermore the narrative and the characters rivets you to your seats. Although these movies might not garner as much attention as an over-rated Hollywood production, they've always been highly refined, immensely engrossing.

Based on the kids' book by Belgian author and illustrator Gabrielle Vincent, Ernest et Célestine is the sweet sweet story of Célestine an orphan mouse who befriends a poor Bear, Ernest. In a society where the two factions are prohibited The story isn't something to write home about but it has all the essential elements to entertain you till end. I saw the French version and it seems like there is also an English dubbed version voiced over by some AAA actors like Forest Whitaker, Paul Giamatti, William H. Macy. The movie is warmly visual and wouldn't be an issue for the young ones to get hold of whats happening on screen.

Its simplicity is what made me love it so much. You are drawn into the spellbinding art and animation and its almost like a water-colored fairytale book come to life in front of you. It works a bit like a Calvin and Hobbes comic strip sans the philosophical quandaries. Instead Ernest et Célestine digs subtly into the political and societal undertones. Having seen both Frozen and Ernest et Célestine, I couldn't even fathom why Frozen won the Academy Award for Best Animated Feature.

In an industry where even animated movies are filled with shades of debauchery, you'd be a victim of a slew of questions from your young ones that you'd be too embarrassed to answer. Thankfully, Ernest et Célestine is a movie so innocent and pure at heart, that it can be watched with kids of all ages. Let them soak in the brilliant and colorful art direction and Ernest et Célestine's beautiful friendship. There's a lot that could be learnt from these two adorable critters.

Anybody who loves animation and just want to see one that warms your heart and moves, charms and entertains you, you have met your match with Ernest and Celestine. With me, out of all the films, animated and otherwise, viewed recently Ernest and Celestine stood out as one of the most beautiful. The animation, with its water-colour/ story-book look, is just lovely to look at and is imaginative while keeping things simple. The is sensitively orchestrated and unobtrusive, one of those music scores that you can listen to more than once and still find it memorable and appealing. You can't argue with the way Ernest and Celestine is written, it has a poetic simplicity that children and adults alike can understand with no problem. The unlikely friendship angle is a familiar one but that doesn't matter when Ermest and Celestine deals with it with so much warmth and heart. You can genuinely feel the relationship/friendship between the characters, and throughout the simple but never too simplistic story is both charming and touching, cute as well(I admit it that I did feel a lot of emotion watching). The characters are just as engaging as the writing, you can identify with them and their friendship and situation and it is easy to like them. They are nimbly voiced too. Overall, a sublime animated film that takes a familiar concept and does it with simplicity and doesn't rely on fart jokes, profanities, slapstick or crude toilet humour, instead allowing the story and friendship between the titular characters to come through and come through they do, and marvellously. 10/10 Bethany Cox

Reviewed by: Dare Devil Kid (DDK) Rating:3.8/5 stars

Simplistic, sublime, superlative. Classic hand-drawn animation set against a picturesque Parisian background that is filled with an ambiance of great human divide and strong social references. At the heart of this wonderful tale is an endearing story of true friendship that withstands all odds to not only emerge triumphant but also infuse others around them and even the cynics who watch the film to have a change of heart. This soaring tale of friendship also brings forth a profound social commentary told with subtle metaphorical actions, which resonate brilliantly with our own state of human affairs.